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When her heart is stolen by a seductive stranger, a young woman is swept away to a house atop a mountain of blood-red clay: a place filled with secrets that will haunt her forever. Between desire and darkness, between mystery and madness, lies the truth behind Crimson Peak. From acclaimed director Guillermo del Toro.
In Cold War-era Baltimore, a government research facility receives an amphibious man captured in the Amazon, and a stirring romance unfolds between him and a mute janitor who uses sign language to communicate.
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself.
More determined than ever to focus on their hard-earned relationship, Vincent and Catherine attempt to celebrate their marriage with a romantic getaway, far from the city and the stresses of work, family, and anything else that could keep them apart. No cell phones, no guns, no beasting out—just each other. But when their tranquil cruise ship is transformed into a crime scene, there’s no escape, and Cat and Vincent are submerged in chaos. Can they bring down the threat before it brings down the ship?
Discover the incredible art behind Guillermo del Toro’s much anticipated TV series The Strain, FX and cable television's newest #1 television series. Based on Guillermo del Toro and Chuck Hogan’s best-selling book trilogy, The Strain is a high-concept thriller that tells the story of Dr. Ephraim Goodweather (Corey Stoll), the head of the Center for Disease Control Canary Team in New York City. He and his team are called upon to investigate a mysterious viral outbreak with all the hallmarks of an ancient and evil strain of vampirism. As the strain spreads, Eph, his team, and an assembly of everyday New Yorkers battle to control the fate of humanity itself. The Art of The Strain will delve into the amazing design work that went into creating this chilling TV series, including del Toro’s own designs for the menacing beings that pose a threat to humanity’s survival. The book will also feature interviews with key members of the cast and crew and tell the full story of this unique production. Filled with stunning concept art and candid behind-the-scenes imagery, The Art of The Strain will be the perfect accompaniment to this year’s most exciting new television show.
The nail-biting vampire thriller from the world-famous director of Pan’s Labyrinth and Hellboy.
Explore the creation of Guillermo del Toro’s early masterpiece through this visually stunning and insightful look at the spine-chilling classic. Released in 2001, Guillermo del Toro’s The Devil’s Backbone announced the director as a singular talent with a unique ability to mix the macabre with the sublime. A spiritual companion piece to his Oscar-winning Pan’s Labyrinth (2006), the film shares similar themes and is also set against the backdrop of the Spanish Civil War, a brutal conflict that turned ordinary men into monsters. Through a series of in-depth and extremely candid interviews with the director, this deluxe volume not only explores the shooting of the film but also delves into a range of other topics with del Toro, including his influences, his uniquely nuanced approach to filmmaking, and the traumatic personal events that colored the creation of The Devil’s Backbone. The book also draws on interviews with key contributors in the film’s creation, including cinematographer Guillermo Navarro and composer Javier Navarrete, to give readers an exclusive, behind-the-scenes look at how this gothic horror masterpiece was crafted. Featuring a wealth of exquisite concept art and rare unit photography, Guillermo del Toro’s The Devil’s Backbone is the ultimate behind-the-scenes look at an unforgettable Spanish-language classic.
The official novelization of the eagerly anticipated movie, Wonder Woman. Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers... and her true destiny.
This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.