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A brooding Gothic novel of suspense that reaches beyond the grave. Snooky, the retarded black boy, and Crazy Dog, the itinerant hound wander onto the decaying Voshaylee plantation. They witness without understanding, the love between Elizabeth and B.K. outside modern-day Atlanta, battling the power of Elizabeth's mother Maria from beyond the grave, Philip's endless love for his dead wife Maria and the bizarre love of the ever-naked young Travis and the mistress of Gavonlee, well into her eighties, as she attempts to quiet the crying imaginary child locked in her bedroom closet. Around these sick, weird but hypnotic characters revolve Bo Skooter, Miss Lucy's husband who is killed in circumstances as strange as his marriage, The Baby, Miss Lucy's daughter who found so little love as an unnamed child that she enjoys her mother's descent into dementia. Mother, Elizabeth's obese aberrant relative manipulates all. Philip seldom leaves his own rooms…and for very good reasons. Over all these twisted people hovers Maria, effecting more havoc from the grave than ever when alive. And then there is the pet snake. You may hate Crazy Dog Song but you will never forget it.
With vigor and insight, Crow elders tell their favorite stories of the exploits of memorable leaders from years past in The Way of the Warrior. Rousing adventures and unforgettable warriors inhabit these tales: the impetuous Rabbit Child, who rushes to his fate as he keeps a sacred vow; the rise to power and dreaded revenge of Red Bear, one of the greatest and most spiritually powerful Crow leaders; the dazzling success and even greater shame of Spotted Horse; and the legendary bravery of Top of the Mountain. ø Decades ago the storytellers represented in this volume?including Carl Crooked Arm, Plain Feather, and Cold Wind?recounted these tales to two Crow brothers, Henry Old Coyote and Barney Old Coyote Jr. The Old Coyote brothers recorded, transcribed, and translated into English the accounts, which have now been edited and introduced by Barney's granddaughter, Phenocia Bauerle. Bauerle?s editing has preserved the power of the traditional Crow oral tales and has made them accessible to non-Crow readers as well. The result is a work that entertains and teaches readers about traditional Crow leaders and their world. This remarkable collection of stories also shows that the values that guided and inspired the Crow people in the past remain meaningful for them today.
"A series of illustrated books to help preserve the culture and heritage of the four divisions that make up the Blackfoot Confederacy in the United States and Canada"--Cover.
"The Vanishing Race" is a record in picture and story of the last great Indian council, participated in by eminent Indian chiefs from nearly every Indian reservation in the United States. This book also includes the story of their lives as told by themselves, their speeches and folklore tales, their solemn farewell, and the Indians' story of the Custer fight. Contents: Indian Imprints a Glimpse Backward The Story of the Chiefs Chief Plenty Coups Chief Red Whip Chief Timbo Chief Apache John Chief Running Bird Chief Brave Bear Chief Umapine Chief Tin-tin-meet-sa Chief Runs-the-enemy Chief Pretty Voice Eagle Folklore Tales—sioux Chief White Horse Folklore Tales—yankton Sioux Chief Bear Ghost Chief Running Fisher Bull Snake Mountain Chief Mountain Chief's Boyhood Sports Chief Red Cloud Chief Two Moons The Story of the Surviving Custer Scouts White-man-runs-him Folklore Tale—crow Hairy Moccasin Curly Goes-ahead-basuk-ore The Indians' Story of the Custer Fight The Last Great Indian Council Indian Impressions of the Last Great Council The Farewell of the Chiefs
A historical and ethnographic study of the dynamic musical traditions of the Blood Indians of southwestern Alberta with particular emphasis on the influence and adaptation of Euro-American culture.
This beautifully illustrated biography of painter Rance Hood focuses on his art and its place within Native American art, history, and culture.
Although highly regarded as a writer of fiction, nonfiction, and drama, N. Scott Momaday considers himself primarily a poet. This first book of his poems to be published in over a decade, Again the Far Morning comprises a varied selection of new work along with the best from his four earlier books of poems: Angle of Geese (1974), The Gourd Dancer (1976), In the Presence of the Sun (1992), and In the Bear’s House (1999). To read Momaday’s poems from the last forty years is to understand that his focus on Kiowa traditions and other American Indian myths is further evidence of his spectacular formal accomplishments. His early syllabic verse, his sonnets, and his mastery of iambic pentameter are echoed in more recent work, and prose poetry has been part of his oeuvre from the beginning. The new work includes the elegies and meditations on mortality that we expect from a writer whose career has been as long as Momaday’s, but it also includes light verse and sprightly translations of Kiowa songs.