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Fearful that her husband Jacob is embroiled in an extramarital affair, archaeologist Lily Light turns to psychotherapy, astounding consultations in which Lily often takes on the persona of a young maiden named White Flower, a member of the clan of long-ago American Indian builders of Ohio's Great Serpent Mound. When a gunman's bullets leave Jacob permanently paralyzed from his shoulders down and a woman identified as Jacob's mistress dead, Lily's world is shattered. Through the example of her own life a thousand or more years before, White Flower reveals to Lily the unexpected path to her salvation.
It is no secret that we humans have a special relationship with the animal world. According to statistics, 63 per cent of all households have at least one pet. In 2004 alone American pet-owners plunked down $36 billion worth of pet product expenditures. More money was spent in 2004 on pet food than on baby food. In a recent survey about attitudes fully 70 per cent of respondents identified the family pet as a “member of the family.†On the other hand, millions of cows and chickens are unceremoniously slaughtered each year to feed our unappeasable lust for "Whoppers" and "McNuggets." The world waits breathlessly transfixed on the latest news of a single whale foundering in the surf. Meanwhile millions of tons of fish are hauled from the ocean by commercial fishermen. As Erika Ritter explores in this fresh, fascinating and eye-opening new book, at the heart of this relationship is a paradox—a relationship that is almost schizophrenic in its absurdity: we humans are animals, too. How to account for how and why we have developed this odd relationship with our “fellow†animals. Through interviews conducted around the world with philosophers, scientists, farmers, poets, pundits and commentators, Ritter makes her way through this strange maze of human contractions about our animal brethren to produce a work that reveals as much about “us†as about “them.â€
Ordered by Henry II to establish the possible role of Eleanor of Aquitaine in the poisoning death of Henry's mistress, a reluctant Adelia Aguilar joins forces with her infant daughter's father, the Bishop of St. Albans, during an investigation within the labyrinth-walled tower of the victim's home. By the author of Mistress of the Art of Death.
How do we reconcile treating our pets like pampered house guests but slaughtering other species of animals for food? As Erika Ritter explores in this fresh, fascinating and eye-opening book, at the heart of this relationship is a paradox that is almost schizophrenic in its absurdity: we humans are animals, too. Through interviews conducted around the world with philosophers, scientists, farmers, poets, pundits and commentators, Ritter makes her way through this strange maze of human contradictions about our animal brethren to produce a work that reveals as much about "us" as it does about "them." Book jacket.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 29 include: . the writings of Jos Maria de Pereda . the fairy tales of Charles Perrault . the poetry of Petrarch . the folklore of Pilpay . the philosophy of Plato . the comic verse of Titus Maccius Plautus . the writings of Pliny the Elder and Pliny the Younger . the fiction of Edgar Allan Poe . and much, much more.
Tegan's nightmares have returned. Seeking to banish the snake-like Mara from his companion's psyche, the Doctor sets course for Manussa, the creature's point of origin. But the TARDIS arrives instead in the heyday of the Manussan Empire, where infotainment impresario Rick ausGarten is preparing to turn dreams into reality.