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What could the cheerful woman in the middle of a crowd be looking for in that coffin? And what kind of bishop is that with the naked beauty on his cape? The photographs of Cristóbal Hara show an undiscovered Spain--far from the beautiful beaches and urban centers--full of completely normal people and animals (and all their peculiarities) that reveal the extraordinary in the ordinary. At processions and markets, funerals and bullfights, or simply on the street, Hara positions his camera to extract unexpected details from the hustle and bustle of the provinces. An Imaginary Spaniard contains photographs that tell of joy, sorrow, loneliness and companionship, and create their own fairy-tale world out of a combination of sadness and enchantment.
Autobiography, the second volume of a trilogy (following An Imaginary Spaniard, 2004), puts images of contemporary Spain through the emotional filters of Hara's childhood. The result digs deep into Spanish culture and into the cultural background of his generation.
Collects street photographs from noted photographers of cities around the world, from New York and Sao Paolo to Paris and Sydney.
Professor Lawrence Miller lost his son Val to a drug overdose. Overwhelmed he could sense his son's distress as he called out from beyond the grave. Recklessly Miller followed his son into the afterlife. Reunited, Lawrence and Val now wander the "Seam," that place between this world and whatever comes next, choosing to help other souls.
An ex-model journeys through the dark side of fashion, where beautiful people do ugly things.
A master of American fashion and art photography turns his artistry to capturing--in a series of photograph portraits--the cowboys, roustabouts, drifters, gamblers, bar girls, and others who characterize the modern Western experience
A mountain lodge 5,000 feet up in Washington State’s Cascades mountains, accessible only by skis—or an SUV tricked out with bulldozer-size snow tires. A sleek cabin just 80 minutes from Manhattan, overlooking the property’s pond and 19 acres of woodland. A romantic, eco-friendly escape in the misty mountains of Bali’s Gunung Agung volcano. A glass-domed Finnish hut offering unobstructed views of the Northern Lights. Whether readers are seeking a once-in-a-lifetime adventure or a quiet retreat, a cozy night around a firepit or a summery lakefront sojourn, Cabin Tripping delivers. Divided into six chapters—Forest, Tropics, Mountain, Arctic, Water, and Desert—the book features a curated collection of over 80 of the most incredible cabins available to rent all over the globe. Each cabin profile includes information on how to get there, activities to enjoy in the area (hiking trails, fishing holes, thermal spas, and more), and tips like when to plan your visit to maximize your “leaf-peeping” or whale-watching opportunities.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
'Street Photography Now' celebrates the work of 46 image-makers from across the globe. Included are such luminaries as Magnum grandmasters Gilden, Parr and Webb, as well as an international posse of emerging photographers. Four essays and quotes from interviews with the photographers are included--
No other cycle of Josef Sudek's photos depicts the artist's beloved city as a record of many Prague localities as nostalgic witnesses to the passage of time. The elongated format of his photographs enabled him not only to command a truly panoramic view of Prague: he himself was probably surprised by the resultant optic deformations whose distinctly expressive tinge offered by his old Kodak camera provided him with a golden opportunity of evoking--in his unique style--the rendition of various forms by his older friends--Czech cubists.--From book jacket.