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Park investigates the unexpected success of early Korean creationists, who were mostly scientists, and argues that creationism is not a product of the lack of intelligence or proper scientific education but a consequence of more profound social developments in the twentieth and twenty-first centuries. Known as the religious belief rejecting evolutionary theory, creationism has become a global issue. Although it was often known as a problem unique among fundamentalist Protestants in the United States, it has been appropriated by people with diverse religions around the world, including Asia, Africa, Europe, and South America. Many scientists and educators perceive this dissemination as a threat to modern pedagogy and scholarship, although few of them are aware of its historical and cultural contexts. Through an intensive study of the birth and growth of the anti-evolutionary movement in South Korea during the twentieth and early twenty-first centuries, this book traces an important part of this worldwide movement against evolution. The author argues that South Korean creationism started from the country's past as a developmental state during the Cold War but proliferated further amid subsequent democratization and globalization. Creationism reflected the new identifications of some Korean scientists and engineers with evangelical faith, who actively formed their own domain outside of the state hegemony and authority. This book is a valuable reference for scholars interested in the dynamic interaction between science and religion in East Asia.
"Park investigates the unexpected success of early Korean creationists, who were mostly scientists, and argues that creationism is not a product of the lack of intelligence or proper scientific education, but a consequence of more profound social developments in the twentieth and twenty-first centuries. Known as the religious belief rejecting evolutionary theory, creationism has become a global issue. Although it was often known as a problem unique among fundamentalist Protestants in the United States, it has been appropriated by people with diverse religions around the world, including Asia, Africa, Europe, and South America. Many scientists and educators perceive this dissemination as a threat to modern pedagogy and scholarship, although few of them are aware of its historical and cultural context. Through an intensive study of the birth and growth of the antievolutionary movement in South Korea during the twentieth and early twenty-first centuries, this book traces an important part of this worldwide movement against evolution. The author argues that South Korea's creationism stemmed from its past as a developmental state during the Cold War but proliferated further amid subsequent democratization and globalization. Creationism reflected the new identifications of some Korean scientists and engineers with evangelical faith, who actively formed their own domain outside of the state hegemony and authority. A valuable reference for scholars interested in the dynamic interaction between science and religion in East Asia"--
South Koreans in the Debt Crisis is a detailed examination of the logic underlying the neoliberal welfare state that South Korea created in response to the devastating Asian Debt Crisis (1997–2001). Jesook Song argues that while the government proclaimed that it would guarantee all South Koreans a minimum standard of living, it prioritized assisting those citizens perceived as embodying the neoliberal ideals of employability, flexibility, and self-sufficiency. Song demonstrates that the government was not alone in drawing distinctions between the “deserving” and the “undeserving” poor. Progressive intellectuals, activists, and organizations also participated in the neoliberal reform project. Song traces the circulation of neoliberal concepts throughout South Korean society, among government officials, the media, intellectuals, NGO members, and educated underemployed people working in public works programs. She analyzes the embrace of partnerships between NGOs and the government, the frequent invocation of a pervasive decline in family values, the resurrection of conservative gender norms and practices, and the promotion of entrepreneurship as the key to survival. Drawing on her experience during the crisis as an employee in a public works program in Seoul, Song provides an ethnographic assessment of the efforts of the state and civilians to regulate social insecurity, instability, and inequality through assistance programs. She focuses specifically on efforts to help two populations deemed worthy of state subsidies: the “IMF homeless,” people temporarily homeless but considered employable, and the “new intellectuals,” young adults who had become professionally redundant during the crisis but had the high-tech skills necessary to lead a transformed post-crisis South Korea.
This is the first English-language book on cultural policy in Korea, which critically historicises and analyses the contentious and dynamic development of the policy. It highlights that the evolution of cultural policy has been bound up with the complicated political, economic and social trajectory of Korea to a surprising degree. Investigating the content and context of the policy from the period of Japanese colonial rule (1910–1945) until the military authoritarian regime (1961–1988), the book discusses how culture, often co-opted by the government, was mobilised to disseminate state agendas and define national identity. It then moves on to investigate the distinct characteristics of Korea’s contemporary cultural policy since the 1990s, particularly its energetic pursuit of democracy, a market economy of culture and outward cultural globalisation (the Korean Wave). This book helps readers to understand the continuous presence of the ‘strong state’ in Korean cultural policy and its implications for the cultural life of Koreans. It argues that this exceptionally active cultural policy sets an important condition not only for artistic creation, cultural consumption and cultural business in the country, but also for the nation's ambitious endeavour to turn the success of its pop culture into a global phenomenon.
Over recent decades South Korea’s vibrant and distinctive populist culture has spread extensively throughout the world. This book explores how this "Korean wave" has also made an impact in North Korea. The book reveals that although South Korean media have to be consumed underground and unofficially in North Korea, they are widely watched and listened to. The book examines the ways in which this is leading to popular yearning in North Korea for migration, defecting to the South or for people to just become more like South Koreans. Overall, the book demonstrates that the soft power of the Korean wave is having an undermining impact on the hard, constraining cultural climate of North Korea.
Since the end of the Cold War, South Korea has taken on a greater role in global affairs. Ramon Pacheco Pardo provides a groundbreaking analysis of South Korea’s foreign policy from its transition to democracy in the late 1980s through the present day, arguing that the country’s approach to the world constitutes a grand strategy. This book examines the key factors and goals that shape South Korea’s long-term strategy, with analysis that brings together its diplomatic, military, economic, and soft-power components. Pacheco Pardo shows that South Korea’s fundamental aim has been to move beyond its past as a “shrimp among whales” and instead attain autonomy and freedom of action. He explores how South Korean leaders across parties and governments have pursued security, prosperity, and status. Pacheco Pardo tracks South Korea’s core relationships with North Korea, the United States, and China, and he details the country’s objectives and policies across East Asia, the Asia-Pacific region, and the rest of the world. Drawing on in-depth interviews with past and present policy makers, this book presents an analytical account of how South Korean strategy is made and practiced. It expertly lays out South Korea’s grand strategy and, more broadly, makes a compelling case that middle powers like South Korea can implement grand strategies.
CONTENTS MYTHOLOGY LEGENDS FOLK TALES REFERENCES INDEX
This book constitutes a selection of the best papers from the 15th International Conference on Business Excellence, Digital Economy and New Value Creation, ICBE 2021, held in Bucharest, Romania, in March 2021. This book is a collection of research findings and perspectives related to the digital economy and new value creation, led by the set of improvements and changes in the economic, societal and technological structures and processes towards the effort of reaching the sustainability goals.
This volume fills a gap in the existing literature and proposes an interdisciplinary and multicultural comparative approach to the impact of Hallyu worldwide. The contributors analyze the spread of South Korean popular products from different perspectives (popular culture, sociology, anthropology, linguistics) and from different geographical locations (Asia, Europe, North America, and South America). The contributors come from a variety of countries (UK, Japan, Argentina, Poland, Bulgaria, Czech Republic, Indonesia, USA, Romania). The volume is divided into three sections and twelve chapters that each bring a new perspective on the main topic. This emphasizes the impact of Hallyu and draws real and imaginary “maps” of the export of South Korean cultural products. Starting from the theoretical backgrounds offered by the existing literature, each chapter presents the impact of Hallyu in a particular country. This applied character does not exclude transnational comparisons or critical interrogations about the future development of the phenomenon. All authors are speaking about their own, native cultures. This inside perspective adds an important value to the understanding of the impact of a different culture on the “national” culture of each respective country. The contributions to this volume illustrate the “globalization” of the cultural products of Hallyu and show the various faces of Hallyu around the world.
The author focuses on Paul’s new creation’s cosmic and ecclesiastical nature by offering the ekklēsia as a tangible embodiment of God’s eschatological reign. Paul as a middleman fulfills the collective project of the Jerusalem collection to manifest God’s alternative economy against the exploitative system of the Roman Empire.