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This is a collection of the key articles written by renowned Wittgenstein scholar, G.P. Baker, on Wittgenstein’s later philosophy, published posthumously. Following Baker’s death in 2002, the volume has been edited by collaborator and partner, Katherine Morris. Contains articles previously only available in other languages, and one previously unpublished paper. Completely distinct from the widely-known work Baker did with P.M.S. Hacker in the Analytical Commentary on the Philosophical Investigations (Blackwell Publishing, 1980-1996).
Wittgenstein's Art of Investigation is one of the first to focus on and provide an original and detailed analysis of Wittgenstein's grammatical investigations. Beth Sarkey offers us new insight into the historical context and influences on method which will help students understand the intricacies and depth of his work.
This is the first collection of papers devoted to Ludwig Wittgenstein's cryptic but brilliant, On Certainty . This work, Wittgenstein's last, extends the thinking of his earlier, better known writings, and in so doing, makes the most important contribution to epistemology since Kant's Critique of Pure Reason - a claim the essays in this volume help to demonstrate. The essays have been grouped under four headings, reflecting current approaches to the work: the Framework, Transcendental, Epistemic, and Therapeutic readings.
This volume comprises nine lively and insightful essays by leading scholars on the philosophy of Ludwig Wittgenstein, focusing mainly on his early work. The essays are written from a range of perspectives and do not belong to any one exegetical school; they approach Wittgenstein's work directly, seeking to understand it in its own terms and by reference to the context in which it was produced. The contributors cover a wide range of aspects of Wittgenstein's early philosophy, but three central themes emerge: the relationship between Wittgenstein's account of representation and Russell's theories of judgment; the role of objects in the tractarian system; and Wittgenstein's philosophical method. Collectively, the essays demonstrate how progress in the understanding of Wittgenstein's work is not to be made by focusing on overarching, ideological issues, but by paying close attention to his engagement with specific philosophical problems.
Although universally recognised as one of the greatest of modern philosophers, Wittgenstein's work in aesthetics has been unjustly neglected. This is the first book exclusively devoted to Wittgenstein's aesthetics, exploring the themes developed by Wittgenstein in his own writing on aesthetics as well as the implications of Wittgenstein's wider philosophical views for understanding central issues in aesthetics. Drawing together original contributions from leading international scholars, this book will be an important addition to studies of Wittgenstein's thought, but its discussion of issues in literature, music and performing art, and criticism will also be of interest to many students of literary and cultural studies. Exploring three key themes - the capacity of the arts to illuminate our lives; the nature of the particular responses involved in understanding and appreciating works of art; the role of theory and principle in artistic and critical practice - the contributors address issues raised by contemporary philosophers of art, and seek to make connections between Wittgenstein's work and that of other significant philosophies of art in the Western tradition. Displaying the best practice of modern philosophical writing - clarity, cogency, respect for but not blind obedience to common sense, argument illustrated with detailed examples, rejection of speculation and pretension - this book demonstrates how philosophy can make a valuable contribution to understanding the arts.
Diagrams are an essential part of the most diverse processes of communication and cognition. Indeed, today the production of all kinds of text (including this one) is mediated by diagrammatic tools to be found on computer desktops. Not surprisingly, then, diagrams have become the object of much historical and theoretical work. This book--volume 2 of the Proceedings of the 33rd International Wittgenstein Symposium--is dedicated to this quickly growing field of interdisciplinary research. It includes contributions from philosophy, sociology (space syntax), art history, and history of science. Historically, there is a focus on Otto Neurath and his famous visual language (ISOTYPE), while the new attempts at theorizing diagrams presented here are mainly inspired by Charles Sanders Peirce and Ludwig Wittgenstein.
How do we get new knowledge? Following the maverick tradition in the philosophy of science, Carlo Cellucci gradually came to the conclusion that logic can only fulfill its role in mathematics, science and philosophy if it helps us to answer this question. He argues that mathematical logic is inadequate and that we need a new logic, framed in a naturalistic conception of knowledge and philosophy – the heuristic conception. This path from logic to a naturalistic conception of knowledge and philosophy explains the title, From a Heuristic Point of View, which recalls the celebrated collection of essays, From a Logical Point of View, by Willard Van Orman Quine, the father of modern naturalized epistemology. The word ‘heuristic’ points to Cellucci’s favorite theme and the main difference between him and Quine: the emphasis on discovery and building a ‘logic’ for generating new knowledge. This book is a collection of essays from leading figures in this field who discuss, criticize, or expand on the main topics in Cellucci’s work, dealing with some of the most challenging questions in logic, science and philosophy.
"Over the past sixty years, within the analytic tradition of philosophy, there has been a significant revival of interest in the philosophy of religion. More recently, philosophers of religion have turned in a more self-consciously interdisciplinary direction, with special focus on topics that have traditionally been the provenance of systematic theologians. The present anthology aims to bring together some of the most important essays on six central topics in recent philosophical theology. Volume 1 collects essays on three distinctively Christian doctrines: trinity, incarnation, and atonement. Volume 2 focuses on three topics that arise in all the major theistic religions: providence, resurrection, and scripture." --Book Jacket.
This Element provides a comprehensive explanation of Wittgenstein's philosophy. It introduces distinctions that are essential for approaching the multilayered complex of Wittgenstein's oeuvre. One is the distinction between writing philosophical clarifications for himself and forming philosophical books for his reader.