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As a rising star on the professional rodeo circuit, Spencer Cole risks his life every night in his quest to become one of the most elite bull riders in America. That all changes on a devastating Fourth of July when a terrible accident brings his future into sharp question. For five years, Rebecca Rankin's annual trysts with Spencer have been the high point of her Independence Day celebrations, but the timing was never right to seek out more. Now, she's thrust into the role of nursemaid for a bitter, angry cowboy who believes he's lost everything. But Spencer needs more than a nurse. He needs somebody to show him his life didn't end when his career did. Because courage isn't about how long the bull ride is. It's about getting back up after the ride is over.
He promised he’d stay away…but he can’t resist keeping her close Setting rules and following them to the letter is part of cowboy Nick Haskins’s code. It keeps life uncomplicated, and his heart intact. The love he had for his high school sweetheart is ashes in the wind, but he’s not counting on her twin, Lindsay Gavin, to show up on his ranch—or in his dreams. Lindsay’s got a code of her own: hands off her sister’s guy. But now that Nick is free to share his bunkhouse and his bed, she can’t help but take what he’s offering. There’s no harm in satisfying years worth of curiosity. There’s no shame in indulging in the sexiest fun of her life. Only, when Nick and Lindsay let desire set fire to the rules, will they both end up getting burned?
Lester “Les” McCoy is a retired cowboy who now lives in the city, working days at the Ranch and Feed. He loves his country music. Not so his tenant, Damien Ridley, who lives downstairs in his duplex and works evenings at the gym. ”Metal boy,” as Les likes to call him, prefers to listen to all things rock and metal at decibels that make his ears bleed. Damien is attracted to Les, which he makes abundantly clear with those translucent gray eyes and his hot, kissable mouth. Problem is, although Les is in lust with Damien, he's an old prairie bachelor and sees his metal boy as too young for a roll in the hay. He'd rather be put out to pasture. Enter a friend who's gay-bashed and a co-worker who kicks his head out of his ass, and Les reconsiders whether a heavy metal dude can help an old cowboy with the blues.
It's Christmas in Copper Ridge, and love is waiting to be unwrapped... Falling for a bad boy once is forgivable. Twice would just be foolish. When Sabrina Leighton first offered her teenage innocence to gorgeous, tattooed Liam Donnelly, he humiliated her, then left town. The hurt still lingers. But so does that crazy spark. And if they have to work together to set up her family winery's new tasting room by Christmas, why not work him out of her system with a sizzling affair? Thirteen years ago, Liam's boss at the winery offered him a bribe – leave his teenage daughter alone and get a full ride at college. Convinced he wasn't good enough for Sabrina, Liam took it. Now he's back, as wealthy as sin and with a heart as cold as the Oregon snow. Or so he keeps telling himself. Because the girl he vowed to stay away from has become the only woman he needs, and this Christmas could be just the beginning of a lifetime together...
“This is one of those special novels—a piece of working magic, warm, funny, and sane.”—Thomas Pynchon The whooping crane rustlers are girls. Young girls. Cowgirls, as a matter of fact, all “bursting with dimples and hormones”—and the FBI has never seen anything quite like them. Yet their rebellion at the Rubber Rose Ranch is almost overshadowed by the arrival of the legendary Sissy Hankshaw, a white-trash goddess literally born to hitchhike, and the freest female of them all. Freedom, its prizes and its prices, is a major theme of Tom Robbins’s classic tale of eccentric adventure. As his robust characters attempt to turn the tables on fate, the reader is drawn along on a tragicomic joyride across the badlands of sexuality, wild rivers of language, and the frontiers of the mind.
California has been fertile ground for country music since the 1920s, nurturing a multitude of talents from Gene Autry to Glen Campbell, Rose Maddox to Barbara Mandrell, Buck Owens to Merle Haggard. In this affectionate homage to California's place in country music's history, Gerald Haslam surveys the Golden State's contributions to what is today the most popular music in America. At the same time he illuminates the lives of the white, working-class men and women who migrated to California from the Dust Bowl, the Hoovervilles, and all the other locales where they had been turned out, shut down, or otherwise told to move on. Haslam's roots go back to Oildale, in California's central valley, where he first discovered the passion for country music that infuses Workin' Man Blues. As he traces the Hollywood singing cowboys, Bakersfield honky-tonks, western-swing dance halls, "hillbilly" radio shows, and crossover styles from blues and folk music that also have California roots, he shows how country music offered a kind of cultural comfort to its listeners, whether they were oil field roustabouts or hash slingers. Haslam analyzes the effects on country music of population shifts, wartime prosperity, the changes in gender roles, music industry economics, and television. He also challenges the assumption that Nashville has always been country music's hometown and Grand Ole Opry its principal venue. The soul of traditional country remains romantically rural, southern, and white, he says, but it is also the anthem of the underdog, which may explain why California plays so vital a part in its heritage: California is where people reinvent themselves, just as country music has reinvented itself since the first Dust Bowl migrants arrived, bringing their songs and heartaches with them.
E. C. Abbott was a cowboy in the great days of the 1870's and 1880's. He came up the trail to Montana from Texas with the long-horned herds which were to stock the northern ranges; he punched cows in Montana when there wasn't a fence in the territory; and he married a daughter of Granville Stuart, the famous early-day stockman and Montana pioneer. For more than fifty years he was known to cowmen from Texas to Alberta as "Teddy Blue." This is his story, as told to Helena Huntington Smith, who says that the book is "all Teddy Blue. My part was to keep out of the way and not mess it up by being literary.... Because the cowboy flourished in the middle of the Victorian age, which is certainly a funny paradox, no realistic picture of him was ever drawn in his own day. Here is a self-portrait by a cowboy which is full and honest." And Teddy Blue himself says, "Other old-timers have told all about stampedes and swimming rivers and what a terrible time we had, but they never put in any of the fun, and fun was at least half of it." So here it is—the cowboy classic, with the "terrible" times and the "fun" which have entertained readers everywhere. First published in 1939, We Pointed Them North has been brought back into print by the University of Oklahoma Press in completely new format, with drawings by Nick Eggenhofer, and with the full, original text.
(Guitar Chord Songbook). Over 60 tunes: Abilene * Back in the Saddle Again * Bury Me Not on the Lone Prairie * Don't Take Your Guns to Town * Git Along, Little Dogies * Happy Trails * Home on the Range * Mexicali Rose * Pistol Packin' Mama * The Red River Valley * Sioux City Sue * Streets of Laredo (The Cowboy's Lament) * The Yellow Rose of Texas * and more.
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