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The Crimean war is unconventionally presented in this book, in which classic literary works are collected representing from different points of view the artistic interpretation of the legendary events. It was a military conflict taking place from October 1853 to February 1856 in which the Russian Empire lost to an alliance of the Ottoman Empire, France, Britain and Sardinia.
Armed with only a telescope, a watch, and a notebook he retrieved from a dead soldier, William Howard Russell spent twenty-two months reporting from the trenches for the Times of London during the Crimean War. A novice in a new field of journalism -- war reporting -- when he first set off for Crimea in 1854, the young Irishman returned home a veteran of three bloody battles, having survived the siege of Sebastopol and watched a colleague die of cholera. Russell's fine eye for detail electrified readers, and his remarkably colorful and hugely significant accounts of battles provided those at home -- for the first time ever -- with a realistic picture of the brutality of war. The Crimean War, originally published in 1856 under the title The Complete History of the Russian War, presents a selection of Russell's dispatches -- as well as those of other embedded reporters -- providing a ground-eye view of the conflict as depicted in British newspapers. Fought on the southern tip of the Crimea from 1853 to 1856, the Crimean War raged on far longer than either side expected -- largely because of mismanagement and disease: more soldiers died from cholera, typhus, typhoid, dysentery, and scurvy than battle wounds. Russell's biting criticisms of incompetent military authorities and an antiquated military system contributed to the collapse of the contemporary ruling party in Britain. In his reports, Russell wrote extensively about inept medical care for the wounded, which he termed "human barbarity." Thanks to compelling accounts by Russell and others, authorities allowed Florence Nightingale to enter the war zone and nurse troops back to health. The Crimean War contains reports from military men who acted as part-time reporters, articles by professional journalists, and letters from others at the front that newspapers back home later published. Rapidly pulled together by American publisher John G. Wells, the volume presents a fascinating contemporary analysis of the war by those on the ground. This reissue offers a new introduction by Angela Michelli Fleming and John Maxwell Hamilton that places these reports in context and highlights the critical role they played during a pivotal point in European history. The first first-hand accounts of the realities of war, these dispatches set the tone for future independent war reporting.
Please note that the maps available in the print edition do not appear in the ebook. From "the great storyteller of modern Russian historians," (Financial Times) the definitive account of the forgotten war that shaped the modern age The Charge of the Light Brigade, Florence Nightingale—these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires—the British, French, Turkish, and Russian—in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come. In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege.. Original, magisterial, alive with voices of the time, The Crimean War is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, The Crimean War is the definitive account of the war that mapped the terrain for today's world..
Rescuing the Crimean War from the shadows, Lara Kriegel demonstrates the centrality of a Victorian war to the making of modern Britain.
This book is a broad comprehensive photographic essay regarding surviving artefacts of the Crimean War, fought 150 years ago between Russia and the combined power of Britain, France, Sardinia and Turkey. The authors have spent nearly two years locating and photographing artefacts in national museums, regimental museums, and private collections throughout Great Britain and Ireland. Each artefact is presented as a highly detailed colour photograph, shot from various angles with the researcher in mind, coming alive from the page to the reader. Each photographic image is accompanied by detailed and informative text regarding physical properties, history, and specific origin. The photographs are catalogued under descriptive chapters introducing the British soldier's clothing, accoutrements, necessaries, camp equipment, and weapons, and each is accompanied by detailed and informative text regarding physical properties, history, and specific origin of the item. This definitive work will provide an invaluable resource for serious military researchers and historians.
Here is the true story of The Great War with Russia the heroism of the ordinary soldiers, including eyewitness accounts of the men who fought and survived the terrible winter of 1854-55. The soldiers views about Lords Raglan, Cardigan and Lucan make painful reading."
An exceptional photographic history of the changing face of war and combat photo journalism through the last 150 years fully illustrated with over 200 photographs
The terrible conflict that dominated the mid 19th century, the Crimean War killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land. Orlando Figes' major new book reimagines this extraordinary war, in which the stakes could not have been higher and which was fought with a terrible mixture of ferocity and incompetence. It was both a recognisably modern conflict - the first to be extensively photographed, the first to employ the telegraph, the first 'newspaper war' - and a traditional one, with illiterate soldiers, amateur officers and huge casualties caused by disease. Drawing on a huge range of fascinating sources, Figes also gives the lived experience of the war, from that of the ordinary British soldier in his snow-filled trench, to the haunted, gloomy, narrow figure of Tsar Nicholas himself as he vows to take on the whole world in his hunt for religious salvation.
In September 1854, the armies of Britain, France and Turkey invaded Russia in what was to become the Crimean War. In the months that followed over half a million soldiers fell. They died from bullet wounds and shrapnel, cholera and disease, starvation and freezing in a medieval conflict fought in a modern age. But what is rarely appreciated is that this extraordinary struggle was fought not only in the Crimea, but also along the Danube, but in the Arctic Ocean, in the Baltic and Pacific. Few wars in history reveal more confusion of purpose or have had greater unintended consequences. Alexis Troubezkoy's new history traces the causes of this most senseless of wars and sketches a vivid picture of the age which made it possible, interweaving descriptions of the Russian, Turkish and British armies with the principals of the drama — Napoleon III, Marshal St. Arnaud, Lord Raglan, the great Russian engineer Todleban, Florence Nightingale, Nicholas I, and his magnificently terrible Russian empire.
This is the first book-length study to examine the predicaments and achievements of mid-Victorian war poets. Confronted with news of suffering soldiers during the Crimean War (1854-6), these 'armchair poets' engaged with the politics of war by composing lines of verse at home, reworking established traditions of war poetry.