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This striking book explains the feats of engineering behind the world's most impressive architectural marvels. From skyscrapers that reach astonishing heights to bridges that span deep and wide rivers, the world is filled with awe-inspiring structures. But how do they work? Meet the extraordinary people who challenged our beliefs about what's possible, pioneering remarkable inventions that helped build the Brooklyn Bridge in the US, the Pantheon in Italy, the Burj Khalifa in Dubai, the Shard in England and the Sapporo Dome in Japan. Discover the ingenious methods engineers have come up with to enable us to build underground, underwater, on ice, and even in space. With text written by award-winning structural engineer Roma Agrawal and detailed full-color illustrations by Katie Hickey, this book provides unique and illuminating perspectives of the world's most incredible constructions. How Was That Built? is a perfect gift for curious kids who want to learn more about construction, architecture, science, technology, and the way things work. This children's picture book also serves as a fascinating companion to the author's adult nonfiction book Built: The Hidden Stories Behind our Structures, winner of the AAAS/Subaru SB&F Prize for Excellence in Science Books.
"The Pantheon is one of the most important architectural monuments of all time. Thought to have been built by Emperor Hadrian in approximately AD 125 on the site of an earlier, Agrippan-era monument, it brilliantly displays the spatial pyrotechnics emblematic of Roman architecture and engineering. The Pantheon gives an up-to-date account of recent research on the best preserved building in the corpus of ancient Roman architecture from the time of its construction to the twenty-first century. Each chapter addresses a specific fundamental issue or period pertaining to the building; together, the essays in this volume shed light on all aspects of the Pantheon's creation, and establish the importance of the history of the building to an understanding of its ancient fabric and heritage, its present state, and its special role in the survival and evolution of ancient architecture in modern Rome"--
From one of the world's leading authorities on the subject, an innovative and comprehensive account of religion in the ancient Roman and Mediterranean world In this ambitious and authoritative book, Jörg Rüpke provides a comprehensive and strikingly original narrative history of ancient Roman and Mediterranean religion over more than a millennium—from the late Bronze Age through the Roman imperial period and up to late antiquity. While focused primarily on the city of Rome, Pantheon fully integrates the many religious traditions found in the Mediterranean world, including Judaism and Christianity. This generously illustrated book is also distinguished by its unique emphasis on lived religion, a perspective that stresses how individuals’ experiences and practices transform religion into something different from its official form. The result is a radically new picture of Roman religion and of a crucial period in Western religion—one that influenced Judaism, Christianity, Islam, and even the modern idea of religion itself.
A careful analysis of the 9th to 5th century archive of the Eanna (Ishtar) temple in Uruk, providing a wealth of data on the Neo-Babylonian pantheon.
The history of Roman Imperial architecture is one of the interaction of two dominant themes: in Rome itself the emergence of a new architecture based on the use of a revolutionary new material, Roman concrete; and in the provinces, the development of interrelated but distinctive Romano-provicial schools. The metropolitan school, exemplified in the Pantheon, the Imperial Baths, and the apartment houses of Ostia, constitutes Rome's great original contribution. The role of the provinces ranged from the preservation of a lively Hellenistic tradition to the assimilation of ideas from the east and from the military frontiers. It was--finally--Late Roman architecture that transmitted the heritage of Greece and Rome to the medieval world.
The Scriptores Historiae Augustae, or Historia Augusta, is a collection of biographies of Roman emperors, heirs, and claimants from Hadrian to Numerianus (117- 284 CE). The work, which is modeled on Suetonius, purports to be written by six different authors and quotes documents and public records extensively. Since we possess no continuous account of the emperors of the second and third centuries, the Historia Augusta has naturally attracted keen attention. In the last century it has also generated the gravest suspicions. Present opinion holds that the whole is the work of a single author (who lived in the time of Theodosius) and contains much that is plagiarism and even downright forgery. The Loeb Classical Library edition of the Historia Augusta is in three volumes.
Rabun Taylor describes how the architectural ideas behind great Roman building projects were carried into practice. He uses the Baths of Caracalla, the Pantheon, the Colosseum & the great temples of Baalbek as physical documents for their own building histories.
A survey of building techniques & architecture from the 3rd century B.C. through the fifth century A.D., this volume explores how the Greeks of the classical period & later the Romans created a complex & innovative built environment.