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Stamping: Southwest-motif pillows, dog and cat vests, a variegated leaves table, leaf cushions, a dragonfly bedroom, gossamer organza pillows, Asian chair pads, a novelty linen duster, a child's beanbag chair, an ombré ginkgo dress, Miyaki-style aprons, a layered organza shawl, a Samurai shirt, and a shawl collar bathrobe; embossing: an embossed leather table and suede chair, a black velvet evening bag, a soft wrapped sweater, a Miyaki-inspired jacket, and a falling leaves skirt.
This studio reference captures all the popular techniques available for embellishing clay, as well as a wealth of practical information and detailed images that lead readers through every phase of the design and decorating process.
Polymer clay has grown and grown and grown in popularity since the publication of Donna Kato’s best-selling The Art of Polymer Clay in 1997. And there have been so many technical advances, too. Now poly-diva Donna Kato presents an all-new look at one of crafters’ all-time favorite mediums. Donna Kato’s Polymer Clay Innovations begins with the essentials of polymer clay, including its working properties, plus tools, curing, safety recommendations, and color blending (with full information on the now-indispensable Skinner Blend). Photo-packed chapters focus on exciting projects—beads, bracelets, pins, pendants, and boxes--and showcase new techniques, including image transfers, surface treatments such as stencils, stamps, paints, and inks, sculpting, inclusions, special effects, and finishing. Finished pieces by some of the biggest names in polymer clay, including Kathleen Dustin, Pier Voulkos, and Nan Roche, plus Donna Kato herself, offer ideas and inspiration.
Presents step-by-step instructions for creating surface designs on fabric using textile paints and printing ink, and includes tips on such techniques as stamping, silkscreen, image transfer, marbling, and Japanese shibori.
The first book to present the work of Surfacedesign, an innovative San Francisco landscape architecture and urban design firm with major public and private projects throughout the Bay Area and in Hawaii, Mexico, and New Zealand. This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted. Twenty-five projects are presented, ranging in scale from the landscape approach to Auckland International Airport in New Zealand to intimate residential gardens in San Francisco and Los Angeles. Featured are Anaha, a Honolulu residential complex overlooking the Pacific Ocean, Land's End Lookout in the Golden Gate National Recreation area, Barnacles, a community gathering space on the Embarcadero, restoration of the Buena Vista Winery in Sonoma, the first commercial winery in California, and the landscape for the Museum of Steel in Monterrey, Mexico, a repurposed foundry that now incorporates the largest green roof in Central America.
In this book, leading linguists explore the empirical scope of syntactic theory, by concentrating on a set of phenomena for which both syntactic and nonsyntactic analyses initially appear plausible. Exploring the nature of such phenomena permits a deeper understanding of the nature of syntax and of neighbouring modules and their interaction. The book contributes to both traditional work in generative syntax and to the recent emphasis placed on questions relatedto the interfaces. The major topics covered include areas of current intensive research within the Minimalist Program and syntactic theory more generally, such as constraints on scope and binding relations, information-structural effects on syntactic structure, the structure of words and idioms,argument- and event-structural alternations, and the nature of the relations between syntactic, semantic, and phonological representations. After the editors' introduction, the volume is organized into four thematic sections: architectures; syntax and information structure; syntax and the lexicon; and lexical items at the interfaces. The volume is of interest to syntactic theorists, as well as linguists and cognitive scientists working in neighbouring disciplines such aslexical and compositional semantics, pragmatics and discourse structure, and morphophonology, and anyone with an interest in the modular architecture of the language faculty.
When Jane Dunnewold's book Complex Cloth was published in 1996, it quickly became the bible of surface design for fiber artists. In the years since, the world of surface design has significantly expanded: now fiber artists, art-to-wear designers, and art quilters have a much broader range of surface design products to choose from, and there are a wealth of technique combinations that can be used to create art cloth. Art Cloth picks up where Complex Cloth left off, showing how to layer processes with the latest products to create stunning cloth for use in a variety of fiber art. Following Jane's techniques with step-by-step photography, you will learn to create art cloth using dyes, color removing agents, paints, and foils combined through processes that include silk-screen printing, stamping, stenciling, and handpainting. In addition to detailed step-by-step wet-media surface design techniques, Jane demonstrates how the use of color and design contribute to successful layering. She guides and inspires artists to take their art cloth to the next level through sidebars with design tips and exercises that support the technical information. Finally, each technique chapter concludes with project ideas for the skills learned, so anyone working through the book can literally build layers on cloth as each chapter is completed.
An accessible guide to understanding and using Spoonflower to design your own fabric, wallpaper, and gift wrap. Designing fabric, wallpaper, and gift wrap used to be the stuff of dreams. Only a few select creatives got to do it, and it required formal training and significant financial investment. But times have changed, and today anyone with a computer, Internet connection, and idea can upload a file and order their own fabric or paper, printed affordably one yard or more at a time. At the forefront of this revolutionary DIY movement is Spoonflower, a North Carolina startup that produces designs for hundreds of thousands of users worldwide—twenty-four hours a day/seven days a week to keep up with demand. With step-by-step tutorials and projects that span a wide spectrum of skills, The Spoonflower Handbook is written for both new and experienced users of this print-on-demand technology. Covering everything from equipment to software to working with photos, scans, repeats, vector files, and more, it is an essential guide to a booming new creative outlet.
New Ceramic Surface Design is a fully-illustrated manual covering a wide range of creative surface decoration techniques presented in an approachable and accessible format. Ceramic artist and expert Molly Hatch guides beginners and more advanced ceramicists through various methods for creating designs on clay. You will be introduced to several different and new approaches for using your own imagery and content on the ceramic surface. Learn techniques including: -Mishima -Tape resists -Rubber stamping -Line art -Stamping -Nature resists -Found objects -Shellac resists for textures -Sticker resists -Contact paper stencils -Paper resists -Sgrafitto for shaped designs Detailed photography and hand-drawn illustrations document the processes and show beautiful completed samples. Templates and stencils for all the featured designs are included in the back of the book to use as is, or to tailor to your own tastes.