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Have you ever wondered how to spruce up your writing? Or clear the clutter from your sentences? Or entice, engage, and entertain a specific audience? As any wordsmith knows, fashioning exquisitely styled sentences forms the foundation for writing success. This writing guide, containing thousands of illustrative quotations and fun exercises, reveals how to draft and craft any sentence, whether plain and lucid or thrilling and forceful. After finishing this book, students, professionals, and writers of every skill and status will have enhanced their sentential potential, while mastering the art of stringing words together to produce sophisticated sentences – linguistic structures standing the tests of time and taste.
Can learning about punctuation really be fun? You bet--in Elsa Knight Bruno's Punctuation Celebration, featuring illlustrations by Jenny Whitehead Punctuation marks come alive in this clever picture book featuring fourteen playful poems. Periods stop sentences in a baker's shop, commas help a train slow down, quotation marks tell people what to do, and colons stubbornly introduce lists. This appealing primer is a surefire way to make punctuation both accessible and fun for kids.
Runner-up for the Reading the West Book Awards
We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the internet, in email, and now text messages, we have made proper punctuation an endangered species. In Eats, Shoots & Leaves, former editor Lynne Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with.
Have you ever wondered how to create clear simple sentences, detailed multi-clause sentences, or ornate left-, mid-, and right-branching sentences? As any wordsmith knows, sentences form the foundation for writing success. This two-part book, containing hundreds of illustrative quotations and fun exercises, reveals how to draft and craft any sentence, whether plain and lucid or thrilling and forceful. On the first part of the journey, writing pilgrims are introduced to the fundamentals: Twelve Templates to Turn a Timeless Sentence. The second part then builds on this bedrock, showing How to Fashion Exquisitely Styled Sentences. After finishing this journey, students, professionals, and writers of every skill and status will have enhanced their sentential potential, while mastering the art of stringing words together to produce sophisticated sentences – linguistic structures standing the tests of time and taste.
"This is that rare audiobook that truly makes the print version come alive. The sound effects alone are priceless, with homage to Grammy Award-winner Bobby McFerrin. If you've ever wondered what punctuation marks sound like, Beach provides hilarious voices and sound effects for each one. A masterful, creative, amusing, must-have production that simplifies the rules of punctuation." -School Library Journal
Goose asks to play "Duck, Duck, Goose" with the other animals and birds, but causes trouble by insisting that none of them can possibly be goose.
A practical guide for all writers great and small, wishing to enrich their rhetorical and oratorical talents. Civilization is today witnessing the age of all things rhetorical – of ostentatious style triumphing over lackluster substance and tedious truth. To survive in this peacock-eat-peacock world, authors and orators must grasp and master the ancient secret of stylistic success, tapping into the same power source that continues to energize the expressions of Julius Caesar, Abraham Lincoln, or even Jedi Master Yoda. This is the timeless force of rhetorical devices, or figures of speech. In this fun guide, packed with hundreds of helpful illustrations, writing teacher Ramy Tadros shows you how to embrace the most popular rhetorical devices, giving you the tools to turn forgettable phrases into celebrated sentences.
NATIONAL BESTSELLER WINNER OF THE BOOKER PRIZE “A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain’s colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London’s funding-deprived schools; Carole, one of Shirley’s former students, is a successful investment banker; Carole’s mother Bummi works as a cleaner and worries about her daughter’s lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.
Geoffrey Nunberg challenges a widespread assumption that the linguistic structure of written languages is qualitatively identical to that of spoken language: It should no longer be necessary to defend the view that written language is truly language, but it is surprising to learn of written-language category indicators that are realized by punctuation marks and other figural devices.' He shows that traditional approaches to these devices tend to describe the features of written language exclusively by analogy to those of spoken language, with the result that punctuation has been regarded as an unsystematic and deficient means for presenting spoken-language intonation. Analysed in its own terms, however, punctuation manifests a coherent linguistic subsystem of 'text-grammar' that coexists in writing with the system of 'lexical grammar' that has been the traditional object of linguistic inquiry. A detailed analysis of the category structure of English text-sentences reveals a highly systematic set of syntactic and presentational rules that can be described in terms independent of the rules of lexical grammar and are largely matters of the tacit knowledge that writers acquire without formal instruction. That these rules obey constraints that are structurally analogous to those of lexical grammar leads Nunberg to label the text-grammar an 'application' of the principles of natural language organization to a new domain. Geoffrey Nunberg is a researcher at Xerox Palo Alto Research Center.