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Two previously published novels, first work A2011; second work A2012.
Two reader-favorite cowboy romances from Joanna Wayne and Linda Warren. COWBOY FEVER Dakota Ledger is a bull rider at heart and a loner by choice…until fate has him rescuing Viviana Mancini. He's never forgotten the passion they shared, but now she's in trouble…and so is the baby she never told him they'd had. Dakota will do whatever necessary to protect the pair. But can he protect himself from the killer on their trail and the would-be family he's fallen for? TOMAS: COWBOY HOMECOMING Marine staff sergeant Tomas "Tuf" Hart is still grappling with the mental scars of battle when he learns his family's ranch is in trouble and they're banking everything on him to win the National Finals Rodeo. So far the easiest part of Tuf's homecoming is falling for his high school crush, Cheyenne Sundell. Maybe with a little hope and a lot of love they can find their way back to each other.
"The process by which two neighborhood butchers turned themselves into landed industrialists depended to an extraordinary degree on the acquisition, manipulation, and exploitation of natural resources. Igler examines the broader impact of western industrialism - as exemplified by Miller & Lux - on landscapes and waterscapes, bringing to the forefront the important issues of land reclamation, water politics, San Francisco's unique business environment, and the city's relation to its surrounding hinterlands. He provides a rich discussion of the social relations engineered by Miller & Lux, from the dispossession of Californio rancheros to the ethnic segmentation of the firm's massive labor force."--Jacket.
This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.
Photo-text panoramic survey of the life and lore of professional cowboys of the American West, past and present.
"Devastating . . . [Ghost of Milagro Creek] simmers with metaphysical tension."—Time Out Chicago The story of Ignacia Vigil Romero, a full Jacarilla Apache, and the two boys, Mister and Tomás, she raised to adulthood unfolds in a barrio of Taos, New Mexico—a mixed community of Native Americans, Hispanics, and whites. Now deceased, Ignacia, a curandera—a medicine woman, though some say a witch—begins this tale of star-crossed lovers. Mister and Tomás, best friends until their late teens, both fall for Rocky, a gringa of some mystery, a girl Tomás takes for himself. But in a moment of despair, a pledge between the young men leads to murder. When Ignacia falls silent, police reports, witness statements, and caseworker interviews draw an electrifying portrait of a troubled community and of the vulnerable players in this mounting tragedy. Set in a terrain that becomes a character in its own right, The Ghost of Milagro Creek brilliantly illuminates this hidden corner of American society.
Marine Staff Sergeant Tomas "Tuf" Hart is beginning to understand why they say "you can never go home again." Still grappling with the mental scars of battle, Tuf's just learned that Thunder Ranch is in trouble. Now, the Harts are banking everything on their stallion, Midnight, winning the National Finals Rodeo. The only easy part of Tuf's homecoming was falling for his high school crush all over again. Cheyenne Sundell has always been drawn to Tuf. But as a single mom of twin daughters, she's wary of getting involved, especially with another military man. Cheyenne's disastrous marriage taught her that war changed men, and not always for the better. Tuf and Cheyenne have been through hell and back. But with a little hope and a lot of holiday spirit, they just might find a way to heal themselves…and each other.
In this story of an astonishing love, Thomas Sanchez portrays the violence, hope, and grandeur of lives transformed by war and exile. At the heart of the novel are Zermano, a world-famous Spanish painter, and his beautiful French muse, Louise Collard -- whose lives are torn apart by the German invasion of France in World War II. Leaving Louise in Vichy-controlled Provence, Zermano returns to occupied Paris. But while he eventually goes on to celebrity and fortune, Louise disappears into obscurity. Fifty years later, after Louise's death, an American scholar arrives in the south of France seeking the truth about the lovers' tempestuous romance and sudden separation. Why did the painter abandon the young beauty? What was the cause of her lifelong reclusiveness? What dark mysteries were being concealed by the ill-fated couple? By chance, the professor finds a cache of correspondence -- Zermano's letters to Louise in her remote mountain village, and her intentionally unmailed letters to him in Paris. In their vivid, wrenching contents he uncovers secrets that Louise kept even from Zermano about her wartime experience: the dangers of her participation in the Resistance, and her complicity with one of its leaders, the Fly; her struggles to elude a sadistic officer who hunts her for political and personal reasons; her lyrical intimacy with a mystical beekeeper. Louise is forced to make a fateful decision between the love for her man, and the ultimate sacrifice for her country. In a powerful climax, the scholar is compelled to journey to Mallorca, where Zermano is rumored to be living in self-imposed exile. Determined to reveal Louise's fate to the painter, our narrator does not suspect that he, too, will be forced to confront the enigma of his own desire.