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Drawn from Florida history, folklore, and fiction, this collection of stories tailor-made for telling will entertain, inspire, and astound readers and listeners of all ages. Cracker Jack is up to his old tricks: putting one over on his Yankee schoolteacher; confounding a census taker; and convincing a befuddled farmer that its not Saturday but Sunday (and if the preacher finds him working on a Sunday, well, there'll be you-know-what to pay!). Sheriff "Pogy" Bill Collins used to be the worst lawbreaker in Okeechobee City. Then he promised Judge Hancock that hed walk the straight and narrow in return for his release from jail. Pogy Bill kept his promise to the judge ... and then some. In a place called Dogbone, its really not that unusual to see a glow-in-the-dark man running naked after a driverless truck with two barking dogs in pursuit. It even made Ed Grady an honest-to-goodness churchgoer. See all of the books in this series
Drawn from Florida history, folklore, and fiction, this collection of stories tailor-made for telling will entertain, inspire, and astound readers and listeners of all ages. Cracker Jack is up to his old tricks: putting one over on his Yankee schoolteacher; confounding a census taker; and convincing a befuddled farmer that its not Saturday but Sunday (and if the preacher finds him working on a Sunday, well, there'll be you-know-what to pay!). Sheriff "Pogy" Bill Collins used to be the worst lawbreaker in Okeechobee City. Then he promised Judge Hancock that hed walk the straight and narrow in return for his release from jail. Pogy Bill kept his promise to the judge ... and then some. In a place called Dogbone, its really not that unusual to see a glow-in-the-dark man running naked after a driverless truck with two barking dogs in pursuit. It even made Ed Grady an honest-to-goodness churchgoer. See all of the books in this series
Contains historical facts and engaging fictions artfully woven together with lessons for life, messages about social values, and ample measures of wit.
Folktales teach, inform, and heal. Most of all, they entertain. Here's a collection of tales rich with homespun humor, charm, and wisdom--all told with flair by some of Florida's best and most sought-after storytellers. Their stories will make you feel part of the great "family" that is Florida. If it's spooky ghost stories you crave, let "The Silent Customer," "Kissimmee Bound," and "The Ghost Dog of the Biltmore" chill your spine. Heed the Cracker wisdom handed down in "Seek the Higher Ground," cow-hunter poetry with a message. Chuckle over the misadventures of Flossie, Bubba, and Flo in "Three Little Cracker Pigs," a tongue-in-cheek version of the classic children's tale. Test your wits against the little troll in "Angelina and Cigam." Will he have you running in circles, growing smaller with each snap of his fingers? Take "Cousin Cassie's Cookin" with a grain of salt. It's not true, of course. Then again, if Cassie asks you to dinner, say you have other plans. Many Indian legends attempt to explain why the world exists as it is. In this tradition, several tales target specific flukes of nature--the rabbit's short tail, the flamingo's long neck, the woodpecker's lack of song--and offer entertaining reasons for their existence. Discover these legends too: "The Devil's Millhopper," "The Legend of Lake Okeechobee," "Monkey, the Trickster," "Why Florida Key Deer Are So Small." A few history lessons never hurt anyone, and these are entertaining as well. Jonathan Dickinson, Mary McLeod Bethune, and Jake Summerlin have a thing or two to teach you about overcoming adversity and being resourceful. Settle back into your easy chair and let these tales entertain you.
“Friedman has drawn a vivid picture of the Times Square area and its denizens. He writes about the porn palaces with live sex shows, and the men and women who perform in them, prostitutes and their pimps, the runaways who will likely be the next decade's prostitutes, the clergymen who fight the smut merchants and the cops who feel impotent in the face of the judiciary.”—Publishers Weekly This classic account of the ultra-sleazy, pre-Disneyfied era of Times Square is now the subject of a documentary film of the same name to be theatrically released this year. With this edition, Tales of Times Square returns to print with seven new chapters.
From the rugged beauty and refined splendor of this vast state emerges a remarkable volume of personal recollections, narrative histories and astonishing stories. Explore the fortitude and cultural diversity behind the development of Utah through "Big Bill" Haywood, vilified by the New York Times as "the most feared figure in America." Experience compelling accounts of women bruised on the front lines of suffrage battles, enthralling stories of Chinese "paper sons and daughters" and heroic endeavors of Northern Ute firefighters. Celebrate downtown's "Wall Street of the West," the off-road cyclist known as the "Bedouin of the Desert" and Utah's love affair with sweets. Culled from her popular Salt Lake Tribune "Living History" column, award-winning author Eileen Hallet Stone uncovers captivating tales of ordinary people and their extraordinary contributions that shaped Utah history.
Tales from the Briccs is a collection of short urban stories that gives one a raw and water resistant glimpse into real life scenarios that happen in ghettos all across America. Each story contains one of the perils that plague the lives of individuals living in the ghetto: money, sex, violence, gangs and prison; yet they all have positive messages that are written to entertain and enlighten a mature audience thats in search of truth through the art of fiction. Its thrilling, humorous, heart stopping and destined to make you think twice.
This volume brings back into print a remarkable record of black life in the 1920s, chronicled by Edward C.L. Adams, a white physician from the area around the Congaree River in central South Carolina. It reproduces Adams's major works, Congaree Sketches (1927) and Nigger to Nigger (1928), two collections of tales, poems, and dialogues from blacks who worked his land, presented in the black vernacular language. They are supplemented here by a play, Potee's Gal, and some brief sketches of poor whites. What sets Adams's tales apart from other such collections is the willingness of his black informants to share with him not only their stories of rabbits and "hants" but also their feelings on such taboo subjects as lynchings, Jim Crow courts, and chain gangs. Adams retells these tales as if the blacks in them were talking only among themselves. Whites do not appear in these works, except as rare background figures and topics of conversation by Tad, Scip, and other black storytellers. As Tad says, "We talkin' to we." That Adams was permitted to hear such tales at all is part of the mystery that Robert O'Meally explains in his introduction. The key to the mystery is Adams's ability -- in his life, as in his works -- to wear both black and white masks. He remained a well-placed member of white society at the same time that he was something of a maverick within it. His black informants therefore saw him not only as someone more likeable and trustworthy than most whites but also as someone who was in a position to help them in some way if he understood more about their lives. As a writer, O'Meally suggests, Adams was not simply an objective recorder of folklore. By donning a black mask, Adams was able to project attitudes and values that most whites of his place and time would have disavowed. As a result, his tales have a complexity and richness that make them an authentic witness to the black experience as well as a lasting contribution to American letters.