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Young Peter Ott gets entangled with a rancher’s wife and is forced to leave home. He becomes a deputy in Durango, only to be shot, because of his inexperience, during a gunfight. He learns the rudiments of becoming a fast gun from a gunman whose future death he is sworn to avenge. He becomes a deputy in Globe, chasing down various outlaws throughout Arizona. An eastern manufacturer pays Ott to avenge the death of his son who was hung along with two other cowboys by vigilantes on the Mogollon Rim. Also, Bull Davis, who owns mining and agricultural interest, pays Ott to avenge the death of one of his ranch foremen. Ott learns who killed the cowboys, but cannot bring them to justice, but he reports most outlaw deaths to the manufacturer as Rim assassins. For each, he gets paid. Ott arrests a man named Champion for the bushwhacking of Bull’s ranch foreman. He is acquitted by a fearful Lincoln County jury. Ott tries every strategy to egg Champion into a gunfight. Champion is too clever until Ott tricks him in Globe. The final revenge is acted out on the Mogollon Rim.
SHADOW of the MOGOLLON RIM Being a Texas Ranger had its rewardsthough they were few and far betweenbut after twelve long and lonely years on horseback tracking down and arresting what seemed like an endless number of ruthless, cold-blooded fugitives from justice, Clint Wells had had enough. By the grace of God, he had survived the hardships and dangers of his job. At thirty-seven years of ageand feeling several years olderthe time had finally come to hang up his reliable Colt revolver, surrender the tarnished silver badge, and head further west. The Arizona Territory had its own brand of special lawmen, the Arizona Rangers, and they needed Clints priceless experience. If they got their way, he would not be hanging up his six-shooter anytime soon. The year was 1892; the place was central Arizonaand the wonderful smell of late spring was in the air.
"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society
Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.
Reader Views Bronze Award for Historical Fiction Reader Views Western Mountain Regional Award Winner Royal Dragonfly Book Awards, Second Place, Western Fiction, 2021 The SPR Book Awards, Finalist 2021 National Indie Excellence Awards, Western Fiction, Finalist 2021 American Book Fest's Best Book Awards, Western Fiction, Finalist 2021 The Feudist: A Novel of the Pleasant Valley War is both a traditional Western—tense, authentic, fast-paced—and an anti-Western that tells the story of what was perhaps the bloodiest range war in US history, Arizona’s 1880s Pleasant Valley War. The narrator—a small-time rancher named Ben Holcomb who reflects back on his adolescent experiences—begins the story as a stockboy in Globe City, Arizona. Bored with his job, he agrees to become an apprentice cowboy. His journey to his employer’s ranch leads him into a smoldering range war. Over the next year, he rides with a charismatic trickster; a Texas “colonel” and his idealist daughter; a polygamous Mormon elder with a teenaged wife; and a winsome, mixed-race cowboy who is deeply embroiled in the feud. Though Ben tries to stay out of the quarreling, he finds himself embroiled as he stumbles through passionate love, devastating loss, and moral uncertainty. Herman’s attention to historical forces, his spare style, his self-deprecating narrator, and his authentic characters give the novel a verisimilitude that transcends the genre Western and far surpasses Zane Grey’s 1922 romance about the Pleasant Valley War, To the Last Man.
Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.
"Emil Haury stands as one of the finest archaeologists of the American Southwest. He skills were sharpened by the best mentors—Cummings, Douglass, Gladwin—and eventually Haury's excavations became the definitive work on the Mogollon and Hohokam cultures. . . . This work is a 'best of Haury' collection of many of his previously published works, with excellent introductory essays by colleagues and noted archaeologists—gathered into one, readable volume."—Choice
Youth can seem to be a series of highly romantic and significantly tragic events when viewed by its participants. Or, as Ralph Reynolds discovers, it can be simply one ridiculous thing after another. These are the adventures of a Luna Kid, a young cowboy suffering teenage prairie angst in rural New Mexico.