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Edgar Wallace's 'Ultimate Collection: Crime Novels, Detective Stories, Historical Works & Memoirs' showcases the diverse talents of this prolific author known for his gripping tales of crime and mystery. Spanning various genres, from classic detective stories to historical novels, Wallace's works are characterized by their fast-paced plots, intricate twists, and engaging characters. His writing style is both accessible and suspenseful, making his books popular among readers of all ages. In the context of early 20th-century British literature, Wallace's contributions to the detective fiction genre are highly regarded for their innovative storytelling techniques and vivid descriptions. This comprehensive collection offers a glimpse into the genius of one of the foremost crime writers of his time. Edgar Wallace's own experiences as a journalist and war correspondent greatly influenced his writing career, providing him with a unique perspective on crime and intrigue. His keen observations of human behavior and astute investigations served as the inspiration for many of his iconic characters and plotlines. As a prominent figure in the Golden Age of Detective Fiction, Wallace's work continues to captivate audiences worldwide. For fans of classic crime fiction and historical mysteries, Edgar Wallace's 'Ultimate Collection' is a must-read. With its intriguing narratives and captivating storytelling, this anthology is sure to keep readers on the edge of their seats from beginning to end. Whether you are a seasoned mystery enthusiast or a newcomer to the genre, Wallace's timeless tales offer something for everyone.
In English and American cultures, detective fiction has a long and illustrious history. Its origins can be traced back to major developments in Anglo-American law, like the concept of circumstantial evidence and the rise of lawyers as heroic figures. Edgar Allen Poe's writings further fueled this cultural phenomenon, with the use of enigmas and conundrums in his detective stories, as well as the hunt-and-chase action of early police detective novels. Poe was only one staple of the genre, with detective fiction contributing to a thriving literary market that later influenced Arthur Conan Doyle's work. This text examines the emergence of short detective fiction in the nineteenth century, as well as the appearance of detectives in Victorian novels. It explores how the genre has captivated readers for centuries, with the chapters providing a framework for a more complete understanding of nineteenth-century detective fiction.
The fascinating story of the most notorious detective agency in US history. Between 1865 and 1937, Pinkerton’s National Detective Agency was at the center of countless conflicts between capital and labor, bandits and railroads, and strikers and state power. Some believed that the detectives were protecting society from dangerous criminal conspiracies; others thought that armed Pinkertons were capital’s tool to crush worker dissent. Yet the image of the Pinkerton detective also inspired romantic and sensationalist novels, reflected shifting ideals of Victorian manhood, and embodied a particular kind of rough frontier justice. Inventing the Pinkertons examines the evolution of the agency as a pivotal institution in the cultural history of American monopoly capitalism. Historian S. Paul O’Hara intertwines political, social, and cultural history to reveal how Scottish-born founder Allan Pinkerton insinuated his way to power and influence as a purveyor of valuable (and often wildly wrong) intelligence in the Union cause. During Reconstruction, Pinkerton turned his agents into icons of law and order in the Wild West. Finally, he transformed his firm into a for-rent private army in the war of industry against labor. Having begun life as peddlers of information and guardians of mail bags, the Pinkertons became armed mercenaries, protecting scabs and corporate property from angry strikers. O’Hara argues that American capitalists used the Pinkertons to enforce new structures of economic and political order. Yet the infamy of the Pinkerton agent also gave critics and working communities a villain against which to frame their resistance to the new industrial order. Ultimately, Inventing the Pinkertons is a gripping look at how the histories of American capitalism, industrial folklore, and the nation-state converged.
This major addition to the history of the Civil War is a “fast-paced, fact-rich account” (The Wall Street Journal) offering a detailed look at President Abraham Lincoln’s use of clandestine services and the secret battles waged by Union spies and agents to save the nation—filled with espionage, sabotage, and intrigue. Veteran CIA correspondent Douglas Waller delivers a riveting account of the heroes and misfits who carried out a shadow war of espionage and covert operations behind the Confederate battlefields. Lincoln’s Spies follows four agents from the North—three men and one woman—who informed Lincoln’s generals on the enemy positions for crucial battles and busted up clandestine Rebel networks. Famed detective Allan Pinkerton mounted a successful covert operation to slip Lincoln through Baltimore before his inauguration after he learns of an assassination attempt from his agents working undercover as Confederate soldiers. But he proved less than competent as General George McClellan’s spymaster, delivering faulty intelligence reports that overestimated Confederate strength. George Sharpe, an erudite New York lawyer, succeeded Pinkerton as spymaster for the Union’s Army of the Potomac. Sharpe deployed secret agents throughout the South, planted misinformation with Robert E. Lee’s army, and outpaced anything the enemy could field. Elizabeth Van Lew, a Virginia heiress who hated slavery and disapproved of secession, was one of Sharpe’s most successful agents. She ran a Union spy ring in Richmond out of her mansion with dozens of agents feeding her military and political secrets that she funneled to General Ulysses S. Grant as his army closed in on the Confederate capital. Van Lew became one of the unsung heroes of history. Lafayette Baker was a handsome Union officer with a controversial past, whose agents clashed with Pinkerton’s operatives. He assembled a retinue of disreputable spies, thieves, and prostitutes to root out traitors in Washington, DC. But he failed at his most important mission: uncovering the threat to Lincoln from John Wilkes Booth and his gang. Behind these operatives was Abraham Lincoln, one of our greatest presidents, who was an avid consumer of intelligence and a ruthless aficionado of clandestine warfare, willing to take whatever chances necessary to win the war. Lincoln’s Spies is a “meticulous chronicle of all facets of Lincoln’s war effort” (Kirkus Reviews) and an excellent choice for those wanting “a cracking good tale” (Publishers Weekly) of espionage in the Civil War.
Mystery and detective novels are popular fictional genres within Western literature. As such, they provide a wealth of information about popular art and culture. When the genre develops within various cultures, it adopts, and proceeds to dominate, native expressions and imagery. American mystery and detective novels appeared in the late nineteenth century. This reference provides a selective guide to the important criticism of American mystery and detective novels and presents general features of the genre and its historical development over the past two centuries. Critical approaches covered in the volume include story as game, images, myth criticism, formalism and structuralism, psychonalysis, Marxism and more. Comparisons with related genres, such as gothic, suspense, gangster, and postmodern novels, illustrate similarities and differences important to the understanding of the unique components of mystery and detective fiction. The guide is divided into five major sections: a brief history, related genres, criticism, authors, and reference. This organization accounts for the literary history and types of novels stemming from the mystery and detective genre. A chronology provides a helpful overview of the development and transformation of the genre.
Explores the diverse and often arcane world of English police detectives during the formative period of their profession, from 1842 until the First World War, with special emphasis on the famed detective branch established at Scotland Yard.
William J. Burns (1880-1930) was the immediate succor of J. Edgar Hoover at the Federal Bureau of Investigation. He had taken the director's job when Warren Harding was elected and appointed Burns' friend, Harry Daugherty, as Attorney General. Both Daugherty and Burns misused their offices and were forced to resign.
Until recently, only a privileged few could read the rare, early writings that formed the basis of detective fiction in America and made it one of the most popular literary genres of the 19th century. Drawing on the unprecedented access provided by digital collections of period newspapers and magazines, this book examines detective fiction during its formative years, focusing on such crucial elements as setting, lawyers and the law, physicians and forensics, women as victims and heroes, crime and criminals, and police and detectives.
This collection of essays by leading scholars insists on a larger recognition of the importance and diversity of crime fiction in U.S. literary traditions. Instead of presenting the genre as the property of Dashiell Hammett and Raymond Chandler, this book maps a larger territory which includes the domains of Mark Twain, F. Scott Fitzgerald, William Faulkner, Richard Wright, Flannery O’Connor, Cormac McCarthy and other masters of fiction.The essays in this collection pay detailed attention to both the genuine artistry and the cultural significance of crime fiction in the United States. It emphasizes American crime fiction’s inquiry into the nature of democratic society and its exploration of injustices based on race, class, and/or gender that are specifically located in the details of American experience.Each of these essays exists on its own terms as a significant contribution to scholarship, but when brought together, the collection becomes larger than the sum of its pieces in detailing the centrality of crime fiction to American literature. This is a crucial book for all students of American fiction as well as for those interested in the literary treatment of crime and detection, and also has broad appeal for classes in American popular culture and American modernism.