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Idris Elba, Michael B. Jordan, Wendell Pierce, Michael K. Williams -- first known as Stringer Bell, Wallace, Bunk, and Omar -- are just a few of the fruits of The Wire we enjoy today. Since its June 2, 2002, premiere, The Wire has been a slow burn, picking up steam each and every year since. As critics continue to grapple with the show and its enduring impact, some voices and perspectives have still yet to be heard. Cracking The Wire During Black Lives Matter remedies this oversight. This provocative exploration of HBO's iconic show touches on issues of not just race, but also class, power, gender dynamics, police brutality, addiction, sexuality, and even representations of Baltimore itself through a Black Lives Matter lens for some, but Black reality for so many others. Regardless of perspective, Cracking The Wire During Black Lives Matter is an engaging and compelling conversation about one of the most important shows in television history. Cracking the Wire features a cover by esteemed artist Art Sims, who designed the posters for numerous Spike Lee films, including Do the Right Thing, Mo' Better Blues, Malcolm X, Clockers, and When the Levees Broke: A Requiem in Four Acts, as well as The Color Purple, Dreamgirls, and Black Panther.
Detective McNulty applies bite marks to a deceased man's body with a set of dentures in The Wire, illustrating how officialdom deals in falsehood. Dr. Strangelove lovingly describes the "doomsday machine" as being free from "human meddling," while it destroys the world, highlighting the absurdity of placing systems above any moral considerations. In Crash, Ballard survives a car accident only to be cared for by a paternal technology that tends only to his physical needs--a life of technical certitude bereft of beauty. The Cold War, with its promise of imminent and purposeless doom, profoundly shaped the post-modern world in ways that are not yet appreciated. This study examines the Cold War zeitgeist and its aftermath as shown in fiction, film and television.
This anthology edited by the New York Times–bestselling author of The Empathy Exams offers “essays that are challenging, passionate, sobering, and clever” (Publishers Weekly). “The essay is political—and politically useful, by which I mean humanizing and provocative—because of its commitment to nuance, its explorations of contingency, its spirit of unrest, its glee at overturned assumptions; because of the double helix of awe and distrust—faith and doubt—that structures its DNA,” writes guest editor Leslie Jamison in her introduction to this volume. The essays she has compiled in The Best American Essays 2017 “thrill toward complexity.” From the Iraqi desert to an East Jerusalem refugee camp, and from the beginnings of the universe to the aftermath of a suicide attempt, these essays bring us, time and again, to the thorny intersection of personal experience and public discourse. The Best American Essays 2017 includes entries by Rachel Kaadzi Ghansah, Lawrence Jackson, Rachel Kushner, Alan Lightman, Bernard Farai Matambo, Wesley Morris, Heather Sellers, Andrea Stuart, and others.
Presents an anthology of the best literary essays published in the past year, selected from American periodicals.