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Kate Winters, author of the popular mystery series The Masters, finds herself in a bit of a predicament—she doesn't seem to be able to write any longer. So when her old friend and wealthy widow Brenda invites Kate to spend the summer in Coyote, New Mexico, Kate decides that a summer in Coyote might be just what she needs to clear her writer's block. Leaving behind the Dallas heat—and her girlfriend Robin—Kate retreats to the high mountain desert and soon finds herself surrounded by Brenda's eccentric friends and artists. But it's the local sheriff, Lee Foxx, who soon grabs her attention. It doesn't take long for Kate to discover that Lee has a penchant for dating the young tourists that flock to the river canyon each summer—and that Lee has no intention of ever settling down. Then an unexpected visit by Kate's girlfriend sends everyone scrambling. Torn between safety and desire, Kate has no idea which way to turn. And as for Lee—she can't quite believe that she's actually fallen in love... for the very first time in her life.
Tells the Indian creation myth of how the Animal People created the sun, moon, and stars.
Facilitator Joseph has outlasted entire civilizations during his twenty-thousand years of service to Dr. Zeus, the twenty-fourth century Company that created immortal operatives like him to preserve history and culture. The year is 1699 and Joseph is now in Alta California, to imitate an ancient Native-American Coyote god, and save the native Chumash from the white Europeans.He has the help of the Botanist Mendoza, who hasn't gotten over the death of her lover Nicholas, in Elizabethan England. Lately though, Joseph has started to have a few doubts about The Company. There are whispers about the year 2355, about operatives that suddenly go missing. Time is running out for Joseph, which is ironic considering he's immortal, but no one ever said that it was easy being a god. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A retelling of the Navaho legend that explains the patterns of the stars in the sky.
A joyfully retold and vibrantly illustrated story about the origin of the constellations, based on a Wasco Indian legend. One evening, crafty Coyote climbs the moon to discover the secrets of the heavens. Instead, he finds a way to make the most wonderful pictures for all the world to see. The next night, the other animals of the canyon look up to the sky, where they see a big surprise!
“Brand X and his fellow coyotes . . . are meticulously observed in the desert environment that Ms. Popham seems to know like her backyard. And so are the people of this fable—old Hallie and Albert . . . and the several varmint-hunters, callous or alcoholic or both. There is a parable of how we might relate to the creatures that share the world with us; and a parable of dreams versus realty; and a parable of home, of known territory with its comparative safety; and a parable of making the best of a world short of everything. The people and the creatures of Ms. Popham’s fable are right, they belong, and they mean.” —Wallace Stegner “This spare and affecting novel has the precision and the stinging sweetness of a fable. A wonderful book.” —Thomas McGuane “Refreshing . . . Life-affirming . . . The first book I’ve read in a long time that left me with teary eyes at the end.”—The San Diego Tribune “Captivating . . . The animals’ arduous westward journey down the Colorado River to the Gulf suggests a coyote world view that is subtly sustained by their mysterious ways.” —Publishers Weekly “With dramatic urgency and imaginative tenderness, Melinda Popham has given the world a painful, poetic, and delightfully unpredictable story that pulsates with hope and healing meaning.” —Al Young, California Poet Laureate Emeritus “Rich with poetic resonance.” —Los Angeles Times Book Review “Evoking a rich sense of place and animal behavior, [Popham] lets us see through very different eyes.” —The Seattle Times “A daring and visionary tale. [Popham] dares to tell us what a coyote thinks and sees and feels and dreams. . . . A hero of the classic kind—a furry, howling, water-seeking version of the Hero with a Thousand Faces.” —James D. Houston “Masterful . . . Astonishing . . . Remarkable . . . Put down the latest technothriller and bask awhile in the descriptive prose of Skywater.” —L.A. Life
Coyote gets lonely in the wide-open spaces of the Potawatomi Reservation in Kansas, so he moves to New York City in search of work and a special friend. There he quickly gets himself a job as Rodent Control Officer at the World Trade Center. But he is always homesick, so at the end of the day, he escapes the crowds and hurry of the city by going up to the top of the tower to enjoy the quiet night skies. And one night he spots a star more beautiful than all of the others. . . . This original story centers on the Prarie Band Potawatomi, who were displaced several times from their original territory in the Great Lakes region to eventually be relocated in Kansas under the Indian Removal Act. Today, there are several bands of Potawatomi located in Wisconsin, Michigan, Oklahoma, and in Ontario, Canada. About the Tales of the People series Created with the Smithsonian's National Museum of the American Indian (NMAI), Tales of the People is a series of children's books celebrating Native American culture with illustrations and stories by Indian artists and writers. In addition to the tales themselves, each book also offers four pages filled with information and photographs exploring various aspects of Native culture, including a glossary of words in different Indian languages.
A hiking trail through majestic mountains. A raw, unpeopled wilderness stretching as far as the eye can see. These are the settings we associate with our most famous books about nature. But Gavin Van Horn isn’t most nature writers. He lives and works not in some perfectly remote cabin in the woods but in a city—a big city. And that city has offered him something even more valuable than solitude: a window onto the surprising attractiveness of cities to animals. What was once in his mind essentially a nature-free blank slate turns out to actually be a bustling place where millions of wild things roam. He came to realize that our own paths are crisscrossed by the tracks and flyways of endangered black-crowned night herons, Cooper’s hawks, brown bats, coyotes, opossums, white-tailed deer, and many others who thread their lives ably through our own. With The Way of Coyote, Gavin Van Horn reveals the stupendous diversity of species that can flourish in urban landscapes like Chicago. That isn’t to say city living is without its challenges. Chicago has been altered dramatically over a relatively short timespan—its soils covered by concrete, its wetlands drained and refilled, its river diverted and made to flow in the opposite direction. The stories in The Way of Coyote occasionally lament lost abundance, but they also point toward incredible adaptability and resilience, such as that displayed by beavers plying the waters of human-constructed canals or peregrine falcons raising their young atop towering skyscrapers. Van Horn populates his stories with a remarkable range of urban wildlife and probes the philosophical and religious dimensions of what it means to coexist, drawing frequently from the wisdom of three unconventional guides—wildlife ecologist Aldo Leopold, Taoist philosopher Lao Tzu, and the North American trickster figure Coyote. Ultimately, Van Horn sees vast potential for a more vibrant collective of ecological citizens as we take our cues from landscapes past and present. Part urban nature travelogue, part philosophical reflection on the role wildlife can play in waking us to a shared sense of place and fate, The Way of Coyote is a deeply personal journey that questions how we might best reconcile our own needs with the needs of other creatures in our shared urban habitats.
“Get your head into the clouds with Aerial Geology.” —The New York Times Book Review Aerial Geology is an up-in-the-sky exploration of North America’s 100 most spectacular geological formations. Crisscrossing the continent from the Aleutian Islands in Alaska to the Great Salt Lake in Utah and to the Chicxulub Crater in Mexico, Mary Caperton Morton brings you on a fantastic tour, sharing aerial and satellite photography, explanations on how each site was formed, and details on what makes each landform noteworthy. Maps and diagrams help illustrate the geological processes and clarify scientific concepts. Fact-filled, curious, and way more fun than the geology you remember from grade school, Aerial Geology is a must-have for the insatiably curious, armchair geologists, million-mile travelers, and anyone who has stared out the window of a plane and wondered what was below.
Coyote is a dreamer and a drama queen, brazen and brave, faithful yet fiercely independent. She beats her own drum and sews her own crop tops. A gifted equestrian, she’s half dog, half coyote, and all power. With the help of her trusty steed, Red, there’s not much that’s too big for her to bite off, chew up, and spit out right into your face, if you deserve it. But when Coyote and Red find themselves on the run from a trio of vengeful bad dogs, get clobbered by arrows, and are tragically separated, our protagonist is left fighting for her life and longing for her displaced best friend. Taken in by a wolf clan, Coyote may be wounded, but it’s not long before she’s back on the open road to track down Red and tackle the dogs who wronged her. An homage to and a lampoon of Westerns like Butch Cassidy and the Sundance Kid, Lisa Hanawalt’s Coyote Doggirl is a self-aware, playful subversion of tropes. As our fallible hero attempts to understand the culture of the wolves, we see a journey in understanding and misunderstanding, adopting and co-opting. Uncomfortable at times but nonetheless rewarding and empowering, the story of these flawed, anthropomorphized characters is nothing if not relentlessly hilarious and heartbreakingly human. Told in Hanawalt’s technicolor absurdist style, Coyote Doggirl is not just a send-up of the Western genre but a deeply personal story told by an enormously talented cartoonist.