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“Suspenseful . . . almost impossible to put down.”—Sacramento Union In the city of the Red Sox and the Red Line someone is leaving roses—red ones, of course—on the bodies of women he kills. For a psychologist named Susan Silverman and a P.I. named Spenser, the case is personal. But Spenser knows it's the wrong man. Because the right one has come calling on Susan—with a red rose in hand. “A novel worth reading with an ending that is worth waiting for.”—South Bend Tribune
Rose and Stanley are an elderly couple, the sort of neighbours you'd trust to feed your cat and water your plants while you're away. Not the sort of people you'd imagine rutting like animals on your freshly laundered sheets the minute you've gone.Was it the bed that seduced them? The ornate four poster bed, with the intricate carvings and erotic tapestries, that appeared out of nowhere in Peter and Bethany's spare room. The bed that keeps reappearing, no matter how many times it's dismantled and taken away.Is the bed linked to a dark secret from Peter and Bethany's past? Is that why it's haunting them? And what effect has all this had on poor Rose, stricken with the strangest malady since her frenzied tryst with Stanley?At turns eerie, unsettling and poetic, Bed of Crimson Joy is one of the most dark and deeply disturbing erotic horror stories you'll ever read.
This is the first comprehensive book-length study of gender politics in Ngugi wa Thiong'o's fiction. Brendon Nicholls argues that mechanisms of gender subordination are strategically crucial to Ngugi's ideological project from his first novel to his most recent one. Nicholls describes the historical pressures that lead Ngugi to represent women as he does, and shows that the novels themselves are symptomatic of the cultural conditions that they address. Reading Ngugi's fiction in terms of its Gikuyu allusions and references, a gendered narrative of history emerges that creates transgressive spaces for women. Nicholls bases his discussion on moments during the Mau Mau rebellion when women's contributions to the anticolonial struggle could not be reduced to a patriarchal narrative of Kenyan history, and this interpretive maneuver permits a reading of Ngugi's fiction that accommodates female political and sexual agency. Nicholls contributes to postcolonial theory by proposing a methodology for reading cultural difference. This methodology critiques cultural practices like clitoridectomy in an ethical manner that seeks to avoid both cultural imperialism and cultural relativisim. His strategy of 'performative reading,' that is, making the conditions of one text (such as folklore, history, or translation) active in another (for example, fiction, literary narrative, or nationalism), makes possible an ethical reading of gender and of the conditions of reading in translation.
The most dangerous man to cross is one who isn't afraid to die. But the most deadly is one who doesn't want to live. And Spenser has just lost the woman who made life his #1 priority. So when a religious sect kidnaps a pretty young dancer, no death threat can make Spenser cut and run. Now a hit man's bullet is wearing Spenser's name. But Boston's big boys don't know Spenser's ready and willing to meet death more than halfway.
"Previously published by Bantam Australia in trade paperback in January 2017"--Copyright page.
Fans of Divergent will love Diana Peterfreund’s take on Jane Austen’s Persuasion set in a post-apocalyptic world. In the dystopian future of For Darkness Shows the Stars, a genetic experiment has devastated humanity. In the aftermath, a new class system placed anti-technology Luddites in absolute power over vast estates—and any survivors living there. Elliot North is a dutiful Luddite and a dutiful daughter who runs her father’s estate. When the boy she loved, Kai, a servant, asked her to run away with him four years ago, she refused, although it broke her heart. Now Kai is back. And while Elliot longs for a second chance with her first love, she knows it could mean betraying everything she’s been raised to believe is right. For Darkness Shows the Stars is a breathtaking YA romance about opening your mind to the future and your heart to the one person you know can break it.
Yearning to escape her life of prostitution in 1870s London, Sugar finds her fate entangled in the complicated family life of patron William, an egotistical perfume magnate.
“And Never Know the Joy” : Sex and the Erotic in English Poetry promises the reader much to enjoy and to reflect on: riddles and sex games; the grammar of relationships; the cunning psychology of bodily fantasies; sexuality as the ambiguous performance of words; the allure of music and its instruments; the erotics of death and remembrance, are just a few of the initial themes that emerge from the twenty-five articles to be found in this volume, with many an invitation “to seize the day”. Reproduction, pregnancy, and fear; discredited and degraded libertines; the ventriloquism of sexual objects; the ease with which men are reduced to impotence by the carnality of women; orgasm and melancholy; erotic mysticism and religious sexuality; the potency and dangers of fruit and flowers; the delights of the recumbent male body and of dancing girls; the fertile ritual use of poetic texts; striptease and revolution; silent women reclaimed as active vessels, are amongst the many engaging topics that emerge out of the ongoing and entertaining scholarly discussion of sex and eroticism in English poetry.
'Genuinely funny: indeed, the story will… keep you entertained for a very long time' Sunday Times Joy Division changed the face of music. Godfathers of the current alternative scene, they reinvented rock in the post-punk era, creating a new sound - dark, hypnotic, intense - that would influence U2, Morrissey, R.E.M., Radiohead and many others. This is the story of Joy Division told by the band's legendary bassist, Peter Hook. 'Hook has restored a flesh-and-blood rawness to what was becoming a standard tale. Few pop music books manage that'Guardian 'An honest, enthusiastic account … It's a window like no other into the reality of life in this most aloof of bands' METRO 'An immense account of Joy Division's rise…Having read Hook's book, you'll feel like you were the fifth member of the band' GQ 'A bittersweet, profanity filled recollection… If you like Joy Division, you really have to read it' Q Magazine 'Hook lifts the lid on the real Ian Curtis' NME 'He's frank, incredibly funny, and isn't shy'Artrocker
From the acclaimed author of Forest of a Thousand Lanterns comes a fantastical new tale of darkness and love, in which magical bonds are stronger than blood. Will love break the spell? After cruelly rejecting Bao, the poor physician's apprentice who loves her, Lan, a wealthy nobleman's daughter, regrets her actions. So when she finds Bao's prized flute floating in his boat near her house, she takes it into her care, not knowing that his soul has been trapped inside it by an evil witch, who cursed Bao, telling him that only love will set him free. Though Bao now despises her, Lan vows to make amends and help break the spell. Together, the two travel across the continent, finding themselves in the presence of greatness in the forms of the Great Forest's Empress Jade and Commander Wei. They journey with Wei, getting tangled in the webs of war, blood magic, and romance along the way. Will Lan and Bao begin to break the spell that's been placed upon them? Or will they be doomed to live out their lives with black magic running through their veins? In this fantastical tale of darkness and love, some magical bonds are stronger than blood.