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Introduces and analyses stage performances of texts by Italian Modernist writer Carlo Emilio Gadda, Italy's own Joyce. Includes the Italian texts (with English translation) and the dvd of the Italian performance (with English subtitles).
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With their softened camouflage, sun-faded stencils, and well-worn insignia patches, this collection of more than 100 iconic WWII American military jackets will wow even the most hardcore connoisseurs and collectors. The cult-status jackets come from the collections of the authors, who are natives of Rome. This "eternal city," universally defined as one of the largest "open-air sets" in the world, provides evocative backdrops for some of the pieces. In glamour poses shot off the usual tourist routes, 30 models-for-a-day put a distinctive spin on the jackets, mixing and matching them with rugged outfits. Part of the appeal of vintage military jackets is that each piece tells the story of the life it lived. This manifesto of post-WWII style encourages us to see its charms with new eyes.
San Pedro, Los Angeles. Young and smart, Alex Anderson is in full swing to be elected again in the Congress of the United States of America. In the last days, however, something begins to upset him. It is a unresolved part of his past, that Alex has brought with him every single day of his life. Its name is Maggie Jones. Certainly, for him she was still "little Maggie", his best friend that one day could have become the love of a lifetime, but about whom he had no news since 1986. One morning, during a meeting in his office in Washington, Alex gets a phone call. It's her. Out of the blue, his life is literally swallowed up by someone who begins to hunt him; it's Chuck Dillinger, former CIA agent who hit the headlines for having released dozens of top secret documents and serious details about NSA activity, starting in this way the scandal that the press renamed as Datagate. Social networks, mobile phones, credit cards: according to Dillinger, we are all intercepted. Why Alex Anderson? As Arianna Huffington explains in her article, Alex is part of the secret society most known in America and, perhaps, all over the world: Skull and Bones. A family tradition, since his father Ron and his grandfather Philip are its founders, just like Bushes. This would make him the predestined, chosen by his leader group as the next Republican candidate for the White House. Thus, in the crazy plan of Dillinger, Anderson becomes the connecting link with the system to subvert and overthrow. Along with Matt Payne, his friend a little bit crazy, and with Veronica Hayes, journalist for Los Angeles Times, met a few hours before aboard a plane, Alex begins a full-fledged race against time that will see him fighting, besides for his life, also and especially to foil an attack against the heart of democracy. After the murder of the FBI Inspector Carl Nowitzki, who in a few hours was supposed to meet Alex to give important news on the case, the command of the operation goes to Frank Da Silva, Head of the counter-terrorism division of the National Security Branch. The mysterious rites of Skull and Bones inside the Tomb and at Deer Island, chases, betrayals, gunfights and the spark of love that, like a bolt from the blue, inflames Alex and Veronica's hearts. The Predestined is a path of three hundred pages, dotted with a succession of twists and on the background of a real showdown among some segments of the intricate world of intelligence and of international espionage. A compelling story beyond all expectations, that will surprise you, will take you by the hand and drag you away until you discover the terrible secret behind the mysterious Maggie Jones. Our journey with Alex, Veronica and Matt is about to begin. And you, are you ready to save the World?
A NEW YORK TIMES EDITORS’ CHOICE FROM THE AWARD-WINNING AUTHOR OF THE ROTTERS’ CLUB AND MIDDLE ENGLAND In the heady summer of 1977, a naïve young woman called Calista sets out from Athens to venture into the wider world. On a Greek island that has been turned into a film set, she finds herself working for the famed Hollywood director Billy Wilder, about whom she knows almost nothing. But the time she spends in this glamorous, unfamiliar new life will change her for good. While Calista is thrilled with her new adventure, Wilder himself is living with the realization that his star may be on the wane. Rebuffed by Hollywood, he has financed his new film with German money, and when Calista follows him to Munich for the shooting of further scenes, she finds herself joining him on a journey of memory into the dark heart of his family history. In a novel that is at once a tender coming-of-age story and an intimate portrait of one of cinema’s most intriguing figures, Jonathan Coe turns his gaze on the nature of time and fame, of family and the treacherous lure of nostalgia. When the world is catapulting towards change, do you hold on for dear life or decide it's time to let go? “Outstanding... In a sense, the novel toward which Coe’s fiction has always been heading.”—Los Angeles Review of Books
In an open cart Elspeth Huxley set off with her parents to travel to Thika in Kenya. As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.
Winner of the Margaret W. Rossiter History of Women in Science Prize A new history uncovers the crucial role women played in the great transformations of medical science and health care that accompanied the Italian Renaissance. In Renaissance Italy women played a more central role in providing health care than historians have thus far acknowledged. Women from all walks of life—from household caregivers and nurses to nuns working as apothecaries—drove the Italian medical economy. In convent pharmacies, pox hospitals, girls’ shelters, and homes, women were practitioners and purveyors of knowledge about health and healing, making significant contributions to early modern medicine. Sharon Strocchia offers a wealth of new evidence about how illness was diagnosed and treated, whether by noblewomen living at court or poor nurses living in hospitals. She finds that women expanded on their roles as health care providers by participating in empirical work and the development of scientific knowledge. Nuns, in particular, were among the most prominent manufacturers and vendors of pharmaceutical products. Their experiments with materials and techniques added greatly to the era’s understanding of medical care. Thanks to their excellence in medicine urban Italian women had greater access to commerce than perhaps any other women in Europe. Forgotten Healers provides a more accurate picture of the pursuit of health in Renaissance Italy. More broadly, by emphasizing that the frontlines of medical care are often found in the household and other spaces thought of as female, Strocchia encourages us to rethink the history of medicine.
Recent scientific studies have brought significant advances in the understanding of basic mental functions such as memory, dreams, identification, repression, which constitute the basis of the psychoanalytical theory. This book focuses on the possibility of interactions between psychoanalysis and neuroscience: emotions and the right hemisphere, serotonin and depression. It is a unique tool for professionals and students in these fields, and for operators of allied disciplines, such as psychology and psychotherapy.
Describes how patterns of information, knowledge, and cultural production are changing. The author shows that the way information and knowledge are made available can either limit or enlarge the ways people create and express themselves. He describes the range of legal and policy choices that confront.
Offers the first look at the aesthetics of contemporary design from the theoretical perspectives of media theory and 'software studies'.