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This guide to identifying lions, unicorns and other creatures real and fanciful in Chinese and Japanese artwork explains how these and other animal depictions were introduced to the East, and how their portrayals changed over time. Tracing the lion's early use in Mesopotamian art and its cultural symbolism in Greece and Rome, this study includes stylized foxes, tigers, badgers and cats, as well as fanciful creatures like dragons, humanoid birds, water imps, demons and other chimerical beasts. Stories and descriptions are provided along with numerous photographs and drawings, making this work an invaluable resource for art collectors and anyone interested in East Asian culture and history.
This book is a collection of contributions related to India–China relationship beyond the issue of borders. It focuses on those elements that play important role in defining, continuing, and strengthening the interaction between the two countries. In doing so, it explores roles of language and linguistics, history and culture, politics and economy, and philosophy and sociology that mediated ancient and modern interfaces. The book observes the role of silk route in the economic, political, and scholarly exchanges between ancient civilizations and in the movement of Buddhism to China and other Asian nations. The contributors highlight how the two countries have co-existed in various eras and tackled issues of conflict and cooperation during lows and highs in the past and present. It pays special attention to the role of language and linguistic competence as an important component of socio-cultural comprehension of a society and introduces major innovations and challenges in teaching and learning the Chinese language. The wide-ranging contributions make the book an attractive resource for academics, think-tanks, diplomats, and researchers working on Asian/India–China studies across the globe.
Relive the magic of classic fairy tales in this beautifully illustrated edition. For centuries fantastical stories of witches, giants, princesses, talking animals, and magical kingdoms have been passed from generation to generation. Many of the fairy tales we are most familiar with today have their roots in this oral tradition of storytelling. The World Treasury of Fairy Tales and Folklore is a stunning collection of fairy tales organized by date of printing. From tales of the 16th, 17th, and 18th centuries (Little Red Riding Hood, Fair Goldilocks, Beauty and the Beast), to familiar tales collected by The Brothers Grimm in the 19th century (The Frog King, Hansel and Gretel, Rapunzel, Snow White), to some lesser-known tales and stories from outside Europe, this book showcases a broad range of examples from this extraordinary genre. Tales are compiled and introduced by leading academics in the field, adding to a deeper understanding of beloved stories. This beautifully illustrated collection of fairy tales and folklore is an essential addition to all family libraries.
The motifs are organized according to broad thematic categories such as "the cosmos, heaven and earth" and "animals of the land and sea," among others, allowing for broad reading on a number of topics of interest to a wide variety of readers, including collectors of Asian art and students of Japan.".
The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination. For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.
The world of mythical creatures born from human imagination. Many imaginary animals believed to be auspicious symbols of good fortune originated in ancient China. The most famous ones are the "Big Four" the Winged Dragon, the Chinese Phoenix, Qilin (a hooved chimeric creature) and the Spirit Turtle. There are many more, not only from China, but also from Japan and other regions around the world. This book showcases illustrated artworks, along with sculptures and applied arts, featuring these good omens. The collection, totaling around 240 pieces, is accompanied by rich, enjoyable and approachable text by Jun'ichi Uchiyama, a professor at Miyagi Gakuin Women's University.