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A landmark work on human migration around the globe, Cultures in Contact provides a history of the world told through the movements of its people. It is a broad, pioneering interpretation of the scope, patterns, and consequences of human migrations over the past ten centuries. In this magnum opus thirty years in the making, Dirk Hoerder reconceptualizes the history of migration and immigration, establishing that societal transformation cannot be understood without taking into account the impact of migrations and, indeed, that mobility is more characteristic of human behavior than is stasis. Signaling a major paradigm shift, Cultures in Contact creates an English-language map of human movement that is not Atlantic Ocean-based. Hoerder describes the origins, causes, and extent of migrations around the globe and analyzes the cultural interactions they have triggered. He pays particular attention to the consequences of immigration within the receiving countries. His work sweeps from the eleventh century forward through the end of the twentieth, when migration patterns shifted to include transpacific migration, return migrations from former colonies, refugee migrations, and distinct regional labor migrations in the developing world. Hoerder demonstrates that as we enter the third millennium, regional and intercontinental migration patterns no longer resemble those of previous centuries. They have been transformed by new communications systems and other forces of globalization and transnationalism.
Archaeologies of Cultural Contact undertakes an exploration of cultural transfer, with a particular focus on the combination and modification of both material and behavioural attributes under conditions of contact. From globalization and displacement to cultural legitimization and identity politics, the modern world is characterised by, and articulated through, dynamics of contact and transfer. This book recognises that creolization, ethnogenesis, hybridity, and syncretism are analytical concepts and social processes, relevant not only to the postcolonial contexts of the twentieth century but also to wide-ranging instances where contact is made between cultural groups. Indeed, in representing the re-working of pre-existing cultural elements, they were crucial and ever-present features of the human past. Ranging in their analytical frame, scale, and geographical and temporal location, the chapters in this volume demonstrate the diverse understandings that can be gained from explorations into the material remains of past contact, exposing and overcoming various limitations of competing models of cultural change. They permit insights into not only cultural change and difference but also the processes of appropriation, resistance, redefinition, and incorporation. Together, the contributions articulate the perspectives that concern practices in relations to people, places, and things, and note how power dynamics mediate social interactions and sustain and constrain forms of cultural contact. This book will be of interest to researchers and students in archaeology as well those from cognate disciplines, particularly anthropology and history.
The fifth and fourth millennia BCE saw major cultural changes in the southern Levant and Northeast Africa: the spread of agriculture; developments in animal husbandry; increased contact between cultures; and the use of alloy bronze. 'Metal, Nomads and Culture Contact' integrates archaeological data from across the Chalcolithic period to contextualise these changes. The book examines the introduction of metal to the southern Levant, Egypt and Lower Nubia and the role of pastoral nomadism in cultural interaction and exchange. 'Metal, Nomads and Culture Contact' will be valuable to scholars of archaeology and anthropology.
Craft practice has a rich history and remains vibrant, sustaining communities while negotiating cultures within local or international contexts. More than two centuries of industrialization have not extinguished handmade goods; rather, the broader force of industrialization has redefined and continues to define the context of creation, deployment and use of craft objects. With object study at the core, this book brings together a collection of essays that address the past and present of craft production, its use and meaning within a range of community settings from the Huron Wendat of colonial Quebec to the Girls? Friendly Society of twentieth-century England. The making of handcrafted objects has and continues to flourish despite the powerful juggernaut of global industrialization, whether inspired by a calculated refutation of industrial sameness, an essential means to sustain a cultural community under threat, or a rejection of the imposed definitions by a dominant culture. The broader effects of urbanizing, imperial and globalizing projects shape the multiple contexts of interaction and resistance that can define craft ventures through place and time. By attending to the political histories of craft objects and their makers, over the last few centuries, these essays reveal the creative persistence of various hand mediums and the material debates they represented.
These essays attempt to focus the light of history,on Nigeria, Nigerians and their contemporary,condition. The root idea here is that fundamental,to all historical works - that when the mind,interacts with the past, the result is something,like a torchlight whose beam is focused on the,present, thus enabling us to achieve a better,understanding of the problems which face us.,Afigbo has probed deep into Nigeria's pastbringing out all the facets, all the elements and,all the issues that are necessary to improve the,present.