Download Free Creative Editing Book in PDF and EPUB Free Download. You can read online Creative Editing and write the review.

This basic introduction to print journalism editing recognizes that journalism students need to learn editorial skills even though they may not become editors. The authors begin with an overview of the editors role in journalism and introduce editing as a creative, vital profession (within the context of the many changes going on in newspapers). Exercises are located throughout the text and on the disk, eliminating the need for a separate workbook.
Featured throughout the book are interviews with well-established Hollywood editors on their experiences with film doctoring and fixing problematic movies through creative editing solutions. The companion site, TheHealthyEdit.com features Flash animations of the editing techniques discussed in the book, and more. --Book Jacket.
A trusted source of essential information and a workbook that helps you apply your skills, Creative Editing immerses you in the real workaday world of editing newspapers, magazines, public relations materials, and Web sites.
A journey through the realm of the dead. A threat that will change the world. A choice that might save everything—or end it all. As natural disasters sweep Earthside, a mutant army rises in the Borderlands, driven by the dark force behind the Shadow Cartographers. Sienna and the Mapwalker team must use the Map of the Impossible to journey through the realm of the dead and face the nightmare at its heart. But when one of their number is taken and the team begins to break apart, each Mapwalker must face their greatest challenge. Can the Mapwalker team reach the Tower of the Winds before the Shadow claims Earthside? Will Sienna choose Finn — or turn away from the Borderlands forever? Map of the Impossible is book 3 of the Mapwalker fantasy adventure trilogy. The Mapwalker Fantasy Adventure trilogy: - Map of Shadows #1 - Map of Plagues #2 - Map of the Impossible #3
Rebecca Harding Davis was a prominent author of radical social fiction during the latter half of the nineteenth century. In stories that combine realism with sentimentalism, Davis confronted a wide range of contemporary American issues, giving voice to working women, prostitutes, wives seeking divorce, celibate utopians, and female authors. Davis broke down distinctions between the private and the public worlds, distinctions that trapped women in the ideology of domesticity. By engaging current strategies in literary hermeneutics with a strong sense of historical radicalism in the Gilded Age, Jean Pfaelzer reads Davis through the public issues that she forcefully inscribed in her fiction. In this study, Davis's realistic narratives actively construct a coherent social work, not in a fictional vacuum but in direct engagement with the explosive movements of social change from the Civil War through the turn of the century.
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Creative Postproduction explains the creative aspects of film and video postproduction so as to enhance the understanding and appreciation of film and television. This text provides essential insight into the postproduction process for general film students; those headed for careers as directors, cinematographers, producers, or writers; and those who want to pursue a career in the area of postproduction itself. While focusing on the creative aspects, it discusses many technical considerations along the way and covers up-to-date technological developments. With clear language and a wealth of real-life experience, Creative Postproduction shows how creativity continues to the very end of the filmmaking process. Features: Written by four award-winning, working professionals in film and television, providing students with first-hand insight into the business. Includes comprehensive coverage of editing, sound and visual effects, postproduction processes, and film music, giving students a well-rounded view of the entire postproduction process. Provides current information on digital filmmaking, video, and other processes, which is of special interest to students who commonly use these media. Stresses the esthetic and creative aspects of film work after shooting is complete, an increasingly important aspect of filmmaking as more primary creation occurs in postproduction than ever before. Features an extensive glossary of postproduction terminology, giving students a resource to recent terminology that is not yet widely understood.
CREATIVE EDITING has been consistently praised by reviewers for its comprehensive coverage, excellent organization, and currency of issues relevant to editing copy. The Fourth Edition continues to live up to this reputation through consistent reinforcement and practical application of editing concepts. The book covers all aspects of editing for print and online media and provides ample practice exercises for students to demonstrate that they know how to apply principles from the text. This book does not assume that students understand grammar fundamentals. It starts with basic language skills and leads students through every phase of a professional copy editor's job. The book's textbook/workbook approach allows students to practice their skills as they learn. This edition covers editing as it relates to public relations, digital editing for Web sources and magazine editing. In addition, it includes separate chapters on communications law and ethics, along with exercises designed to help students understand practical applications of legal and ethical principles.
"Editing your own writing can feel like doing your own brain surgery.?"After you've completed your manuscript and you're standing at the foot of Revision Mountain, climbing to the summit can feel impossible. It's hard to look at your own writing with the objective eye needed to shape it into a tight, polished, publishable story-but just like writing, self-editing is a skill you can learn.Developmental editor Tiffany Yates Martin has spent her career in the publishing industry honing practical, actionable techniques to help authors evaluate how well their story is working, where it might not be, and how to fix it.With a clear, accessible, user-friendly approach, she leads writers through every step of deepening and elevating their own work, as well as how to approach the edit and develop their "editor brain," and how to solicit and process feedback. Intuitive Editing doesn't offer one-size-fits-all advice or rigid writing "rules"; instead it helps authors discover what works for their story and their style-to find the best version of their vision. Whether you're writing fiction, narrative nonfiction, or memoir; whether this your first story or your fiftieth, Intuitive Editing will give you the tools you need to edit and revise your own writing with inspiration, motivation, and confidence. Tiffany Yates Martin has spent nearly thirty years as an editor in the publishing industry, working with major publishers and bestselling authors as well as newer writers. She's led workshops and seminars for conferences and writers' groups across the country and is a frequent contributor to writers' sites and publications. Visit her at www.foxprinteditorial.com.
" ... includes the business models of writing non-fiction, the details of how to research, write and edit your book, as well as publishing, product creation and marketing."--Cover.