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Publisher Fact Sheet A history of cremation in America.
"Morbid and illuminating" (Entertainment Weekly)—a young mortician goes behind the scenes of her curious profession. Armed with a degree in medieval history and a flair for the macabre, Caitlin Doughty took a job at a crematory and turned morbid curiosity into her life’s work. She cared for bodies of every color, shape, and affliction, and became an intrepid explorer in the world of the dead. In this best-selling memoir, brimming with gallows humor and vivid characters, she marvels at the gruesome history of undertaking and relates her unique coming-of-age story with bold curiosity and mordant wit. By turns hilarious, dark, and uplifting, Smoke Gets in Your Eyes reveals how the fear of dying warps our society and "will make you reconsider how our culture treats the dead" (San Francisco Chronicle).
Movie stars establish themselves as brands--and Taylor's brand , in its most memorable outings, has repeatedly introduced a broad audience to feminist ideas. In her breakout film, "National Velvet" (1944), Taylor's character challenges gender discrimination,: Forbidden as a girl to ride her beloved horse in an important race, she poses as a male jockey. Her next milestone, "A Place in the Sun" (1951), can be seen as an abortion rights movie--a cautionary tale from a time before women had ready access to birth control. In "Butterfield 8" (1960), for which she won an Oscar, Taylor isn't censured because she's a prostitute, but because she chooses the men: she controls her sexuality, a core tenet of the third-wave feminism that emerged in the 1990s. Even "Who's Afraid of Virginia Woolf?" (1966) depicts the anguish that befalls a woman when the only way she can express herself is through her husband's stalled career and children. The legendary actress has lived her life defiantly in public--undermining post-war reactionary sex roles, helping directors thwart the Hollywood Production Code, which censored film content between 1934 and 1967. Defying death threats she spearheaded fundraising for AIDS research in the first years of the epidemic, and has championed the rights of people to love whom they love, regardless of gender. Yet her powerful feminist impact has been hidden in plain sight. Drawing on unpublished letters and scripts as well as interviews with Kate Burton, Gore Vidal, Austin Pendleton, Kevin McCarthy, Liz Smith, and others, The Accidental Feminist will surprise Taylor and film fans with its originality and will add a startling dimension to the star's enduring mystique.
In this captivating review of the history, the practice, and the industry of cremation in America, award-winning former New York Times columnist Fred Rosen provides an authoritative source of information and many revealing facts about an increasingly common, yet still controversial, alternative to burial. Rosen gives an entertaining first person account of his inquiry into the practice of cremation and its roots. He describes the early ancient custom of cremation by funeral pyre and then explores why the rising Church banned the practice as a sacrilege. He then traces the underpinnings of the modern cremation movement in the late 19th century among a colorful group of intellectuals and physicians. This 19th century group endorsed this then illegal practice as a means to improve public health--as a way to prevent seepage of burial grounds from polluting ground water and spreading disease. Rosen goes on to examine, in today''s world, people''s feelings about death and religion as well as their sensitivities to cremation. Given certain abuses, he believes that this industry needs to be regulated. However, he finds much in favor of cremation when firsthand comparing its costs vs. the excesses and extravagances of the burial funeral industry. In an age when over 25 percent of the population is turning to cremation as a preferred funeral arrangement, this book offers much timely, useful, and engrossing information.
In 1986 Kids Can Press published an edition of Robert Service's ?The Cremation of Sam McGee? illustrated by painter Ted Harrison, who used his signature broad brushstrokes and unconventional choice of color to bring this gritty narrative poem to life. Evoking both the spare beauty and the mournful solitude of the Yukon landscape, Harrison's paintings proved the perfect match for Service's masterpiece about a doomed prospector adrift in a harsh land. Harrison's Illustrator's Notes on each page enhanced both poem and illustrations by adding valuable historical background. Upon its original publication, many recognized the book as an innovative approach to illustrating poetry for children. For years The Cremation of Sam McGee has stood out as a publishing landmark, losing none of its appeal both as a read-aloud and as a work of art. Kids Can Press proudly publishes this deluxe hardcover twentieth anniversary edition --- complete with a spot-varnished cover, new cover art and heavy coated stock --- of a book that remains as entrancing as a night sky alive with the vibrant glow of the Northern Lights.
In The Day, Hobbie continues his exploration of family life and the unending confilct between passion and comfort. It is Thanksgiving, 1991. Fletcher, an architect adrift in the prevailing economic downturn, is the relative outsider at his wife's family gathering. His sense of dislocation is the somewhat distorting lens through which we view the novel's events. Fletcher is haunted by memories of the person at the center of the book, Clare, his sister-in-law and one-time soul mate, whose bewildering death occured exactly one year earlier. Her story provides a powerful counterpoint to the pretenses of holiday conviviality and helps to complete this compelling family portrait.
The Encyclopedia of Cremation is the first major reference resource focused on cremation. Spanning many world cultures it documents regional histories, ideological movements and leading individuals that fostered cremation whilst also presenting cremation as a universal practice. Tracing ancient and classical cremation sites, historical and contemporary cremation processes and procedures of both scientific and legal kind, the encyclopedia also includes sections on specific cremation rituals, architecture, art and text. Features in the volume include: a general introduction and editorial introductions to sub-sections by Douglas Davies, an international specialist in death studies; appendices of world cremation statistics and a chronology of cremation; cross-referencing pathways through the entries via the index; individual entry bibliographies; and illustrations. This major international reference work is also an essential source book for students on the growing number of death-studies courses and wider studies in religion, anthropology or sociology.
Human societies have disposed of their dead in a variety of ways. However, while considerable attention has been paid to bodies that were buried, comparatively little work has been devoted to understanding the nature of cremated remains, despite their visibility through time. It has been argued that this is the result of decades of misunderstanding regarding the potential information that this material holds, combined with properties that make burned bone inherently difficult to analyse. As such, there is a considerable body of knowledge on the concepts and practices of inhumation yet our understanding of cremation ritual and practice is by comparison, woefully inadequate. This timely volume therefore draws together the inventive methodology that has been developed for this material and combines it with a fuller interpretation of the archaeological funerary context. It demonstrates how an innovative methodology, when applied to a challenging material, can produce new and exciting interpretations of archaeological sites and funerary contexts. The reader is introduced to the nature of burned human remains and the destructive effect that fire can have on the body. Subsequent chapters describe important cremation practices and sites from around the world and from the Neolithic period to the modern day. By emphasising the need for a robust methodology combined with a nuanced interpretation, it is possible to begin to appreciate the significance and wide-spread adoption of this practice of dealing with the dead.
From a VICE magazine columnist, “a deeply entertaining—if occasionally horrifying” (Joshua Piven, coauthor of The Worst-Case Scenario Survival Handbook) look at how humanity is likely to weather such happenings as nuclear war, a global internet collapse, antibiotics shortages, and even immortality. If you live on planet Earth you’re probably scared of the future. How could you not be? Some of the world’s most stable democracies are looking pretty shaky. Technology is invading personal relationships and taking over jobs. Relations among the three superpowers—the US, China, and Russia—are growing more complicated and dangerous. A person watching the news has to wonder: is it safe to go out there or not? Taking inspiration from his virally popular VICE column “How Scared Should I Be?,” Mike Pearl games out many of the “could it really happen?” scenarios we’ve all speculated about, assigning a probability rating, and taking us through how it would unfold. He explores what would likely occur in dozens of possible scenarios—among them the final failure of antibiotics, the loss of the world’s marine life, a complete ban on guns in the US, and even contact with extraterrestrial life—and reports back from the future, providing a clear picture of how the world would look, feel, and even smell in each of these instances. For fans of such bestsellers as What If? and The Worst Case Scenario Survival Handbook, The Day It Finally Happens is about taking future events that we don’t really understand and getting to know them in close detail. Pearl’s “well-researched speculations induce daydreams and nightmares and mark [him] as one of his generation’s most interesting writers” (Alec Ross, New York Times bestselling author).
Chronicles the author's journey across the Deep South to the site of the crematory where in February 2002 it was revealed that hundreds of decayed bodies meant for cremation were discovered, including that of the author's father.