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In Crime and Empire, Upamanyu Pablo Mukherjee examines a wide range of nineteenth-century British fictions about crime in India--from writers such as Wilkie Collins, Walter Scott, and Conan Doyle to historical, parliamentary, and medical narratives.
Written by leading scholars, this collection provides a comprehensive and authoritative overview of modern empires. Spanning the era of modern imperial history from the early sixteenth century to the present, it challenges both the rather insular focuses on specific experiences, and gives due attention to imperial formations outside the West including the Russian, Japanese, Mughal, Ottoman and Chinese. The companion is divided into three broad sections. Part I - Times - surveys the three main eras of modern imperialism. The first was that dominated by the settlement impulse, with migrants - many voluntarily and many more by force - making new lives in the colonies. This impulse gave way, most especially in the nineteenth century, to a period of busy and rapid expansion which was less likely to promote new settlement, and in which colonists more frequently saw their sojourn in colonial lands as temporary and related to the business mostly of governance and trade. Lastly, in the twentieth century in particular, empires began to fail and to fall. Part II - Spaces - studies the principal imperial formations of the modern world. Each chapter charts the experience of a specific empire while at the same time placing it within the complex patterns of wider imperial constellations. The individual chapters thus survey the broad dynamics of change within the empires themselves and their relationships with other imperial formations, and reflect critically on the ways in which these topics have been approached in the literature. In Part III - Themes - scholars think critically about some of the key features of imperial expansion and decline. These chapters are brief and many are provocative. They reflect the current state of the field, and suggest new lines of inquiry which may follow from more comparative perspectives on empire. The broad range of themes captures the vitality and diversity of contemporary scholarship on questions of empire and colonialism, encompassing political, economic and cultural processes central to the formation and maintenance of empires as well as institutions, ideologies and social categories that shaped the lives both of those implementing and those experiencing the force of empire. In these pages the reader will find the slave and the criminal, the merchant and the maid, the scientist and the artist alongside the structures which sustained their lives and their livelihoods. Overall, the companion emphasises the diversity of imperial experience and process. Comprehensive in its scope, it draws attention to the particularities of individual empires, rather than over-generalising as if all empires, at all times, and in all places, behaved in a similar manner. It is this contingent and historical specificity that enables us to explore in expansive ways precisely what constituted the modern empire.
From Game of Thrones to Breaking Bad, the key theories and concepts in criminal justice are explained through the lens of television In Crime TV, Jonathan A. Grubb and Chad Posick bring together an eminent group of scholars to show us the ways in which crime—and the broader criminal justice system—are depicted on television. From Breaking Bad and Westworld to Mr. Robot and Homeland, this volume highlights how popular culture frames our understanding of crime, criminological theory, and the nature of justice through modern entertainment. Featuring leading criminologists, Crime TV makes the key concepts and analytical tools of criminology as engaging as possible for students and interested readers. Contributors tackle an array of exciting topics and shows, taking a fresh look at feminist criminology on The Handmaid’s Tale, psychopathy on The Fall, the importance of social bonds on 13 Reasons Why, radical social change on The Walking Dead, and the politics of punishment on Game of Thrones. Crime TV offers a fresh and exciting approach to understanding the essential concepts in criminology and criminal justice and how theories of crime circulate in popular culture.
Crime Time is a collection of twenty riveting, page-turning, historic true crime stories from 1724 to 1913 covering a host of monstrous American and English criminals, their crimes and their punishment. It includes stories of criminals—men, women, and children—whose gruesome tales have been obscured by the passage of time.
In Crime and the Rise of Modern America, Kristofer Allerfeldt studies the crimes, criminals, and law enforcement that contributed to a uniquely American system of crime and punishment from the end of the Civil War to the eve of World War II to understand how the rapidly-changing technology of transportation, media, and incarceration affected the criminal underworld. In ten thematic chapters, Crime and the Rise of Modern America turns to the outlaws of the iconic West and the illegal distilleries of Prohibition, the turn-of-the-century immigrants, and the conmen who preyed on the people of the Promised Land, to examine how crime and America both changed, defining each other.
Accessible and jargon-free and available in both print and electronic formats, the one-volume Encyclopedia of Transnational Crime and Justice contains a range of up-to-date entries that not only reflect transnational crime, but transnational justice.
Despite strenuous efforts from local, national, and international law enforcement, organized crime continues to thrive and prosper—even centuries-old crime outfits are surviving the global forces of mass migration and multinational business and finance. From traditional gangland enterprises such as narcotics, gambling, and prostitution, the world’s mafias have moved into new sources of illegal income, including high-tech arms smuggling, money laundering, and identity fraud. Traditional Crime in the Modern World tracks these organizations—the Italian and Mexican mafias, Columbian drug cartels, Chinese triads, and others—across five continents as they adapt to change, and assesses their prospects in the short and long term. World events such as the collapse of the Soviet Union and the 9/11 terror attacks are discussed in the context of contributing to emerging markets for illicit goods and services, and to evolving partnerships among criminal entities. This timely volume: • Provides a comprehensive overview of how mafia-like structures function today. • Analyzes in depth national crime situations with global implications. • Examines the migration of organized crime groups and their operations in their new countries. • Gauges the influence of digital and other technologies on organized crime. • Where applicable, notes the links between organized crime and national political institutions. • Describes the impact of the global financial crisis on crime organizations. Concise, compelling, and deeply documented, Traditional Crime in the Modern World is an eye-opening resource for researchers in Criminology and Criminal Justice, particularly with an interest in organized crime and trafficking, as well as related topics of Demography, Political Science, and International Relations.
Lost in Time Zach, Mohammad, Ramesh, Colin, and Adam are a famous musical band. The channel they were associated with, earned crores of rupees due to their shows, during their prime. However, the announcement of the arrival of a Time Machine creates new sensation in the minds of the public and attracts them towards its magic. This results in the band losing their gig to another one focused on the Time Machine. The dejected group then plans to travel through time to come back and tell the people about the future. They infiltrate the house of a scientist called Shankar, who is working on the Time Machine. While attempting to travel through time, the band loses two of its members—Adam and Colin to the Time Core. What is the Time Core? Do they manage to get through the arena? Will they be able to reunite with their friends? Read on to experience this marvellous journey which travels the entire length and breadth of time and also, becomes a significant event in Adharsh’s universe... Jack and Tom: The Dynamic Duo Jack, a 14-year-old boy who loses his mother to a terrorist attack, gets framed by Houson and is sent to Jail. After four years in jail, he manages to escape the prison along with another inmate called Olivia. Fearing that Jack might tell the truth to the cops, Houson sends his men to kill him. In a mere turn of events, Jack meets Tom and plots some crucial ideas to face his Himalayan goal of defeating Houson. Will he be able to avenge his mother’s death by killing Houson? Would they be able to get along with each other in spite of their different goals and thought processes? Will they manage to avert the threat of the police? Lastly, what has this story got to do with the protectors and the alien invasion?