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Archaeology often struggles in envisioning real people behind the world of material objects it studies. Even when dealing with skeletal remains archaeologists routinely reduce them to long lists of figures and attributes. Such a fragmentation of past subjects and their bodies, if analytically necessary, is hardly satisfactory. While material culture is the main archaeological proxy to real people in the past, the absence of past bodies has been chronic in archaeological writings. At the same time, these past bodies in archaeology are omnipresent. Bodily matters are tangible in the archaeological record in a way most other theoretical centralities never appear to be. Ancient bodies surround us, in representations, in burials, in the remains of food preparation, cooking and consumption, in hands holding tools, in joint efforts of many individual bodies who built architecture and monuments. This collection of papers is a reaction to decades of the body's invisibility. It raises the body as the central topic in the study of past societies, researching its appearance in a wide variety of regional contexts and across vast spans of archaeological time. Contributions in this volume range from the deep Epi-Palaeolithic past of the Near East, through the European Neolithic and Bronze Age, Classical Greece and Late Medieval England, to pre-Columbian Central America, post-contact North America, and the most recent conflicts in the Balkans. In all these case studies, the materiality of the body is centre stage. Possibilities are highlighted for future study: by putting the body at the forefront of these archaeological studies an attempt is made to provoke the imagination and map out new territories.
The human body lies at the centre of our relationship to fashion and textiles. Crafting Anatomies explores how the body has become a catalyst for archival research, creative dialogues and hybrid fabrications in fashion design. Focusing on how our response to the corporeal has shifted over time, the book looks at how it is currently influencing design and socio-material practices. With contributions from a multidisciplinary range of scholars and researchers, Crafting Anatomies examines how new technologies have become integrated with traditional fashion and textiles techniques, bringing together art, science and biomedical approaches. Traversing the cutting-edge of design research, the chapters take us from the forgotten lives of historical garments to the potential of biofabrication to cross the boundaries between skin and textile. Illustrated with 120 images visualising original research, the book reveals how the human body continues to inspire future design, from historical wearables to prosthetic limbs and 3D-printed footwear. In doing so, it provides an inspiring account of how fashion and textile culture now impacts socio-creativity and the formation of contemporary identity.
The war continues... Eric Cross and his team of elite mercenaries are the bane of the Ebon Cities. Armed with the cutting-edge arcane weaponry of the Southern Claw, Cross and his crew - Black, Kane, Ronan, Maur, Grissom and Ash - have become a veritable thorn in the side of the vampire armies. Now the team is tasked with halting vampire activity near the remote city-state of Fane, where the Ebon Cities have teamed up with a former Revenger in search of a deadly weapon called Soulrazor. To make matters worse, something sinister has happened to Cross, and the key to his salvation is somehow directly tied to the Ebon Cities' new soldiers: a host of necrotic angels who bear traces of divine power. Cross and his team must travel across a blighted wilderness and do battle with a vile array of enemies as they race not only to save the city of Thornn from total annihilation, but to rescue Cross' very soul from an enemy more powerful than he could ever imagine...
This book, with its focus on the dancing body, is the first of its kind within the larger context of dance in India. The Dancing Body is a body that exists, survives, inhabits and performs in multiple space and time, by moving, laboring, migrating and straddling across geographic, cultural and emotional borders, writing different cultural meanings at different moments of time. In India, discourses around the body in dance have long been trapped within hagiographic histories in and around dancers and their dance. During the last few decades, however, significant scholarly inroads were made into the domain of dance by shaking up the stereotypes, assertions and labels, shaped and moulded by patriarchy, class, caste and power. This book brings together emerging discourses around dance and the body that have become central in the Indian nation-state. Contemporary discourses around identity politics, moral policing, politics of exclusion, and neo-liberal dispossessions vis a vis sexual labour, means of survival, pleasure and agency of dancers have helped frame the focus around labour, leisure and livelihood concerning the everyday existence of the body in dance. This volume will be of great value to students, researchers and scholars in dance, gender studies, cultural studies, and performance studies, with a particular interest in Asian and South Asian Studies. The chapters in this book were originally published in a special issue of South Asian History and Culture. The chapters in this book were originally published in a special issue of South Asian History and Culture.
Crafted is a celebration of craft in the 21st century – a definitive visual guide to all things handmade. Featuring over 73 of the most popular and well-established crafts, Sally Coulthard explores their history, materials and techniques as she offers a deeper insight into some of your favourite crafts and provides inspiration for both new and ancient creative pursuits. After an introductory section covering the culture of craft (its definition, why it matters, history and community), the main body of the book consists of beautifully illustrated entries on 73 of the world's most established crafts. The scope is encyclopaedic and covers Paper, Pen & Print (bookbinding, origami, calligraphy, lino printing), Textiles, Cloth & Leather (fur & leather, embroidery, knitting, dyeing), Pottery, Glass & Stone (porcelain, stained glass, stone carving), Wood, Willow & Nature (basket weaving, wood carving, lime plastering and thatching) and Metal (gold, bronze, cast iron and steel). A comprehensive directory of craft organisations and professional communities and guilds, completes this groundbreaking compendium.
The Making retells the universe through science and story, tracing the arc of the cosmos from its origin to the present. The poem recounts the early transformations of the universe, the emergence and development of life on Earth, and the broad span of human history, pairing each new phase with a story—stories drawn from Hinduism, Buddhism, Judaism, Christianity, and Islam, as well as from North American Indigenous traditions, Greek myth, and international creation tales and folktales. Coaxing science and history into evocative language while braiding them with tales, the poem sets a human perspective on the pageant of the cosmos and provides an unprecedented synthesis of evolutionary history with literary and religious imagination. The Making is a lyrical and pluralistic creation story of epic scope—a story that illuminates our time of planetary crisis and imagines ways we might press forward.
The Body of the Cross is a study of holy victims in Western Christian history and how the uses of their bodies in Christian thought led to the idea of the cross as a substitutionary sacrifice. Since its first centuries, Christianity has traded on the suffering of victims—martyrs, mystics, and heretics—as substitutes for the Christian social body. These victims secured holiness, either by their own sacred power or by their reprobation and rejection. Just as their bodies were mediated in eucharistic, social, and Christological ways, so too did the flesh of Jesus Christ become one of those holy substitutes. But it was only late in Western history that he took on the function of the exemplary victim. In tracing the story of this embodied development, The Body of the Cross gives special attention to popular spirituality, religious dissent, and the writing of women throughout Christian history. It examines the symbol of the cross as it functions in key moments throughout this history, including the parting of the ways of Judaism and Christianity, the gnostic debates, martyr traditions, and medieval affective devotion and heresy. Finally, in a Reformation era haunted by divine wrath, these themes concentrated in the unique concept that Jesus Christ died on the cross to absorb divine punishment for sin: a holy body and a rejected body in one.
Miniature and fragmentary objects are both eye-catching and yet easily dismissed. Tiny scale entices users with visions of Lilliputian worlds. The ambiguity of fragments intrigues us, offering tactile reminders of reality's transience. Yet, the standard scholarly approach to such objects has been to see them as secondary, incomplete things, whose principal purpose was to refer to a complete and often life-size whole. The Tiny and the Fragmented offers a series of fresh perspectives on the familiar concepts of the tiny and the fragmented. Written by a prestigious group of internationally-acclaimed scholars, the volume presents a remarkable diversity of case studies that range from Neolithic Europe to pre-Colombian Honduras to the classical Mediterranean and ancient Near East. Each scholar takes a different approach to issues of miniaturization and fragmentation but is united in considering the little and broken things of the past as objects in their own right. Whether a life-size or whole thing is made in a scaled-down form, deliberately broken as part of its use, or only considered successful in the eyes of ancient users if it shows some signs of wear, it challenges our expectations of representation and wholeness, of what it means for a work of art to be "finished" and "affective." Overall, The Tiny and the Fragmented demands a reconsideration of the social and contextual nature of miniaturization, fragmentation, and incompleteness, making the case that it was because of, rather than in spite of, their small or partial state that these objects were valued parts of the personal and social worlds they inhabited.
Most women know that God loves them, but might he love them more if they finally lost that last ten pounds, or got their hair to lay right, or finally found a pair of jeans that looked good and let them breathe? Well, maybe God doesn’t care about jeans, but women do, and all the talk about inner beauty hasn’t kept all of us from staring into a mirror and taking an inventory that never quite measures up. Enough Already will: Elevate the soul-freeing, spiritual truth that God is the Creator of beauty and that women are called to appreciate and care for themselves as his own. Enable women to accept God-given beauty so that when they look in the mirror they see his handiwork, not their flaws. Equip women to win the ugly struggle with beauty once and for all.
A SUNDAY TIMES HISTORY BOOK OF THE YEAR 'A triumph' Guardian 'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook 'A brilliant book' Mail on Sunday Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different to our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly-illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, it throws light on the medieval body from head to toe - revealing the surprisingly sophisticated medical knowledge of the time in the process. Bringing together medicine, art, music, politics, philosophy and social history, there is no better guide to what life was really like for the men and women who lived and died in the Middle Ages. Medieval Bodies is published in association with Wellcome Collection.