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Provides step-by-step instructions for twenty easy crafts which celebrate the accomplishments of different African Americans, including inventors, activists, educators, and others.
Coretta Scott King Award–winning creator Ashley Bryan’s adaptation of a tale from the Ila-speaking people of Zambia is now available in board book format, featuring Bryan’s cut-paper artwork. We’ll see the difference a touch of black can make. Just remember, whatever I do, I’ll be me and you’ll be you. Explore the appreciation of one’s own heritage and beauty. In this story, the colorful birds of Africa ask Blackbird, who they think is the most beautiful of birds, to color them black so they can be beautiful too, though Blackbird reminds them that true beauty comes from the inside.
Beginning chronologically with Benjamin Banneker and ending with Dr. Martin Luther King, Jr., this collection has 20 crafts, each on based on the work of a distinguished black American. The projects include a Frederick Douglass Puppet, a Harriet Tubman Route to Freedom Maze, a Granville T. Woods Invention Puzzle, a Thank You George Washington Carver Magnet, and Mary McCloud Bethune’s School That Grew. Each craft is illustrated and outlined with step-by-step instructions, and each requires mainly common household items.
Provides step-by-step instructions for twenty easy crafts which celebrate the accomplishments of different African Americans, including inventors, activists, educators, and others.
This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.
Expands on previous studies into the relations commonly supposed to have existed between the English government and the craft guilds through three studies on the amalgamation of individual trades and craft guilds, the conflicts between trades and crafts, and the final days of the English craft guilds.