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This Study Breaks Fresh Ground In Exploring V.S. Naipaul S Three Books About His Travels In India, Treating These As A Series Whose Meanings Emerge Only When Considered Together. It Focuses On The Inextricable Intertwining Of Naipaul S Writings With His Personal Experiences And Demonstrates As To How His Critiques Of Indian Culture And Politics Emerge From His Diasporic Worldview. It Includes An Analysis Of Naipaul S Perception Of Women S Differences In A Rapidly Changing Society. The Book Is An Insightful Reading For Those Interested In Naipaul S Career-Long Engagement With India.
V.S. Naipaul Has Claimed That All His Work Is Really One And He Has Been Writing One Big Book All These Years; Also, Considering The World He Has Stepped Into And The World He Has To Look At, He Cannot Be A Professional Novelist In The Old Sense. In His Early Youth Naipaul Took Up The Vocation Of A Writer As His Religion And, Since The Beginning Five Decades Ago, Has Drawn On His Intensely Personal Experience Of An Uprooted Person Adrift In The World, His Experience Of The Two Worlds To None Of Which He Could Really Belong An Experience That Imparts The Authentic Voice To His Works Both Non-Fiction And Fiction Enriched By A Distinct Autobiographical Flavour. Naipaul Himself Is Split Into His Characters In Whom Are Manifested Subtle Shades Of His Emotions And Traits. He Is Accidental Man, Dangling Man, History Man And The Mimic Man All Rolled Into One. Naipaul Is Also One Of Literature S Great Travellers, And His Absorption Into The Experience Of Rootlessness, The Alienating Effects Of Colonial Past On Today S Postcolonial People Has Taken Him To Africa, South America, India And All Over The World Not In Search Of Roots But In Search Of Rootlessness, And Has Yielded A Rich Harvest Of Travelogues Which Are About Much More Than Travel.An Author Of A Large Number Of Fictional And Non-Fictional Works, Naipaul Continues To Surprise, Excite, Provoke And Move Readers At Every Turn Of His Literary Voyage. Naipaul Has Unseverable Emotional Bond With India Which Remains For Him An Area Of Pain, An Ache For Which One Has A Great Tenderness Yet From Which He Wishes To Separate Himself. The World Of V.S. Naipaul Is The World Of Two Worlds. The Present Volumes Of Papers On Naipaul, Led By Naipaul S Nobel Lecture, Offer Illuminating Perspectives And Interesting Explorations Into This Rich, Enigmatic, Sad, Hilarious, And Fascinating World Of Naipaul.
Studies over het werk van de van Trinidad afkomstige Engelse schrijver Vidiadhar Surajprasad Naipaul (1932- ).
V.S. Naipaul stands as the most lionized literary mediator between First and Third World experience and is ordinarily viewed as possessing a unique authority on the subject of cross-cultural relations in the post-colonial era. In contesting this orthodox reading of his work, Nixon argues that Naipaul is more than simply an unduly influential writer. He has become a regressive Western institution, articulating a set of values that perpetuates political interests and representational modes that have their origin in the high imperial age. Nixon uses Naipaul's travel writing to probe the core theoretical issues raised by cross-cultural representation along metropolitan-periphery lines. With reference to economic theories of dependency, he critiques the vision, popularized by Naipaul, of the post-colonial world as divided between mimic and parasitic Third World nations on the one hand and, on the other, the benignly creative societies of the West.
V.S. Naipaul Is One Of The Most Celebrated Names In English Fiction Today. In His Fiction, Naipaul Presents A Subtle And Sensitive Account Of The Poignant Experiences Of The Colonized People. On The Other Hand, His Commitment To Truth Makes Him Conscious And Critical Of The Shortcomings Of Traditional Cultures As Well. This, Added To His Pessimist Vision Of The World, Makes Him A Highly Controversial Writer. The Present Study Gives A Comprehensive Account Of The Major Works Of Naipaul By Enquiring Into The Postcolonial Themes Of Alienation, Mimicry, Search For An Authentic Selfhood, Power And Freedom That Emerge From Their Reading. The Study Provides Fresh Insights By Raising Questions About Naipaul S Treatment Of Women And African Characters In His Fiction.
The book is about V. S. Naipaul who was born in Trinidad in 1932. At the age of 18, Naipaul left Trinidad on a scholarship to study literature at Oxford. He never returned to live in Trinidad. His first book was published in 1956, and by the time Trinidad achieved political independence in 1962, he had published four books and was firmly established as a writer in England. By the time Trinidad became a republic in 1976, Naipaul had written 13 books and had travelled through much of the postcolonial world. This book highlights how Trinidad and Naipaul were bound in a love-hate relationship where Naipaul continued to pass Trinidad off as a cynical island where “nothing was created” while Trinidad had its share by laying back a claim on him and his writing. It is generally perceived that Naipaul shunned his place of birth as he called his birth in Trinidad a “mistake,” Trinidad an “unimportant, uncreative, cynical” place and the Caribbean as the “Third World’s Third World.” His refusal to acknowledge Trinidad in his initial response to receiving the Nobel Prize added insult to injury. Yet, he was deeply bound to the island of Trinidad and his roots in the Indo-Trinidadian community. This book makes Naipaul’s connection to Trinidad more than evident and as such adds to the present body of knowledge.
This book engages with Naipaul's literary corpus and reconceptualizes what it means to be a writer of world literature.
For the first time: the Nobel Prize-winning author’s stunning short fiction collected in one volume, with an introduction by the author. • “Naipaul is the world’s writer, a master of language and perception.” —The New York Times Book Review Over the course of his distinguished career, V. S. Naipaul has written a remarkable array of short fiction that moves from Trinidad to London to Africa. Here are the stories from his Somerset Maugham Award–winning Miguel Street, in which he takes us into a derelict corner of Trinidad’s capital to meet, among others, Man-Man, who goes from running for public office to staging his own crucifixion. The tales in A Flag on the Island, meanwhile, roam from a Chinese bakery in Trinidad to a rooming house in London. And in the celebrated title story from the Booker Prize– winning In a Free State, an English couple traveling in an unnamed African country discover, under a veneer of civilization, a landscape of squalor and ethnic bloodletting. No writer has rendered our postcolonial world more acutely or prophetically than V. S. Naipaul, or given its upheavals such a hauntingly human face.