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Much of the city can't wake up. And more are dozing off each day. Instead of powerful forces storming Seattle, a more insidious invasion is happening. Most of Joanne Walker's fellow cops are down with the blue flu—or rather the blue sleep. Yet there's no physical cause anyone can point to—and it keeps spreading. It has to be magical, Joanne figures. But what's up with the crazy dreams that hit her every time she closes her eyes? Are they being sent by Coyote, her still-missing spirit guide? The messages just aren't clear. Somehow Joanne has to wake up her sleeping friends while protecting those still awake, figure out her inner-spirit dream life and, yeah, come to terms with these other dreams she's having about her boss….
At night coyotes come quietly to the garden wall, bringing with them their desert world of sand, sagebrush, lizards, and rocks.
Coyote is three years old when she leaves her family in Algonquin Provincial Park in Ontario and embarks on a 500-mile odyssey eastward in search of a territory of her own and a mate to share it with. Journeying by night through the dead of winter, she endures extreme cold, hunger, and a harrowing crossing of the St. Lawrence River in Montreal before her cries of loneliness are finally answered in the wilds of Maine. The mate she finds must gnaw off a paw to escape a trap. The first coyotes in the northern U.S., they raise pups (losing several), experience summer plenty, winter hardship, playfulness, and unmistakable love and grief. Blending science and imagination with magical results, this story tells how coyotes may have populated a land desperately in need of a keystone predator, and no one who reads it will doubt the value of their ecological role. Told through the eyes of a coyote, this is a riveting story with mythic dimensions. A work of creative nonfiction that adheres to the highest standards of wildlife biology. With deep insights into wild canine behavior, penetrates the veil of “otherness” that separates us from the animals with whom we share the planet. An appendix explores the history and current status of coyotes in North America. Native Americans considered them tricksters, messengers, and companions. Given the disappearance of wolves, they are even more critical to ecosystem health today. The author explains how, without coyotes, prey species are weakened by disease and parasites. Geri Vistein speaks extensively about coyote-human interactions to a variety of audiences. She is a nationally recognized expert on the topic and maintains the website CoyoteLivesInMaine.com. A QR code in the book takes readers to a hauntingly beautiful recording of coyote song.
The book is continuation of ‘buddha in redface' which has been in print for 20 years. In the present book, he continues to explore how humanity can undo some of the potential destructiveness of nuclear energy. Indigenous cosmology is explored as a way of understanding quantum memory as a ceremonial method to restore primordial harmony in our world.
Laurel Schneider takes the reader on a vivid journey from the origins of "the logic of the One" - only recently dubbed monotheism - through to the modern day, where monotheism has increasingly failed to adequately address spiritual, scientific, and ethical experiences in the changing world. In Part I, Schneider traces a trajectory from the ancient history of monotheism and multiplicity in Greece, Israel, and Africa through the Constantinian valorization of the logic of the One, to medieval and modern challenges to that logic in poetry and science. She pursues an alternative and constructive approach in Part II: a "logic of multiplicity" already resident in Christian traditions in which the complexity of life and the presence of God may be better articulated. Part III takes up the open-ended question of ethics from within that multiplicity, exploring the implications of this radical and realistic new theology for the questions that lie underneath theological construction: questions of belonging and nationalism, of the possibility of love, and of unity. In this groundbreaking work of contemporary theology, Schneider shows that the One is not lost in divine multiplicity, and that in spite of its abstractions, divine multiplicity is realistic and worldly, impossible ultimately to abstract.
Coyote is a dreamer and a drama queen, brazen and brave, faithful yet fiercely independent. She beats her own drum and sews her own crop tops. A gifted equestrian, she’s half dog, half coyote, and all power. With the help of her trusty steed, Red, there’s not much that’s too big for her to bite off, chew up, and spit out right into your face, if you deserve it. But when Coyote and Red find themselves on the run from a trio of vengeful bad dogs, get clobbered by arrows, and are tragically separated, our protagonist is left fighting for her life and longing for her displaced best friend. Taken in by a wolf clan, Coyote may be wounded, but it’s not long before she’s back on the open road to track down Red and tackle the dogs who wronged her. An homage to and a lampoon of Westerns like Butch Cassidy and the Sundance Kid, Lisa Hanawalt’s Coyote Doggirl is a self-aware, playful subversion of tropes. As our fallible hero attempts to understand the culture of the wolves, we see a journey in understanding and misunderstanding, adopting and co-opting. Uncomfortable at times but nonetheless rewarding and empowering, the story of these flawed, anthropomorphized characters is nothing if not relentlessly hilarious and heartbreakingly human. Told in Hanawalt’s technicolor absurdist style, Coyote Doggirl is not just a send-up of the Western genre but a deeply personal story told by an enormously talented cartoonist.
Using his knowledge of the sea and stars, Vahi-roa the navigator guides a group of Tahitians aboard a great canoe to the unknown islands of Hawaii.
Developed from her tremendously popular blog, this book offers the inspiring and beautifully illustrated account of the author's experiences raising an orphaned coyote as a beloved pet. Full-color photographs throughout.
For as long as there have been heroes and villains in our books, on our TVs, and in our everyday lives, children have been imitating them in their play. Superhero play remains a wonderful, developmentally appropriate way for children to explore power, experience adventure, and investigate big questions about the world. Yet, many adults are troubled by the effects media storylines, stereotypes, and violence have on children’s superhero play. Magic Capes, Amazing Powers takes an in-depth look at why children are so strongly attracted to superhero and weapons play. It also examines the concerns felt by families and teachers and suggests practical solutions that take into account the needs of both children and their caregivers. It explores how the use of redirection, storytelling, dramatic play materials, anti-bias curriculum, and clear limit setting can guide superhero play in a positive direction, one that addresses caregiver concerns and allows children to do what they do best—play!
When You Sing It Now, Just Like New is a collection of essays about stories: about hearing, sharing, and recording them, and sometimes even becoming characters in them. These essays, which contextualize stories within anthropology, flow from Robin Ridington and Jillian Ridington's decades of work with the Athapaskan-speaking Dane-zaa people, who live in Canada's Peace River area. The essays in part 1 feature the Ridingtons' audio work as well as Jillian's reflections on her relationships with Dane-zaa women. The authors use a narrative style to lead the reader to an understanding of First Nations' oral and written traditions. The essays in parts 2 and 3 are more scholarly and comparative and draw on ethnographic experience. They speak to one or more theoretical issues and discuss First Nations traditions beyond the Dane-zaa, but always from within the context of shared ethnographic authority. Students of anthropology, folklore, and Native studies can hear samples of audio compositions from the Dane-zaa archive by downloading audio files from the University of Nebraska Press Web site.