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Tells the story of a writer bewildered by his independent wife and her female lover in Greenwich Village in the 1920s.
In 1930 Henry Miller moved from New York to Paris, leaving behind — at least temporarily — his tempestuous marriage to June Smith and a novel that had sprung from his anguish over her love affair with a mysterious woman named Jean Kronski. Begun in 1927, Crazy Cock is the story of Tony Bring, a struggling writer whose bourgeois inclinations collide with the disordered bohemianism of his much-beloved wife, Hildred, particularly when her lover, Vanya, comes to live with them in their already cramped Greenwich Village apartment. In a world swirling with violence, sex, and passion, the three struggle with their desires, inching ever nearer to insanity, each unable to break away from this dangerous and consuming love triangle.
The stories in Progressive Push-Me-Ups, even the personal pieces, entertain, stimulate, and ask for more. As you enter the world of each tale, or the lived experience of others, you live vicariously in new situations. In this way you, even as a seasoned story reader, still expand your boundaries. Whether in work/study in secondary and post-secondary schools, or striving as achieving graduates, these Push-Me-Ups lead you from one environment to another, building momentum, leaving the tedium of the day, and coming into diversions that other, even imaginary, people offer. These shorts have the potential to make you smile, laugh, weep, and carry on.
DIVDIVFearless, iconic poet, novelist, and feminist Erica Jong offers a fascinating in-depth appreciation of the controversial life and work of American literary giant Henry Miller/divDIV Henry Miller (Tropic of Cancer) and Erica Jong (Fear of Flying) are true literary soul mates. Both authors have been, in equal measure, lauded for their creative genius and maligned for their frank treatment of human sexuality. So who better than Erica Jong to offer an expert appraisal and appreciation of Henry Miller, the man and his art?/divDIV At once a critical study, a biography, a memoir of a remarkable friendship, and a celebration of the life and work of the author whom Erica Jong compares to Whitman, The Devil at Large explores the peaks and valleys of Miller’s storied writing career. It examines his tumultuous relationships—including his doomed marriage to June Mansfield and his lifelong tenuous bond with his mother—and confirms his standing as a creative genius. /divDIV Jong, a renowned feminist, courageously answers critics who accuse her subject of degrading women in his fiction, suggesting instead that he sought to demystify them by means of the “violent verbal magic of his books.” With grace, wit, warmth, and intelligence, Jong brings readers close to the man and his writing. There has never been a more incisive and insightful analysis of this exceptional American master./divDIV This ebook features an illustrated biography of Erica Jong including rare photos and never-before-seen documents from the author’s personal collection./divDIV/div/div
A “brilliant and provocative” (The New Yorker) celebration of Melville’s masterpiece—from the bestselling author of In the Heart of the Sea, Valiant Ambition, and In the Hurricane's Eye One of the greatest American novels finds its perfect contemporary champion in Why Read Moby-Dick?, Nathaniel Philbrick’s enlightening and entertaining tour through Melville’s classic. As he did in his National Book Award–winning bestseller In the Heart of the Sea, Philbrick brings a sailor’s eye and an adventurer’s passion to unfolding the story behind an epic American journey. He skillfully navigates Melville’s world and illuminates the book’s humor and unforgettable characters—finding the thread that binds Ishmael and Ahab to our own time and, indeed, to all times. An ideal match between author and subject, Why Read Moby-Dick? will start conversations, inspire arguments, and make a powerful case that this classic tale waits to be discovered anew. “Gracefully written [with an] infectious enthusiasm…”—New York Times Book Review
As an author, Henry Miller (1891–1980) was infamous for his explicit descriptions of sex, and many of his novels, from The Tropic of Cancer to Black Spring, were banned in the United States on grounds of obscenity. But his books—frequently smuggled into his native country—became a major influence on the Beat Generation of American writers and would eventually lead to a groundbreaking series of obscenity trials that would change American laws on pornography in literary works. In this new critical biography, David Stephen Calonne goes beyond Miller’s notoriety to take an innovative look at the way in which the author’s writings and lifestyle were influenced by his spiritual quests. Charting Miller’s cultivation of his esoteric ideas from boyhood and adolescence to later in his career, Calonne examines how Miller remained deeply engaged with a variety of philosophies, from astrology and Gnosticism to Eastern thinkers. Calonne describes not only the effects this had on Miller’s work, but also to his complex and volatile life—his marriages and love affairs with Beatrice Wickens, June Mansfield, and Anaïs Nin; his years in Paris; and the journey to Greece that resulted in the travelogue The Colossus of Maroussi, the book Miller considered to be his greatest work. After discussing Miller’s final residences in Big Sur and the Pacific Palisades in California, Calonne considers the author’s involvement in the arts, love of painting and music, and friendships with a number of classical musicians. Miller, Calonne reveals, was a quirky, charismatic man of genius who continues to influence popular culture today. Highlighting many areas of the author’s life that have previously been neglected, Henry Miller takes a fascinating revisionary approach to the work of one of American’s most controversial and iconic writers.
The Rampaging Fuckers of Everything on the Crazy Shitting Planet of the Vomit Atmosphere is a collection of three short novels by a master of satire. Mykle Hansen's subversive tales capture the smugness of mainstream culture. He thrusts his characters into absurd and humorous situations that reveal the defects in the modern social fabric. With the wit of Christopher Moore, the inventiveness of Terry Gilliam and the rudeness of South Park, Hansen's surreal fiction is ridiculously fun to read. Three Bizarro Novels: MONSTER COCKS: A poignant tragedy of penis enlargement gone horribly wrong. JOURNEY TO THE CENTER OF AGNES CUDDLEBOTTOM: A gripping history of the first Starbucks in the anus of an 80-year-old prostitute. CRAZY SHITTING PLANET: A touching parable of love, friendship, and feces.
We have all surrendered ourselves to the world that writing creates. Eudora Welty once observed that her mother read the works of Charles Dickens in the same spirit with which she would have eloped with him. Some of us remember our first novel with more pleasurable vividness than our first kiss. Many of us go to on-line chat rooms, looking for love with our keyboard. And most of us have tried to seduce with words--reciting that Shakespeare sonnet or composing that Valentine's Day poem with tremulous hope. All writing seeks to ensnare the reader in its embrace. As Frances Wilson also proves in this engaging, enlightening, and provocative new book, writing can also ensnare the writers themselves. Highlighting the lives and loves of celebrated literary couples, Literary Seductions reveals the depth of their passion for language--their own as well as their partner's. Taking as a point of departure the legendary courtship of Robert Browning and Elizabeth Barrett, a courtship conceived on the printed page, Wilson explores how easily, how seductively, literary desire becomes sexual desire and vice versa. "Literary seductions," she writes, are "violent, extreme, and irreversible." Not all reading seduces, not all writing inflames. But when they do, what is written ceases to be merely an arrangement of symbols on a page. The word has been made flesh. Lady Caroline Lamb and Lord Byron, Anaïs Nin and Henry Miller, Laura Riding and Robert Graves, Osip and Nadzheda Mandelstam, W. B. and Georgie Yeats were all in the grip of a compulsion for writing and reading, enmeshed in words. Miller called his relationship with Nin, a "literary fuck-fest"; for Riding and Graves, it took on the self-destructive (and self-conscious) melodrama of a Russian novel; for the Mandelstams, it was a life-giving (if self-sacrificing) bond in a precarious world; for George and W. B. Yeats, it offered sexual stimulus. The couplings of verbs and nouns do more than precede coupling; they comprise it. Literary Seductions is itself a seductive book. The elegant power of Wilson's arguments, the rigor of her research, and the delights of her prose enthrall the reader. Here is intellectual engagement and readerly pleasure rolled into one.
In this bold study James M. Decker argues against the commonly held opinion that Henry Miller’s narratives suffer from ‘formlessness’. He instead positions Miller as a stylistic pioneer, whose place must be assured in the American literary canon. From Moloch to Nexus through such widely-read texts as Tropic of Cancer and Tropic of Capricorn, Decker examines what Miller calls his ‘spiral form’, a radically digressive style that shifts wildly between realism and the fantastic. Drawing on a variety of narratological and critical sources, as well as Miller’s own aesthetic theories, he highlights that this fragmented narrative style formed part of a sustained critique of modern spiritual decay. A deliberate move rather than a compositional weakness, then, Miller’s style finds a wide variety of antecedents in the work of such figures as Nietzsche, Rabelais, Joyce, Bergson and Whitman, and is viewed by Decker as an attempt to chart the journey of the self through the modern city. Henry Miller and Narrative Form affords readers new insights into some of the most challenging writings of the twentieth century and provides a template for understanding the significance of an extraordinary and inventive narrative form.
"A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society, in our books, schools, and homes, as well as the systems that perpetuate them, from the acclaimed author of Mean, and one of our fiercest, foremost explorers of intersectional Latinx identity" -- Publisher's website. Gurba's essay collection tackles the pervasive, creeping oppression and toxicity that has wormed its way into society. As a fierce explorer of intersectional Latinx identity, she maps oppression not as an act, but as an environment: it is in our books, schools, and homes, creating a complex ecosystem where the culprits, accomplishes, and victims assume different forms depending on who gets to speak, and who is listening. Gurba shows how the systems, tacit rules and institutions allow this "creep culture" to grow and thrive. -- adapted from jacket.