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Now Filmed as 1947, a motion picture by Deepa Mehta Few novels have caught the turmoil of the Indian subcontinent during Partition with such immediacy, such wit and tragic power.
A New York Times Notable Book: A girl’s happy home life is suddenly disrupted by the 1947 Partition of India in this “multifaceted jewel of a novel” (Houston Chronicle). Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the many admirers that Ayah draws. It is in the company of these working-class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. In this tale from “Pakistan’s finest English-language novelist” (TheNew York Times Book Review), the profound upheaval that was the 1947 Partition of India is dramatically revealed through the story of one young girl, whose account of her experience proves by turns insightful, funny, and heartbreaking. “Lenny’s honesty is compelling . . . She is alternately thrilled and frightened by the events she dutifully records, and so, in the end, is the reader.” —Publishers Weekly “Much has been written about the holocaust that followed the Partition of India in 1947, but seldom has that story been told as touchingly, as convincingly, or as horrifyingly as it has been by novelist Bapsi Sidhwa.” —The Philadelphia Inquirer “Lenny dramatizes the textures of multicultural Indian life, with its summer trips to the Himalayan foothills, dinner parties, visits from the ice-candy man, and, increasingly, hints of Hindu-Muslim trouble . . . both realistic and magically evocative.” —Kirkus Reviews “A mysterious, wonderful novel.” —The Washington Post Previously published under the title Ice-Candy Man
This book is the first study of disability in postcolonial fiction. Focusing on canonical novels, it explores the metaphorical functions and material presence of disabled child characters. Barker argues that progressive disability politics emerge from postcolonial concerns, and establishes dialogues between postcolonialism and disability studies.
A sheltered Pakistani girl is sent to America by her parents, with unexpected results: “Entertaining, often hilarious . . . Not just another immigrant’s tale.” —Publishers Weekly Feroza Ginwalla, a pampered, protected sixteen-year-old Pakistani girl, is sent to America by her parents, who are alarmed by the fundamentalism overtaking Pakistan—and influencing their daughter. Hoping that a few months with her uncle, an MIT grad student, will soften the girl’s rigid thinking, they get more than they bargained for: Feroza, enthralled by American culture and her new freedom, insists on staying. A bargain is struck, allowing Feroza to attend college with the understanding that she will return home and marry well. As a student in a small western town, Feroza finds her perceptions of America, her homeland, and herself beginning to alter. When she falls in love with a Jewish American, her family is aghast. Feroza realizes just how far she has come—and wonders how much further she can go—in a delightful, remarkably funny coming-of-age novel that offers an acute portrayal of America as seen through the eyes of a perceptive young immigrant. “Humorous and affecting.” —Library Journal “Exceptional.” —Los Angeles Times “Her characters [are] painted so vividly you can almost hear them bickering.” —The New York Times
Reversing his parents immigrant path, a young writer returns to India and discovers an old country making itself new. Anand Giridharadas sensed something was afoot as his plane prepared to land in Bombay. An elderly passenger looked at him and said, Were all trying to go that way, pointing to the rear. You, youre going this way. Giridharadas was...
If it seems something of an impertinence to write about the life of a man who is still alive and apparently determined to be so for many years of energy and activity, it appears to be almost in the nature of a sacrilege to draw aside the veil which ought to shroud the privacy of his family life. Most English folk, whether they show it or not, are deeply in love with the sentiment expressed in Browning's lines,— "A peep through my window if some should prefer, But, please you, no foot over threshold of mine"— but in the case of the Baden-Powell family many feet have already crossed the threshold, and many hands have drawn aside the curtain.' -an excerpt from the novel
As Americans flee widespread civil conflict, one young refugee ekes out a living in a suspenseful, darkly comic novel: “An important writer in every sense.” —David Foster Wallace An Esquire “Best Book of Spring 2022” A Literary Hub “Most Anticipated Book of 2022” A San Francisco Chronicle “Most Anticipated Novel of 2022” In the future, sweeping civil disorder has forced America’s young people to flee its borders into an unwelcoming world. One such American is Ron Patterson, who finds himself on distant shores, working as a repairman and sharing a room with other refugees. In an unnamed city wedged between ocean and lush mountainous forest, Ron can almost imagine a stable life for himself. Especially when he makes the first friend he’s had in years—a mysterious migrant named Marlise, who bears a striking resemblance to a onetime classmate. Nearly a decade later—after anti-migrant sentiment has put their whirlwind intimacy and asylum to an end—Ron is living in “Little America,” an enclave of migrants in one of the few countries still willing to accept them. Here, among reminders of his past life, he again begins to feel that he may have found a home. He adopts a stray dog, observes his neighbors, and lands a new repairman job that allows him to move through the city quietly. But this newfound security, too, is quickly jeopardized, as resurgent political divisions threaten the fabric of Little America. Tapped as an informant against the rise of militant gangs and contending with the appearance of a strangely familiar woman, Ron is suddenly on dangerous and uncertain ground. Brimming with mystery, suspense, and Ken Kalfus’s distinctive comic irony, 2 A.M. in Little America poses questions vital to the current moment: What happens when privilege is reversed? Who is watching and why? How do tribalized politics disrupt our ability to distinguish what is true and what is not? This is a story for our time—gripping, unsettling, prescient—by an acclaimed National Book Award finalist. “My favorite book by one of America’s great living writers.” —Jonathan Safran Foer “A provocative dystopian story . . . takes hold of the reader.” —Publishers Weekly “A highly readable, taut novel.” —The New York Times Book Review “One of contemporary literature’s best-kept secrets.” —Esquire
Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery.