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After years of cowboying, Charles A. Siringo had settled down to store-keeping in Caldwell, Kansas, when a blind phrenologist, traveling through, took the measure of his "mule head" and told him that he was "cut out" for detective work. Thereupon, Siringo joined the Pinkerton National Detective Agency in 1886. A Cowboy Detective chronicles his twenty-two years as an undercover operative in wilder parts of the West, where he rode with the lawless, using more stratagems and guises than Sherlock Holmes to bring them to justice and escaping violent death more often than Dick Tracy. He survived the labor riots at Coeur d'Alene, Idaho, in 1892 (his testimony helped convict eighteen union leaders), hounded moonshiners in the Appalachians, and chased Butch Cassidy's Wild Bunch. Once described as "a small wiry man, cold and steady as a rock" and "born without fear," Charlie Siringo became a favorite of high-ups in the Pinkerton organization. Nevertheless, the Pinkertons, ever sensitive to criticism, went to court to block publication of Siringo's book. Frank Morn, in his introduction to this Bison Books edition, discusses the changes that resulted from two years of litigation. Finally published in 1912 without Pinkerton in the title or the text, A Cowboy Detective has Siringo working for the "Dickensen Detective Agency" and meeting up with the likes of "Tim Corn," whom every western buff will recognize. The deeper truth of Siringo's book remains. As J. Frank Dobie wrote, "His cowboys and gunmen were not of Hollywood and folklore. He was an honest reporter.
"A Holmes on the Range mystery" -- Cover.
A killer is on the loose in the Arizona Territory. One by one, Tonto Basin ranchers are being murdered for their livestock. And the Cattle Raisers Association has hired two range detectives to catch the culprit. From the looks of them, Stovepipe Stewart and Wilbur Coleman are just another pair of high plains drifters. But with their razor-sharp detective skills and rare talent for trouble, they're the last remaining hope for one young cowboy who's been arrested for the murders.
The story of the legendary Pinkerton detective who took down the Molly Maguires and the Wild Bunch The operatives of the Pinkerton’s National Detective Agency were renowned for their skills of subterfuge, infiltration, and investigation, none more so than James McParland. So thrilling were McParland’s cases that Sir Arthur Conan Doyle included the cunning detective in a story along with Sherlock Holmes. Riffenburgh digs deep into the recently released Pinkerton archives to present the first biography of McParland and the agency’s cloak-and-dagger methods. Both action packed and meticulously researched, Pinkerton’s Great Detective brings readers along on McParland’s most challenging cases: from young McParland’s infiltration of the murderous Molly Maguires gang in the case that launched his career to his hunt for the notorious Butch Cassidy and the Wild Bunch to his controversial investigation of the Western Federation of Mines in the assassination of Idaho’s former governor. Filled with outlaws and criminals, detectives and lawmen, Pinkerton’s Great Detective shines a light upon the celebrated secretive agency and its premier sleuth.
An engrossing guide to seeing—and communicating—more clearly from the groundbreaking course that helps FBI agents, cops, CEOs, ER docs, and others save money, reputations, and lives. How could looking at Monet’s water lily paintings help save your company millions? How can checking out people’s footwear foil a terrorist attack? How can your choice of adjective win an argument, calm your kid, or catch a thief? In her celebrated seminar, the Art of Perception, art historian Amy Herman has trained experts from many fields how to perceive and communicate better. By showing people how to look closely at images, she helps them hone their “visual intelligence,” a set of skills we all possess but few of us know how to use properly. She has spent more than a decade teaching doctors to observe patients instead of their charts, helping police officers separate facts from opinions when investigating a crime, and training professionals from the FBI, the State Department, Fortune 500 companies, and the military to recognize the most pertinent and useful information. Her lessons highlight far more than the physical objects you may be missing; they teach you how to recognize the talents, opportunities, and dangers that surround you every day. Whether you want to be more effective on the job, more empathetic toward your loved ones, or more alert to the trove of possibilities and threats all around us, this book will show you how to see what matters most to you more clearly than ever before. Please note: this ebook contains full-color art reproductions and photographs, and color is at times essential to the observation and analysis skills discussed in the text. For the best reading experience, this ebook should be viewed on a color device.
What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.
The only performer to earn 5 stars on the Hollywood Walk of Fame, Gene Autry was the singing cowboy king of American entertainment. Now, in Public Cowboy No.1, Holly George-Warren offers the first serious biography of this singular individual, in a fascinating narrative that traces Autry's climb from small-town farm boy to multimillionaire. Here for the first time Autry the legend becomes a flesh-and-blood man--with all the passions, triumphs, and tragedies of a flawed icon. George-Warren recounts stories never before told, including revelations about Autry's impoverished boyhood, his adventures as an up-and-coming singer, and the impact his unbelievable success had on his personal life. The book provides equally colorful details of Autry's lengthy radio and recording career, which included such classics as "Back in the Saddle Again" and "Rudolph the Red-Nosed Reindeer"; his movie career, where he breathed new life into the Western genre; and his role in early television. And along the way, we see how he invested shrewdly in radio, real-estate, and television, becoming the only entertainer listed among 1990's Fortune 400. Based on exclusive access to Gene Autry's personal papers, as well as interviews with more than 100 relatives, employees, colleagues, and friends, this engaging biography brings to life a major Hollywood star--a man who, more than anyone else, put Western music and style on the American cultural map.
Private detectives and detective agencies played a major role in American history from 1870 to 1940. Pinkerton, Burns, Thiels, and the smaller independents were a multi-million dollar industry, hired out by many if not most American corporations, who needed services of surveillance, strike breaking, and labor espionage. Not only is John Walton's account the first sustained history of this industry, it is also the first book to trace the ways in which the private detective came to occupy a cherished place in popular imagination. Walton paints lively portraits of these mythical figures from Sherlock Holmes, the brilliant eccentric, to Sam Spade, the hard-boiled hero of Dashiell Hammett's best-selling tales. There's a great question lurking in here: how did pulp magazine editors shape the image of the hard-boiled private eye, and what sorts of interplay obtained between the actual records (agency files, memoirs) of these motley individuals in real life and the legend of the private detective in mass-market fiction? This history of the private eyes and this account of how the detective industry and the culture industry played off of each other is a first. Walton show us, in clean clear outline, the figure of the classical private eye, and he shows us further how the memory of this iconic figure was sustained in fiction, radio, film, literary societies, product promotions, adolescent entertainments, and a subculture of detective enthusiasts.