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One of the greatest American dramatists of the 20th century, Tennessee Williams is known for his sensitive characterizations, poetic yet realistic writing, ironic humor, and depiction, of harsh realties in human relationship. His work is frequently included in high school and college curricula, and his plays are continually produced. Critical Companion to Tennessee Williams includes entries on all of Williams's major and minor works, including A Streetcar Named Desire, Cat on a Hot Tin Roof, The Glass Menagerie, a novel, a collection of short stories, two poetry collections, and personal essays; places and events related to his works; major figures in his life; his literary influences; and issues in Williams scholarship and criticism. Appendixes include a complete list of Williams's works; a list of research libraries with significant Williams holdings; and a bibliography of primary and secondary sources.
This is a collection of thirteen original essays from a team of leading scholars in the field. In this wide-ranging volume, the contributors cover a healthy sampling of Williams's works, from the early apprenticeship years in the 1930s through to his last play before his death in 1983, Something Cloudy, Something Clear. In addition to essays on such major plays as The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof, among others, the contributors also consider selected minor plays, short stories, poems, and biographical concerns. The Companion also features a chapter on selected key productions as well as a bibliographic essay surveying the major critical statements on Williams.
Offers critical entries on Hawthorne's novels, short stories, travel writing, criticism, and other works, as well as portraits of characters, including Hester Prynne and Roger Chillingworth. This reference also provides entries on Hawthorne's family, friends - ranging from Herman Melville to President Franklin Pierce - publishers, and critics.
Arthur Miller, best known for his works The Crucible and Death of a Salesman, is one of America's most important dramatists.
"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.
Described as a "tragicomedy", this one-act play is set in a Florida bunkhouse for "permanent transients". The title may be translated as "The Gracious Lady", but the "characters include a kooky society gossip columnist, the frowsy crone who runs the place, a demented former Viennese vaudevillian, a Cocaloony bird (evidently a local name for a pelican) and a tomahawk-brandishing, war-whooping, blond-wigged Indian." -- adapted from publisher's website.
The playwright dramatizes his experiences in Cape Cod during the pivotal summer of 1940, when he met his first great love and openly acknowledged his homosexuality.
"The Mutilated, as described in Variety, "is about a pair of alternately friendly and quarrelsome floozies in a fleabag hotel in the French quarter of New Orleans in the 1930s. Margaret Leighton plays the one who has inherited an income just sufficient to give her pretensions and keep her supplied with the wine. Kate Reid plays a raucous hag just out of jail on a shoplifting charge. The would-be genteel lady is morbidly senstive about being physically mutilated, having had a breast removed. Her harpy companion, Williams seems to be saying, is spiritually deformed, having suffered the cruelty of fellow humans. The implication is that all of us are maimed in some form or other. The play is written as a sort of Christmas parable, with a chorus of incidental characters singing hymns resembling carols ..."--Back cover.
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