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For many of us, the image of the cowboy hero facing off against the villain dominates our memories of the movies. Peter French examines the world of the western, one in which death is annihilation, the culmination of life, and there is nothing else. In that world he finds alternatives to Judeo-Christian traditions that dominate our ethical theories, alternatives that also attack the views of the most prominent ethicists of the past three centuries. More than just a meditation on the portrayal of the good, the bad, and the ugly on the big screen, French's work identifies an attitude toward life that he claims is one of the most distinctive and enduring elements of American culture.
"In this stunning philosophical accomplishment, McCumber sheds important new light on the history of substance metaphysics and Heidegger's challenge to metaphysical thinking. . . . Well-documented, brilliant, definitely a major contribution to philosophy!" —Choice In this compelling work, John McCumber unfolds a history of Western metaphysics that is also a history of the legitimation of oppression. That is, until Heidegger. But Heidegger himself did not see how his conception of metaphysics opened doors to challenge the domination encoded in structures and institutions—such as slavery, colonialism, and marriage—that in the past have given order to the Western world.
This book introduces the profound reflections of Xavier Zubiri (1898-1983) on the history of philosophy to English-speaking audiences. As a philosopher who rethought much of philosophy and theology, Zubiri felt it necessary to be in continuous dialogue with earlier thinkers both to avoid past mistakes and to extract all that is valuable from them. The theme of the present book is the transcendental in Western philosophy and how a firm grasp of it reveals underlying unity in Western philosophy, but also fundamental problems that Zubiri believed require a complete rethinking of certain basic notions and theories. Zubiri develops this theme by analyzing the work of six major philosophers: Aristotle, St. Thomas, Descartes, Leibniz, Kant, and Hegel. To conclude, he sketches his own resolution of the problems of Western philosophy, a subject addressed in greater depth in his major work, Sentient Intelligence. This translation was made possible by a grant from the Spanish Ministry of Culture.
In Questioning Martin Heidegger, Martin Heidegger’s “Overcoming Metaphysics” provides the jumping-off point for a wide-ranging critique and deconstruction of Western metaphysics from the Pre-Socratics and Sophists to Descartes, Kant, Hegel, Nietzsche, and Derrida. Besides questioning Martin Heidegger’s controversial relationship with German National Socialism (Nazism) and the Holocaust, Questioning Martin Heidegger also takes off onto diverse topics like the question of being and the problem of nothingness, the birth of subjectivity and the death of God, and the Kehre and the emergence of a global ecological consciousness. Written in straightforward, jargon-free language, Questioning Martin Heidegger will be stimulating and exciting reading for professional scholars and enthusiastic laypersons, philosophy students and the general public.
One can rightly say of Peter Sloterdijk that each of his essays and lectures is also an unwritten book. That is why the texts presented here, which sketch a philosophical physiognomy of Martin Heidegger, should also be characterized as a collected renunciation of exhaustiveness. In order to situate Heidegger's thought in the history of ideas and problems, Peter Sloterdijk approaches Heidegger's work with questions such as: If Western philosophy emerged from the spirit of the polis, what are we to make of the philosophical suitability of a man who never made a secret of his stubborn attachment to rural life? Is there a provincial truth of which the cosmopolitan city knows nothing? Is there a truth in country roads and cabins that would be able to undermine the universities with their standardized languages and globally influential discourses? From where does this odd professor speak, when from his professorial chair in Freiburg he claims to inquire into what lies beyond the history of Western metaphysics? Sloterdijk also considers several other crucial twentieth-century thinkers who provide some needed contrast for the philosophical physiognomy of Martin Heidegger. A consideration of Niklas Luhmann as a kind of contemporary version of the Devil's Advocate, a provocative critical interpretation of Theodor Adorno's philosophy that focuses on its theological underpinnings and which also includes reflections on the philosophical significance of hyperbole, and a short sketch of the pessimistic thought of Emil Cioran all round out and deepen Sloterdijk's attempts to think with, against, and beyond Heidegger. Finally, in essays such as "Domestication of Being" and the "Rules for the Human Park," which incited an international controversy around the time of its publication and has been translated afresh for this volume, Sloterdijk develops some of his most intriguing and important ideas on anthropogenesis, humanism, technology, and genetic engineering.
The first English-language contributory volume on Chinese metaphysics, covering all major traditions from pre-Qin to the modern period.
A comparative study of the Confucian and Western view of the self.
Heimsoeth enters boldly into the historical drama of Western philosophical thought at its deepest level and tells a story focused not so much on actors as on the plot itself: the great metaphysical questions about philosophy and life.
Essays about how stories of the Old West reflect—and affect—our beliefs and values. The solitude of the lone rider, the loyalty of his horse, and the unspoken code of the West—for many, Western movies embody America and its values, though the view of the country’s history they present isn’t always accurate. In recent years, scholars had declared the genre dead, but a steady resurgence of western themes in literature, film, and television has reestablished its importance and influence. In The Philosophy of the Western, editors Jennifer L. McMahon and B. Steve Csaki examine philosophical themes in the western genre. Investigating subjects of nature, ethics, identity, gender, environmentalism, and animal rights, the essays in this volume draw from a wide range of westerns including the more recent popular and critical successes Unforgiven, All the Pretty Horses, 3:10 to Yuma, and No Country for Old Men, as well as literature and television serials such as Deadwood. The Philosophy of the Western reveals the powerful role of the western in the American psyche.
Chinese-Western Comparative Metaphysics and Epistemology: A Topical Approach features a comparative analysis of the fundamental metaphysical assumptions and their epistemological implications in Chinese and Western philosophy. Adopting the methodology of topical comparison that seeks to correlate two or multiple approaches to the same set of questions raised by a single topic or issue, Mingjun Lu argues for commensurability in Chinese and Western metaphysics of both Nature and the mind, and in the epistemology of knowledge dictated by these two fundamental hypotheses of the first principle or primary cause. Lu explores this philosophical commensurability through a comparative analysis of the canonical works written by Plato, Aristotle, Bacon, Descartes, and Leibniz on the Western side, and by Confucius, Laozi, Zhuangzi, Xunzi, Lu Jiuyuan, Zhu Xi, and Wang Yangming on the Chinese side. The parallels and analogues revealed by the comparative lens, Lu proposes, bring to light a coherent and well-developed Chinese metaphysical and epistemological system that corresponds closely to that in the West. By inventing such new categories as cosmo-substantial metaphysics, consonant epistemology, natural hermeneutics, and onto-mind reading to reconceptualize Chinese and Western philosophy, Lu suggests alternative and more commensurable grounds of comparison.