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Despite the outpour of interpretations, from critics of all schools, on Shakespeare's dramatic works and other poetic works, A Lover's Complaint has been almost totally ignored by criticism. This collection of essays is designed to bring to the poem the attention it deserves for its beauty, its aesthetic, psychological and conceptual complexity, and its representation of its cultural moment. A series of readings of A Lover's Complaint, particularly engaging with issues of psychoanalysis and gender, the volume cumulatively builds a detailed picture of the poem, its reception, and its critical neglect. The essays in the volume, by leading Shakespeareans, open up this important text before scholars, and together generate the long-overdue critical conversation about the many intriguing facets of the poem.
Jonathan Post introduces all of Shakespeare's poetry, including the sonnets and his great narrative poems, and explores themes of love and lust in these works. He also considers the debates surrounding their disputed authorship, and the impact these poems had, from contemporary readers right up to today.
"A Lover's Complaint" is a narrative poem published as an appendix to the original edition of Shakespeare's sonnets. It is given the title "A Lover's Complaint" in the book, which was published by Thomas Thorpe in 1609.Although published as Shakespeare's work, the poem's authorship has become a matter of critical debate. The majority opinion is that it is by Shakespeare.The poem consists of forty-seven seven-line stanzas written in the rhyme royal (with the rhyme scheme ababbcc), a metre and structure identical to that of Shakespeare's poem The Rape of Lucrece. In the poem, the speaker sees a young woman weeping at the edge of a river, into which she throws torn-up letters, rings, and other tokens of love. An old man asks the reason for her sorrow, and she responds by telling him of a former lover who pursued, seduced, and finally abandoned her. She concludes her story by conceding that she would fall for the young man's false charms again.Despite its appearance in the published collection of the sonnets, critics have often doubted attribution to Shakespeare. "A Lover's Complaint" contains many words and forms not found elsewhere in Shakespeare, including several archaisms and Latinisms, and is sometimes regarded as rhythmically and structurally awkward. Conversely, other critics have a high regard for the poem's quality – Edmond Malone called it "beautiful", and suggested that Shakespeare may have been trying to compete with Edmund Spenser. Critics have seen thematic parallels to situations in Shakespeare's All's Well That Ends Well and Measure for Measure. According to John Kerrigan in Motives of Woe, the poem be regarded as an appropriate coda to the sonnets, with its narrative triangle of young woman, elderly man, and seductive suitor paralleling a similar triangle in the sonnets themselves. Stanley Wells and Paul Edmondson note that:It was not unusual for sonnets to be followed by longer poems. Late sixteenth-century readers developed a taste for them and would not have been surprised to find complaints at the end of sonnet collections. Samuel Daniel's Delia is followed by The Complaint of Rosamund (1592), Thomas Lodge's Phillis is followed by The Complaint of Elstred (1593), Richard Barnfield's Cassandra succeeds Cynthia, with Certain Sonnets (1595).
This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets. An authoritative reference guide and extended introduction to Shakespeare’s sonnets. Contains more than 20 newly-commissioned essays by both established and younger scholars. Considers the form, sequence, content, literary context, editing and printing of the sonnets. Shows how the sonnets provide a mirror in which cultures can read their own critical biases. Informed by the latest theoretical, cultural and archival work.
Shakespeare's Sonnets: Critical Essays is the essential Sonnets anthology for our time. This important collection focuses exclusively on contemporary criticism of the Sonnets, reprinting three highly influential essays from the past decade and including sixteen original analyses by leading scholars in the field. The contributors' diverse approaches range from the new historicism to the new bibliography, from formalism to feminism, from reception theory to cultural materialism, and from biographical criticism to queer theory. In addition, James Schiffer's introduction offers a comprehensive survey of 400 years of criticism of these fascinating, enigmatic poems.
Shakespeare's Sonnets: Critical Essays is the essential Sonnets anthology for our time. This important collection focuses exclusively on contemporary criticism of the Sonnets, reprinting three highly influential essays from the past decade and including sixteen original analyses by leading scholars in the field. The contributors' diverse approaches range from the new historicism to the new bibliography, from formalism to feminism, from reception theory to cultural materialism, and from biographical criticism to queer theory. In addition, James Schiffer's introduction offers a comprehensive survey of 400 years of criticism of these fascinating, enigmatic poems.
Not for nothing is William Shakespeare considered possibly the most famous writer in history; his works have had a lasting effect on culture, vocabularies, and art. His plays contain some of our most well-known lines (how often have you heard the phrase 'To be or not to be'?), yet whilst his poems may often feel less familiar than his plays they have also seeped into our cultural history (who has not heard of ''Shall I compare thee to a summer's day'?). In this Very Short Introduction Jonathan Post introduces all of Shakespeare's poetry: the Sonnets; the two great narrative poems, Venus and Adonis and The Rape of Lucrece; A Lover's Complaint; and The Phoenix and Turtle. Describing Shakespeare's double identity as both poet and playwright, in conjunction with several of his contemporaries, Post evaluates the reciprocal advantages as well as the different strategies and strains that came with writing for the stage and the page. Tackling the debates surrounding the disputed authorship of Shakespeare's poems, he also considers the printing history of Shakespeare's canon, and the genres favoured by the bard. Exploring their reception, both with contemporary audiences and through the ages until today, Post explores the core themes of love and lust, and analyzes how the sonnets compare with other great love poetry of the English Renaissance. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Healy demonstrates how Renaissance alchemy shaped Shakespeare's bawdy but spiritual sonnets, transforming our understanding of Shakespeare's art and beliefs.
A Lover's Complaint - William Shakespeare - A Classic Narrative Poem - "A Lover's Complaint" is a narrative poem published as an appendix to the original edition of Shakespeare's sonnets. It is given the title "A Lover's Complaint" in the book, which was published by Thomas Thorpe in 1609. Although published as Shakespeare's work, the poem's authorship has become a matter of critical debate. The majority opinion is that it is by Shakespeare, though of inferior quality to his other works. Despite its appearance in the published collection of the sonnets, critics have often doubted attribution to Shakespeare. "A Lover's Complaint" contains many words and forms not found elsewhere in Shakespeare, including several archaisms and Latinisms, and is sometimes regarded as rhythmically and structurally awkward. Conversely, other critics have a high regard for the poem's quality - Edmond Malone called it "beautiful," and suggested that Shakespeare may have been trying to compete with Edmund Spenser. Critics have seen thematic parallels to situations in Shakespeare's All's Well That Ends Well and Measure for Measure. According to John Kerrigan in Motives of Woe, the poem be regarded as an appropriate coda to the sonnets, with its narrative triangle of young woman, elderly man, and seductive suitor paralleling a similar triangle in the sonnets themselves.