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Silence, the great unseen power, the miracle of life, works upon our character with strange contrast. Prior to spiritual studies, the idea of complete silence is strongly advocated by many. In practicing the silence, it is found to unfold our higher nature. The silence allows concentration. With the intrusion of noise, the mind cannot be receptive. Contrary to some belief, the silence is not to free the mind to allow emptiness. It means co-ordination of body and mind. It reduces friction and becomes a definite factor for our concentrated thought. The silence is essential for all forms of study. “A silent being is a very restful being. All wise people realize the deeper part of our nature can only be expressed effectively when our outer being is still.”
In this monumental work, his most ambitious undertaking, the late Samuel Terrien brings together a lifetime of scholarship on Psalms, long the wellspring of Jewish spirituality as well as the main hymnal of the Christian church. The book's insightful and clearly written introduction treats such subjects as the longevity and ecumenicity of the psalms, their Near Eastern background, the Hebrew text and ancient versions, their music, their strophic structure, their literary genre, their theology, and their relation to the New Testament. In the commentary itself Terrien freshly elucidates the theological significance of these collected poems by putting readers in touch with the formal versatility and religious passion of the psalmists themselves. While Terrien always engages in scientific exegesis before drawing theological conclusions, he is careful to allow full expression to the theological -- and, especially, the doxological -- voice of these unmatched spiritual songs. The result is a commentary that provides a link between the archaic language of Psalms and the intellectual demands of modern thinking and spirituality. Throughout his exposition Terrien shows great respect for the scribal testimony of the Jewish tradition, especially the consonants of the Masoretic text. He likewise displays great care in finding the most accurate meaning for Hebrew words of obscure origin. This meticulous work renders a translation of Psalms more reliable than those of Terrien's predecessors. He also draws on many fruitful gains of structural analysis in discerning the strophic divisions within the Hebrew text. Often he finds unity of composition where earlier critics denied it. And for readersinterested in specific aspects of translation and interpretation, Terrien has appended bibliographical lists of modern works on each psalm.
With clarity and depth characteristic of the classics, this spiritual bestseller from the author of The Return of the Prodigal Son lays out a perceptive and insightful plan for the spiritual life and achieving the ultimate goal of that life—union with God. “One of the world’s greatest spiritual writers.”—Christianity Today Henri Nouwen views our spiritual “ascent” as evolving in three movements: The first, from loneliness to solitude, focuses on the spiritual life as it relates to the experience of our own selves. The second, from hostility to hospitality, explores our spiritual life as a life for others. The final movement, from illusion to prayer, offers penetrating thoughts on the most mysterious relationship of all: our relationship with God. Throughout, Nouwen emphasizes that the more we understand (and not simply deny) our inner struggles, the more we will be able to embrace a prayerful and genuine life that is also open to others’ needs. Reaching Out is a rich book to be read, reread, pondered, and shared. It “does not offer answers or solutions,” Nouwen cautions, “but is written in the conviction that the quest for an authentic Christian spirituality is worth the effort and the pain, since in the midst of this quest we can find signs offering hope, courage, and confidence.”
This work focuses on a reality central to each human life and basic to every branch of theology; namely, the immanent transcendence of God. This study begins by exploring that theme of mystery hidden yet revealed from the perspective of the interrelationship of transcendence, self-actualization and creative expression. The book goes on to describe the interplay of those three elements in the lives and the works of,Thomas Merton, monk and writer, and Georgia O'Keeffe, artist. People from a wide variety of backgrounds and traditions will find this study a stimulating source of insight for their spiritual quest.
The result of a dialogue between poets and scholars on the meaning and making of the sacred, this book endeavours to determine how the sacred emerges in sacred script as well as in poetic discourse. It ranges through scholarship in areas as apparently disparate as postmodernism and Buddhism. The perspectives developed are various and without closure, locating the sacred in modes as diverse as patristic traditions, feminist retranslations of biblical texts, and oral and written versions of documents from the world’s religions. The essays cohere in their preoccupation with the crucial role language plays in the creation of the sacred, particularly in the relation that language bears to silence. In their interplay, language does not silence silence by, rather, calls the other as sacred into articulate existence.