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Innovative approach to bookbinding explains techniques that elevate handmade books into extraordinary artworks. Simple, well-illustrated directions explain how to make pop-up panels, pages that "explode" from the spine, slipcases, and more.
Make pigments, brushes, bamboo pens, palettes, felt-tip markers, etching needles, woodblock press, a portable drafting table, more.
Welcome to the Craft Artists field! If you are interested in a career as a craft artist field, you’ve come to the right book. So what exactly do these people do on the job, day in and day out? What kind of skills and educational background do you need to succeed in these fields? How much can you expect to make, and what are the pros and cons of these various fields? Is this even the right career path for you? How do you avoid burnout and deal with stress? This book can help you answer these questions and more. This book, which includes interviews with professionals in the following fields. Tattoo Artists Ceramic Artists Glass blowers Blacksmiths Jewelers Woodworkers
Presents techniques, ideas, and exercises for original doodles made with materials such as paint, markers, and gel pens. Eighteen contributors share inventive prompts to jumpstart and expand your inspiration for drawing abstract designs and doodles.--
Craft in Art Therapy is the first book dedicated to illustrating the incorporation of craft materials and methods into art therapy theory and practice. Contributing authors provide examples of how they have used a range of crafts including pottery, glass work, textiles (sewing, knitting, crochet, embroidery, and quilting), paper (artist books, altered books, book binding, origami, and zines), leatherwork, and Indian crafts like mendhi and kolam/rangoli in their own art and self-care, and in individual, group, and community art therapy practice. The book explores the therapeutic benefits of a range of craft materials and media, as well as craft’s potential to build community, to support individuals in caring for themselves and each other, and to play a valuable role in art therapy practice. Craft in Art Therapy demonstrates that when practiced in a culturally sensitive and socially conscious manner, craft practices are more than therapeutic—they also hold transformational potential.
DIVProfusely illustrated guide clearly outlines procedure for making attractive and useful paper in vast number of sizes, shapes, textures and colors—all from vegetable fibers. /div

Books

LONDON CENTER FOR BOOK. GOODE ARTS (SIMON. YONEMURA, IRA.)

Published: 2021-09-29

Total Pages: 224


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- Fun and visually appealing way to understand how a book is made, through the work of 30 diverse contemporary makers and artists - Broad appeal: this book speaks to a broad audience of craftspeople - anyone related to books and bookmaking - whether they are amateurs or professionals - Author London Centre for Book Arts has strong social media following (40k followers on IG), and so do many of the featured makers - Beautifully illustrated with colorful and inspiring images, behind-the-scenes shots of the makers' studios, and photographs of the makers at work - Includes contributions from experts that give insight into the different processes used to make a book Books are a meeting place. A sum of their many parts and artistic approaches. Form, concept, material, and craft are bound together to create something rooted in its functionality; a process that often crosses over into the messier realm of art. Books. Art, Craft & Community presents a thriving ecosystem of papermakers, printers, bookbinders, artists, designers, and publishers from around the world. They draw on traditional skills, art, and experimentation to make books that matter today. With over 30 profiles - spanning traditional craftspeople, to modern makers reimagining the book for new audiences - and contributions from experts, we are given an insight into the history and contemporary context of the processes behind the books. Selected by Simon Goode and Ira Yonemura of the London Centre for Book Arts, these artists and makers share a spirit of curiosity and resilience. They not only adapt to new ways that readers engage with books, but are forging new possibilities for their craft along the way.
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters was an accepted part of the artistic process. The consensus of the contributors amounts to a revision, or at least a qualification, of Bernard Berenson's interpretation of the emergent Renaissance ideal of individual "genius" as a measure of original artistic achievement: we must accord greater influence to the collaborative, appropriative conventions and practices of the craft workshop, which persisted into and beyond the Renaissance from its origins in the Middle Ages. Consequently, we must acknowledge the sometimes rather ordinary beginnings of some of the world's great works of art--an admission, say the contributors, that will open new avenues of study and enhance our understanding of the complex connections between invention and execution. With one exception, these essays were delivered as lectures in conjunction with the exhibition The Artists and Artisans of Florence: Works from the Horne Museum hosted by the Georgia Museum of Art in the fall of 1992.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.