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An exploration of the traditional rites of auspicious building and crafting • Explains the ceremonial beginnings and Hermetic principles in the laying out of foundations not only for sacred buildings like temples but also for homes and barns • Examines the principles and ceremonies of electional astrology and details how to compute natural time, as opposed to clock time • Shares examples from ancient Egypt, Iran, India, and Europe that range from the Stone Age to the Renaissance and include secret societies When we make things--whether a building, a sacred space, or a magical object--there is a precise moment when the artifact comes into being as a separate entity. That moment in time possesses its own unique quality, and because of this, there is a right time to do something and a wrong time. And, as Nigel Pennick reveals, we have the power to select favorable moments for our creations, just as our ancestors did. Illustrating ancient principles of divination, chronomancy, and electional astrology, Pennick examines all the factors behind the ancestral art of geomancy: the auspicious creation and alignment of sacred buildings as places of power. Sharing examples from ancient Egypt, Iran, India, and Europe that range from the Stone Age to the modern day, including secret societies like the Rosicrucians and the Freemasons, he explains how many cities were constructed on specially selected sites and founded ritually at precise, predetermined moments. Looking at the traditional rites of creating places of power, Pennick explains the ceremonial beginnings and Hermetic principles in the laying out of foundations as well as the use of sacrifice in the building of many notable structures. Examining the role of sacred geometry in geomancy, Pennick explains the Hermetic meaning assigned to each direction in traditional European cultures as well as the principles of natural measures and the science of understanding lucky and unlucky days. Revealing how geomantic principles are rooted in the structure of the world and the cosmic patterns of space and time, the author shows how they transcend the ages and are just as meaningful today as they were to our ancestors.
The book offers a new approach to the discussion on the issue of Chinese national identity, providing new insights in how identity is constructed and contested. These issues are of vital concern for the understanding of contemporary China and its national consciousness.
Powers are determined by geographic birth locations, and only the rich and powerful are permitted access to prized sites. SC is the first person born in space. The punishment for unauthorized births is death. Out of fear, SC keeps his strange abilities as his darkest secret. He pretends to be nothing more than a mere Regular while his peers develop unique powers, varying from controlling lightning to producing diamond hard skin. But when his mother is kidnapped by an unknown organization, SC has no choice but to act. SC ventures into a school of talented students to learn to fight, where he must learn to master his powers without revealing their true nature. But soon he realizes that the school is more than it appears and that it may hold the secret to his missing mother. To rescue her, he will have to reveal powers never before seen in all of history. Written by award winning author Leonard Petracci, a master of tension and suspense.
Identity and The Quartered Circle is an eclectic Wiccan discussion of the search for identity through the power of a cast circle and the four directions. The book defines the Circle as a container for magic. A chapter on psychological identity follows. From casting a circle to meeting the Elementals and winged spirits of faerie, the author leads the reader on a personal journey in consciousness. At its conclusion we can speak intelligently of merger with the Gods and Oneness and the reader can answer the big four questions: Who Am I, Why am I here, Where did I come from and Where am I going? ,
To make sense of the world, we’re always trying to place things in context, whether our environment is physical, cultural, or something else altogether. Now that we live among digital, always-networked products, apps, and places, context is more complicated than ever—starting with "where" and "who" we are. This practical, insightful book provides a powerful toolset to help information architects, UX professionals, and web and app designers understand and solve the many challenges of contextual ambiguity in the products and services they create. You’ll discover not only how to design for a given context, but also how design participates in making context. Learn how people perceive context when touching and navigating digital environments See how labels, relationships, and rules work as building blocks for context Find out how to make better sense of cross-channel, multi-device products or services Discover how language creates infrastructure in organizations, software, and the Internet of Things Learn models for figuring out the contextual angles of any user experience
The Demise of Our Culture Probing answers of what the culture once was to the present, and how it has changed over the years. The book is based on authentic historical examples.
This revised edition takes the theme of place as the unifying principle for a full account of the discipline at the beginning of the twenty-first century. The work comprises 64 substantial essays addressing human and physical geography, and exploring their inter-relations. The encyclopedia does full justice to the enormous growth of social and cultural geography in recent years. Leading international academics from ten countries and four continents have contributed, ensuring that differing traditions in geography around the world are represented. In addition to references, the essays also have recommendations for further reading. As with the original work, the new Companion Encyclopedia of Geography provides a state-of-the-art survey of the discipline and is an indispensable addition to the reference shelves of libraries supporting research and teaching in geography.
Bringing together for the first time many well known and emerging voices in urban design theory and practice, this volume argues for a progressive and engaged design practice which fully relates to the complexity and diversity of American cities.
Popular culture stories--found in comic strips, TV programs, magazines, and movies--gain their popularity by evoking our desires and anxieties. Aden offers a well-constructed argument that creating a sense of place (and with it a sense of personal identity and community) serves as an important enticement for many popular cultures works. . . . Aden handles contemporary theory deftly and] does an excellent job of identifying many of the tensions present in 20th-century America. --Quarterly Journal of Speech Stories encountered at the movies, on television, and in popular magazines are treated as reflections of the popular culture. . . . Believing that the American experience has been guided by a 'normative narrative' or 'grand narrative' that constitutes the 'American dream, ' Aden holds that stories can be used to extract the 'rules' of a narrative, determine the direction, and identify conceptions of the 'promised lands' for a culture. --Critical Studies in Mass Communication
Surfing, Street Skateboarding, Performance, and Space: On Board Motility draws from critical cultural studies, political philosophy, postcolonial studies, urban sociology, and poststructuralist theory in the context of human communication and performance to construct an epistemology of riding boards. This book ponders why we move the way we do and examines the ways in which movements communicate, developing, as a result, a theoretical perspective or board motility that is gestural and fluid, moving in relation to shifting social and physical landscapes. By combining the discourses and practices of critical theory and physical movement, this text presents a sustained analysis of radical political philosophy. In the book the symbolic narratives associated with each physical practice are deconstructed as their theoretical counterparts are thoroughly established. Then, through performance, the author narrows the divide between these two forms of thinking, verbal and nonverbal, outlining and embodying an ontological and epistemological stoke in the process that emerges from riding boards, on both waves and streets.