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Creatives are taught the rules of design by mentors and professors. We are told what to do and how to do it. "Follow the rules and color within the lines," they say. "Only use two fonts on a page and don't make your logo too complicated," they say. It's time for us to tell them to shove it. Creative Anarchy explains and explores both rule-following and rule-breaking design. It includes tips to throw design caution to the wind, designers' stories with galleries of work, and creative exercises to help push your designs to the next level. Creative Anarchy is about great design and awesome ideas. You'll find sections specifically devoted to designing logos, posters, websites, publications, advertising and more.
Adbusters' Design Anarchy is a visual call to arms to resist the commercialization of everything from motherhood to masochism, and has spawned a new genre of "Reactionary Advertising." Each of the hundreds of images in this volume, many paired with notes, commentary and poetry, provokes thought and feeling. It is this feeling, this emotional "conversation" with the page that fuels Adbusters' vision: to prevent the deadening of society, everyman, us, me. You.
"In this meticulously-researched, in-depth examination of anarchism and modernism, Gurianova provides a new and compelling interpretation of the early Russian avant-garde. Her study has major implications for our understanding of some of the twentieth century’s most important modernists and is an important contribution to the history and theory of radical political thought."— Allan Antliff, author of Anarchist Modernism: Art, Politics, and the First American Avant-Garde. “Gurianova is the first scholar to study the early Russian avant-garde not as a precursor to the Constructivism of the 1920s, but as a distinctive movement in its own right. In this important book, she identifies an “aesthetics of anarchy” that characterized the movement’s politics and poetics—a concept with provocative implications for our understanding of the relationship between word and image. This is a work of original and compelling scholarship that will profoundly alter our understanding of the Russian avant-garde.”— Nancy Perloff, Getty Research Institute (Los Angeles), curator of the exhibit Tango with Cows: Book Art of the Russian Avant-Garde (1910-1917).
The acclaimed Italian philosopher interrogates the concept of creation in art, religion, and economics in this collection of five essays. Creation and the giving of orders are closely entwined in Western culture, where God commands the world into existence and later issues the injunctions known as the Ten Commandments. The arche, or origin, is always also a command, and a beginning is always the first principle that governs and decrees. This is as true for theology, where God not only creates the world but governs and continues to govern through continuous creation, as it is for the philosophical and political tradition according to which beginning and creation, command and will, together form a strategic apparatus without which our society would fall apart. The five essays collected here aim to deactivate this apparatus through a patient archaeological inquiry into the concepts of work, creation, and command. Giorgio Agamben explores every nuance of the arche in search of an an-archic exit strategy. By the book’s final chapter, anarchy appears as the secret center of power, brought to light so as to make possible a philosophical thought that might overthrow both the principle and its command.
European social theorists of the late nineteenth and early twentieth centuries tended to define modernity as a condition of heightened alienation in which traditional community is replaced by a regime of self‐interested individualism and collective isolation. In Private Anarchy, Paul Buchholz develops an alternative intellectual history of the nineteenth and twentieth centuries, showing how a strain of German-language literature worked against this common conception of modernity. Buchholz suggests that in their experimental prose Gustav Landauer, Franz Kafka, Thomas Bernhard, and Wolfgang Hilbig each considered how the "void" of mass society could be the precondition for a new, anarchic form of community that would rest not on any assumptions of shared origins or organic unity but on an experience of extreme emptiness that blurs the boundaries of the self and enables intimacy between total strangers. This community, Buchholz argues, is created through the verbal form most closely associated with alienation and isolation: the monologue. By showing how these authors engaged with the idea of community and by relating these contributions to an extended intellectual genealogy of nihilism, Private Anarchy illustrates the distinct philosophical and sociopolitical stakes of German experimental writing in the twentieth century.
Intellectual Anarchy: The Art of Disruptive Innovation reveals how a company in Hawaii defies expectations to persistently deliver game-changing technologies despite limited access to traditional capital and resources of tech hubs like Silicon Valley. Oceanit CEO Patrick Sullivan shares his creative approach, including finance and execution.
Education and Anarchy sets in motion a way of thinking about, questioning, and responding to what we can do in the face of chaos, which, whether we acknowledge it or not, animates and drives our relation to learning and teaching. Each chapter addresses different aspects of how we can learn to live creatively with this potential for losing control over what we would master, by providing practical examples and lesson plans involving both traditional literary approaches and also more experimental non-verbal modes of expression across the curriculum and disciplines. Education and Anarchy concludes by reaffirming that each student can provide you, the teacher, with ample opportunities to remember, and to learn from, how you learn best. In the end: education is about letting students learn. Despite pressures from above, teachers---of whatever rank and working in no matter what discipline or field of study-- are the ultimate guardians of this truth.
In Pitch Dark Anarchy, Randall Horton returns with renewed intensity to the themes that animated his acclaimed collections The Definition of Place and The Lingua Franca of Ninth Street. An extended meditation on the legacy of slavery and the Amistad rebellion serves as a kind of prefatory note, while the body of the text confronts contemporary issues of racial identity and urban decay.
Constructive Anarchy, the result of more than a decade of direct study within a variety of anarchist projects, provides the most wide-ranging and detailed analysis of current anarchist endeavours. The compelling discussions of anarchism and union organising, anti-poverty work and immigrant and refugee defence represent truly groundbreaking undertakings from a rising scholar of contemporary anarchism. Organised to illustrate the development of the diversity of anarchist strategies and tactics over time, the book begins with a discussion of alternative media projects before turning attention to anarchist involvement in broader community-based movements. Case studies include a discussion of anarchists and rank-and-file workplace organising, anarchist anti-borders struggles and "No One Is Illegal" movements in defence of immigrants and refugees since 9/11, and anarchist free schools and community centres. Jeff Shantz's analysis demonstrates serious and grounded practices rooted in anarchist organising: practices that may draw on previous traditions and practices but also innovate and experiment. The varied selection of case studies allows the author to compare groups that are geared primarily towards anarchist and radical subcultures with anarchist involvement in more diverse community-based coalitions, an approach that is otherwise lacking in the literature on contemporary anarchism.