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How is the future changing? Is there a single determinant future or a plethora of alternative futures? How do we actually study futures and can we trust anything anyone says about 'the future'? Are Muslim societies prepared for the coming tsunami of change? This issue of Critical Muslim takes a searching look at all things 'futures', from trends to scenarios, from Sofia the Robot to weaponised code, and from Afrofuturism to climate change. It explores what images and metaphors of the future say about the present. With contributions from a string of noted futurists including Sohail Inayatullah, Wendy Schultz, Christopher Jones, Jordi Serra and others. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.
Irfan Ahmad makes the far-reaching argument that potent systems and modes for self-critique as well as critique of others are inherent in Islam--indeed, critique is integral to its fundamental tenets and practices. Challenging common views of Islam as hostile to critical thinking, Ahmad delineates thriving traditions of critique in Islamic culture, focusing in large part on South Asian traditions. Ahmad interrogates Greek and Enlightenment notions of reason and critique, and he notes how they are invoked in relation to "others," including Muslims. Drafting an alternative genealogy of critique in Islam, Ahmad reads religious teachings and texts, drawing on sources in Hindi, Urdu, Farsi, and English, and demonstrates how they serve as expressions of critique. Throughout, he depicts Islam as an agent, not an object, of critique. On a broader level, Ahmad expands the idea of critique itself. Drawing on his fieldwork among marketplace hawkers in Delhi and Aligarh, he construes critique anthropologically as a sociocultural activity in the everyday lives of ordinary Muslims, beyond the world of intellectuals. Religion as Critique allows space for new theoretical considerations of modernity and change, taking on such salient issues as nationhood, women's equality, the state, culture, democracy, and secularism.
AbdelWahab El-Affendi on Islamophobia and Orientalism in the age of liberal paranoia, Arun Kundnani on English Defense League and the rise of the far right in Europe, Vinay Lal on Hindus who love Hitler, Gordon Steffey on Christian fundamentalism, Fanar Haddad on the sectarian schisms in the Arab world, Gary McFarlane on Tottenham Riots, Farouk Peru on self loathing Muslims, Claire Chambers on 'Four Lions', Peter Clark on Bernard Lewis and Peter Moray on Irshad Manji. Plus a short story by Suhel Ahmed, six poems by St?phane Chaumet, Anita Sethi's dangerous bus ride through Iran, Ten Top Techs for Muslim and Ziauddin Sardar on his pet hate: the beards of Islam.
Aamer Hussein takes love to its logical conclusion, Robert Irwin traces the origins of the ghazal (love lyric), Christopher Shackle recites epic Panjabi poems of sacred love and lyrical death, Imranali Panjwani mourns the massacre of Karbala, Martin Rose istaken hostage by Saddam Hussein, Jalees Rahman reflects on Nazi doctors who took delight in deathly experiments, Ramin Jahanbegloo is incarcerated in the notorious Evin prison, Hamza Elahi visits England's Muslim graveyards, Shanon Shah receives valuable guidance on love and sex from the "Obedient Wives Club", Samia Rahman sets out in search of love, Khola Hasan has mixed feelings about her hijab, Sabita Manian promotes love between India and Pakistan, Boyd Tonkin discovers that dead outrank the living in Jerusalem , Alev Adil takes "a night journey through a veiled self" and Irna Qureshi's mother finally makes a decision on her final resting place. Also in this issue: Parvez Manzoor throws scorn on a nihilistic, revisionist history of Islam, Naomi Foyle reads the first novel of a British Palestinian, Ahmad Khan explores the colonial history of The Aborigines' Protection Society, a short story by the famous Fahmida Riaz, Syrian scenarios by Manhal al-Sarraj, poems by Sabrina Mahfouz and Michael Wolf, Rachel Dwyer's list of Top Ten Muslim Characters in Bollywood and Merryl Wyn Davies's "last word" on love and death at the movies. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.
What are values and how do we define them? are there specific Islamic values? Do universal core values exist? How do we pass on appropriate values to future generations? this issue of Critical Muslim tackles these questions, with contributions from Rowan Williams, Kabir Helminski, Jeremy Henzell-Thomas, Charles Butterworth, Boyd Tonkin, Alex Moore, Mohammed Hashas and others. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.
Exploring the increasing impact of the Internet on Muslims around the world, this book sheds new light on the nature of contemporary Islamic discourse, identity, and community. The Internet has profoundly shaped how both Muslims and non-Muslims perceive Islam and how Islamic societies and networks are evolving and shifting in the twenty-first century, says Gary Bunt. While Islamic society has deep historical patterns of global exchange, the Internet has transformed how many Muslims practice the duties and rituals of Islam. A place of religious instruction may exist solely in the virtual world, for example, or a community may gather only online. Drawing on more than a decade of online research, Bunt shows how social-networking sites, blogs, and other "cyber-Islamic environments" have exposed Muslims to new influences outside the traditional spheres of Islamic knowledge and authority. Furthermore, the Internet has dramatically influenced forms of Islamic activism and radicalization, including jihad-oriented campaigns by networks such as al-Qaeda. By surveying the broad spectrum of approaches used to present dimensions of Islamic social, spiritual, and political life on the Internet, iMuslims encourages diverse understandings of online Islam and of Islam generally.
How do we communicate meaning in the age of fake news? What is the difference between narrative and information; between ideology and political narrative; between 'narrative fiction' and a story? Will the narration continue forever? What is history and what is propaganda? What shall we do tonight? What might we believe tomorrow? We look at the past, present and future of narratives and tell a few tall tales ourselves. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.
What is the ultimate destination? Is it a place, a state of mind, or a vision of how we would like things to be? Slick airline adverts tell us it's the journey, not the destination, that matters--but the selfie generation is all about capturing, filtering and digitally preserving the destination, in all its Instagrammable glory. How has 'the destination' evolved in our rapidly changing times? Whether it is a physical reality that we yearn for, a spiritual reckoning or an introspective quest to find one's self, this issue of Critical Muslim explores what it means to want to get there, and maybe even how our original goals--even the destination--may change, wherever or whenever they may be. About Critical Muslim: A quarterly publication of ideas and issues showcasing groundbreaking thinking on Islam and what it means to be a Muslim in a rapidly changing, interconnected world. Each edition centers on a discrete theme, and contributions include reportage, academic analysis, cultural commentary, photography, poetry, and book reviews.
Islam has been corrupted. A virulent strain of the religion manifests itself in bloodthirsty mutations such as Boko Haram in Nigeria and the terrifying spectre of ISIS. But behind the atrocities and turmoil lie many different versions and visions of Islam, each struggling to survive in a rapidly changing world. Ziauddin Sardar, with inimitable wit and intelligence, chronicles the diversity and richness of Islam and, in doing so, answers a host of frequently asked questions: Is Islam inherently violent and misogynistic? Why do young men and women choose to join the jihadi caliphate? What part should Muhammad's teachings play in our own times? Islam Beyond the Violent Jihadis argues for a pluralistic and reflective religion with a distinguished past - but one that appears to have been wrenched from its noble origins by rigid fundamentalism. In examining how we have nourished the rise of Islamic jihadi groups, Sardar urges us all to work together to preserve the sanity of our world.