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They Don't Write 'em Like That Anymore... Actually they do, Aunty Jean. Cosy Crime has spanned the literary centuries and now due to its popularity, over a physical century as well. Yet what constitutes a Cosy? Is it bounded by the Golden Age as presided over by Queen Agatha, Dame Sayers or Countess Marsh? Georgette Heyer stepped out of the Regency period to complete six very passable crime novels... But is the Cosy now something that has actually transcended the Golden Age time period and matured into an acceptably modern crime sub-genre. Does it always need the Downton Abbey touches of country mansion, old upper crust family, downstairs unrest, and the usual collection of nefarious butlers who always seem to have 'done it', whatever 'it' might be? Or is that 'predictability' what makes a cosy comfortably cosy? Or annoyingly so? And let's be honest, who hasn't at some time wished that Lord Peter would take a .32 between the eyes when the plot becomes more twisted than a corkscrew hazel? 17 writers take us on Cosy journeys - some more traditional, while others are very much up to date.
For generations, the science fiction genre and literary fiction have been perceived as irreconcilable. Startling Sci-Fi: New Tales of the Beyond attempts to prove otherwise. These 13 stories are boldly literary while employing unmistakable characteristics of the sci-fi genre. Jhon Sanchez’s “The Japanese Rice Cooker” and Daniel Gooding’s “Crow Magnum Xix” toy with readers’ expectations by defying traditional storytelling techniques while Eve Fisher’s “Embraced” and David W. Landrum’s “The Priestesses of Light” are intricately constructed character studies. Rob Hartzell’s “The Dead and Eternal” raises profound concerns about modern technology though Adam Sass’s “98% Graves” takes an optimistic view of the future. Every story is accompanied by Stefanie Masciandaro’s vibrant, hypnotic illustrations which simultaneously evoke the days of sci-fi pulp paperbacks yet remain firmly grounded in 21st century digital techniques. This anthology will take you beyond what you thought possible in science fiction.
A Point in Every Direction.... Sometimes editors are forced to reject submissions through no fault of the author. It could be a wonderfully written manuscript, but if the editor cannot place it, then what do they do? MIP has been lucky in its flexibility and its "Can we start a new project with this?" attitude. That flexibility has led us to go from a proposed quarterly publication timetable, to publishing this, our 10th in the 12 months we have been fully active. Some of the dozen authors contained within are seasoned professionals, having been published in the likes of Alfred Hitchcock's, Ellery Queen's, or other notable publications, while some are making their publishing debuts as Crimeucopians. And while the quality throughout remains exceedingly high, the subject spectrum is the widest we've published so far. But that's only fitting when you consider that the theme of this Crimeucopa is that of No Theme At All. Featuring: Peter Ullian, S. E. Bailey, N. M. Cedeño, Edward St Boniface, Jan Glaz, Eleanor Luke, Momodou Bah, Eve Fisher, John M. Floyd, Joan Leotta, Glen Bush and DL Shirey And in true Murderous Ink fashion, with a dozen authors to choose from, you're bound to find something you'll like, and something you didn't know you'd like until you've read it.
In the vein of the Reese's Book Club x Hello Sunshine Book Club pick The Other Woman, Sandie Jones’s explosive new novel The Guilt Trip will have readers gripped to the very last page. They went away as friends. They came back as suspects. Rachel and Jack. Paige and Noah. And Will. Five friends who’ve known one another for years. Then along came Ali, Will’s new fiancée. The three couples travel to Portugal for Ali and Will’s destination wedding. The weekend away at the gorgeous cliff-top villa is a chance to relax and get to know Ali an little better. She seems perfectly nice—and Will seems happy after years of bad choices. But when Rachel discovers a shocking secret about Ali, everything changes. As the wedding weekend unfolds, the secrets each of them holds begin to spill, and friendships and marriages threaten to unravel. In Sandie Jones’s explosive new suspense novel, jumping to conclusions can become the difference between life and death.
A riveting new novel of suspense about a disgraced young journalist caught up in a grifter’s game, and the trail of identically named victims she uncovers, from the instant bestselling author of I’ll Never Tell and The Good Liar. Assumed identities. A con game. Unwitting victims. After being fired from her investigative journalism job for plagiarism, Jessica Williams is looking for a break from the constant press coverage. She decides to escape for a week to a resort in Mexico boasting no connections to the outside world. While waiting at the airport for her flight, she encounters a woman with the exact same name, who she dubs Jessica Two. Drawn together by the coincidence, they play a game of twenty questions to see what other similarities they share, and exchange contact information. A week later, Jessica returns home and discover that large cash withdrawals have been made from her bank account. Security footage from the bank confirms her suspicions—Jessica Two has stolen her money. She goes to the police, only to be told that the crime is a low priority. Frustrated, she meets up with a trusted old friend, Liam, who is an investigator. When the two Google “Jessica Williams,” they get thousands of hits—Jessica was the most popular girl’s name in 1990 and Williams is almost as ubiquitous as Smith. Convinced that this isn’t the first time this scam has been run, Jessica is determined to catch the imposter, and writes a Facebook post hoping to chase down some of Jessica Two’s other victims. When she gets a number of responses, she sets a plan in motion to catch the thief, encountering a string of identically named victims along the way. Then, the threatening messages start arriving. Filled with incredible twists and turns, You Can’t Catch Me is a tantalizing, character-driven exploration of how far people will go to get revenge.
Whether it's 1950s Hollywood, a scientific experiment, or a yard sale in suburbia, the twenty-two authors represented in this collection of mystery and suspense interpret the overarching theme of "heartbreaks and half-truths" in their own inimitable style.
The Cutting Edge of Modern Short Fiction A three-time Hugo Award nominated magazine, this issue Pulphouse Fiction Magazine offers up seventeen fantastic stories by some of the best writers working in modern short fiction. No genre limitations, no topic limitations, just great stories. Attitude, feel, and high quality fiction equals Pulphouse.
In this collection, twelve award-winning writers of short crime fiction tackle the Joel catalog, and the result is a journey down life's mean streets with a soundtrack by one of the great singer-songwriters of our time.
ASININE ASSASSINS is an anthology of stories about inept, brainless, ridiculous hired guns, assassins, and murderers. The third in the "Assassins" series, which also includes UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS. Crime fiction with a difference!