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Published in January 2010, Critical Survey of long Fiction, Fourth Edtition profiles the lives, achievements, and important works sof major writers of long fiction. The writers covered in the set represent more than 60 countries and their works date from the tenth century B.C.E to the preset. All essays include a complete biography of the writer, a list of achievements and other literary forms, and an analysis of several of the writer's major works. This volume contains selected articles from this very popular and well-reviewed set. The articles and topics were carefully chosen by our editiors to provides as much information as possible about the selected topic. African American Culture Asian Novelist Detective and Mystery Novelists English Novelists Fantasy Novelists Frenceh Novelists German Novelists Gothic Novelists Irish Novelists Italian Novelists Latin American Novelists Native American Novelists Naturalist Novelists Novelists of the Jewish Culture Novelists with Feminists Themes Novelists wiht Gay and Lesbian Themes Picareque Novelists Political Novelists Psychological Novelists Religious Novelists Russian Novelists Satirical Novelists Science Fiction Novelists Spanish Novelists For More information about this book, contact Salem Press's customer service and Sales Department: [email protected] or by telephone at (800) 221-1592 Book jacket.
The new edition of Critical Survey of American Literature, previously published as Magill's Survey of American Literature in 2006, offers detailed profiles of major American authors of fiction, drama, and poetry, each with sections on biography, general analysis, and analysis of the author's most important works.
A Comprehensive study of long fiction authors, historical development and genres (early prose fiction, the novel and the novella).
"Originally published as: Magill's guide to science fiction and fantasy literature. Ã1996" -- Verso title page.
Provides thoughtful examination of the authors, works, genres, themes and film adaptations that have contributed to the popularity and success of the young adult genre.
Richard Matheson (1926–2013) was a prolific author and screenwriter whose career helped shape the horror and fantasy genres in literature, film, and television for over sixty years. Matheson authored more than ninety short stories and dozens of novels, many of which—including I Am Legend, A Stir of Echoes, What Dreams May Come, The Shrinking Man, Hell House, and Bid Time Return—have been adapted into feature films. Despite his extensive body of work and influence, however, Matheson has remained largely outside the scope of academic scrutiny. The essays in Reading Richard Matheson: A Critical Survey provide the first critical overview of Matheson’s texts, covering seven of Matheson’s novels, a sampling of short stories, and several adaptations for both film and television. The essays are arranged thematically and address the sociopolitical anxieties reflected in Matheson’s oeuvre; consider his precursors and successors; and situate him within narrative traditions of mythology, cinema, genre, and memory studies. By providing an overview of his career, Reading Richard Matheson illustrates how a commercial writer can contribute to academic discourses of literature and film. Though the essays use a variety of theoretical frameworks, the crossover nature of the collection reflects the broad range of Matheson’s output. As such, this volume will appeal to fans of Matheson’s work in general as well as scholars of literature, film studies, cultural studies, genre studies, media studies, memory studies, and popular culture.
"... an important contribution to the study of recent Chinese literature." -- Choice "This fine, scholarly survey of Chinese literature since 1949... discusses such trends as modernism, nativism, realism, root-seeking and 'scar' literature, 'misty' poets, and political, feminist, and societal issues in modern Chinese literature." -- Library Journal This volume is a survey of modern Chinese literature in the second half of the twentieth century. It has three goals: (1) to introduce figures, works, movements, and debates that constitute the dynamics of Chinese literature from 1949 to the end of the century; (2) to depict the enunciative endeavors, ranging from ideological treatises to avant-garde experiments, that inform the polyphonic discourse of Chinese cultural politics; (3) to observe the historical factors that enacted the interplay of literary (post)modernities across the Chinese communities in the Mainland, Taiwan, Hong Kong, and overseas.