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Excerpt from Critical Essays on Some of the Poems, of Several English Poets: With an Account of the Life and Writings of the Author After Mr. Scott's deceafe, the prefent volume being nearly ready for pub lication, it was thought advifitble to pre fix fome narrative of the author, which, as it would be highly acceptable to his friends in particular, might not be alto gether unwelcome to the public in gene ral, who, it has been often obferved, will always take an intercfl in thofe perfons, from whofe labours they have derived profit or delight. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
First Published in 1960, Critical Essays on the Poetry of Tennyson presents a collection of essays, most of which have been previously published in periodicals and written by renowned critics of Tennyson’s work. The books discusses important themes like Tennyson in temporal contexts; Tennyson in artistic contexts; a study of the Hesperides; study of Demeter and Persephone; Tennyson’s 'Ulysses'; Tennyson’s Maud and Tennyson’s Idylls. This is a must read for scholars of English poetry and English literature.
Excerpt from Critical Essays on Some of the Poems, of Several English Poets Mr. David barclay, e from his ac quaintance with the late Dr. Johnfon, thinking with equal truth and kindnefs, that he might be able to pay a mo; cf fential mark of attention to the name of Mr. Scott, refolved to apply to the Doctor to become his biographer. Dr. Johnfon was then at Afhbourn, in Derby (hire, to which place he was gone for the benefit of his health, which had been, for fome time, in a very declining ate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
This book discusses the intrusion, often inadvertent, of personal voice into the poetry of landscape in Britain, 1700– 1807. It argues that strong conventions, such as those that inhere in topographical verse of the period, invite original poets to overstep those bounds while also shielding them from the repercussions of self-expression. Working under cover of convention in this manner and because for many of these poets place is tied in significant ways to personal history, poets of place may launch unexpected explorations into memory, personhood, and the workings of consciousness. This book thus supplements past, largely political, readings of landscape poetry, turning to questions of self-articulation and self-expression in order to argue that the autobiographical impulse is a distinctive and innovative feature of much great eighteenth-century poetry of place. Among the poets under examination are Pope, Thomson, Duck, Gray, Goldsmith, Crabbe, Cowper, Smith, and Wordsworth.
A directory of authors and books read by Wordsworth before the age of thirty.
Lucid, entertaining and full of insight, How To Read A Poemis designed to banish the intimidation that too often attends thesubject of poetry, and in doing so to bring it into the personalpossession of the students and the general reader. Offers a detailed examination of poetic form and its relationto content. Takes a wide range of poems from the Renaissance to the presentday and submits them to brilliantly illuminating closesanalysis. Discusses the work of major poets, including John Milton,Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson,W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon,and many more. Includes a helpful glossary of poetic terms.