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The study addresses a broad range of issues, such as female space, negative attitudes to women's issues in literature, modern interpretation of classic themes and motifs, lyric persona of Marina Cvetaeva through her poetic dialogue with Pasternak and her reader, the influence of Mirra Loxvickaja on Anna Axmatova, Bella Axmadulina's strong links with Russian classics.
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
Russian poet Marina Tsvetaeva’s powerful poetic voice and her tragic life have often prompted literary commentators to treat her as either a martyr or a monster. Born in Russia in 1892, she emigrated to Europe in 1922, returned to the Soviet Union at the height of the Stalinist Terror, and committed suicide in 1941. Alyssa Dinega focuses on the poetry, rediscovering Tsvetaeva as a serious thinker with a coherent artistic and philosophical vision.
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
Though the Russian Symbolist movement was dominated by a concern with transcending sex, many of the writers associated with the movement exhibited an intense preoccupation with matters of the flesh. Drawing on poetry, plays, short stories, essays, memoirs, and letters, as well as feminist and psychoanalytic theory, Beyond the Flesh documents the often unexpected form that this obsession with gender and the body took in the life and art of two of the most important Russian Symbolists. Jenifer Presto argues that the difficulties encountered in reading Alexander Blok and Zinaida Gippius within either a feminist or a traditional, binary gendered framework derive not only from the peculiarities of their creative personalities but also from the specific Russian cultural context. Although these two poets engaged in gendered practices that, at times, appeared to be highly idiosyncratic and even incited gossip among their contemporaries, they were not operating in a vacuum. Instead, they were responding to philosophical concepts that were central to Russian Symbolism and that would continue to shape modernism in Russia.
A Prayer book designed to be used by individual women, as well as by those who are leading group prayer services. For nearly two millennia, Christian women have learned to pray in the language of other people's souls. From worshiping God as father to envisioning a holy life as a military campaign, they've been taught to approach the Divine with the hearts and minds of men. She Who Prays: A Woman's Interfaith Prayer Book offers women a new way to pray. It draws on feminine images of God, as well as the language and experience of women, to help women tap into their own rich and unique spirituality. With material from new translations of ancient Christian hymns and prayers, as well as original prayers in the Christian and other faith traditions, She Who Prays will help women speak to God in their own voices. Arranged in roughly the same format as the Book of Common Prayer, She Who Prays contains a seven-day cycle of daily prayer services, prayers for special occasions, and a woman-oriented liturgical calendar that honors the lives of women of all faiths. The book also contains four rituals marking such themes as healing, reconciliation, and new beginnings, and a prayer to be used while walking a labyrinth. An appendix provides information on world religions and instructions for group services.
A comprehensive analysis of Eduard Limonov's poetry, fiction and journalism. It seeks to distinguish between Limonov the author and Limonov the character in order to pinpoint Limonov's true beliefs, as opposed to his public statements, which are often meant to cause outrage.
This study analyzes why Mikhailovsky - a leading Russian socialist philosopher and literary critic of the mid-19th century - expressed the most insightful, proto-Bakhtinian views on Dostoevsky's writings. It examines the social and cultural context, specifically in the political climate of Mikhailovsky's journal Otechestvennye Zapiski, the most popular magazine of its time. Russian socialist and populist literary criticism remains terra incognita outside Russia, and stereotypical perceptions of it as obtuse, boring, and appropriated by socialist realism has prevented scholars from focusing on the literary and ideological values of it. However, the roots of modern Russian thought and self-identity took their shape under the direct influence of such social thinkers as Mikhailovsky. Examining the proto-Bakhtinian traits of Mikhailovsky's criticism of Dostoevsky shows the cultural and historical pretext of Bakhtin's discoveries.