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Covenants without Swords examines an enduring tension within liberal theory: that between many liberals' professed commitment to universal equality on the one hand, and their historic support for the politics of hierarchy and empire on the other. It does so by examining the work of two extremely influential British liberals and internationalists, Gilbert Murray and Alfred Zimmern. Jeanne Morefield mounts a forceful challenge to disciplinary boundaries by arguing that this tension, on both the domestic and international levels, is best understood as frequently arising from the same, l.
Covenants without Swords examines an enduring tension within liberal theory: that between many liberals' professed commitment to universal equality on the one hand, and their historic support for the politics of hierarchy and empire on the other. It does.
This book constitutes a major and comprehensive reevaluation of British defence policy in the early 1930s.The author traces the evolution of British opinion toward rearmament, from opposition to approval, between 1931 and 1935 and assesses the impact of this opinion on the formation of the Government's defence policy. He places public opinion among the many factors which determined the extent and timing of British rearmament during this period and concludes that the leaders of those Governments were not "Guilty Men" who let political considerations overrule their responsibility for national security, but rather prudent men who decided on rearmament before it was publicly acceptable. Documented from such sources as newspaper editorials, cabinet papers, speeches of Members of Parliament, and results of by-elections, the book will be of interest to historians, students of policy decisions and public opinion, and persons interested in the events leading to World War II.
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The English civil wars of the mid-seventeenth century produced two political thinkers of genius: Thomas Hobbes and James Harrington. They are known today as spokesmen of opposite positions, Hobbes of absolutism, Harrington of republicanism. Yet behind their disagreements, argues Arihiro Fukuda, there lay a common perspective. For both writers, the primary aim was the restoration of peace and order to a divided land. Both men saw the conventional thinking of the time as unequal to that task. Their greatest works — Hobbes's Leviathan of 1651, Harrington's Oceana of 1656 — proposed the reconstruction of the English polity on novel bases. It was not over the principle of sovereignty that the two men differed. Fukuda shows Harrington to have been, no less than Hobbes, a theorist of absolute sovereignty. But where Hobbes repudiated the mixed governments of classical antiquity, Harrington's study of them convinced him that mixed government, far from being the enemy of absolute sovereignty, was its essential foundation.
This book argues that twenty-first-century neorealist fiction is inspired by political and journalistic discourses and, along with them, constitutes one of the many representations of the attacks on September 11 and their outcomes. Adopting a neorealist stance, this book is placed at the intersection of realism and fiction, with often reference to what is perceived as objective writing (media and political texts), not at all so divorced from the practice of literary writings on the event that shook the world on September 11, 2001.
'PHILOSOPHY, or the doctrine and discipline of ideas' as S. T. Coleridge understood it, is the theme of this book. It considers the most vital and mature vein of Coleridge's thought to be the contemplation of ideas objectively, as existing powers. A theory of ideas emerges in critical engagement with thinkers including Plato, Plotinus, Böhme, Kant, and Schelling. A commitment to the transcendence of reason, central to what he calls the spiritual platonic old England, distinguishes him from his German contemporaries. The book also engages with Coleridge's poetry, especially in a culminating chapter dedicated to the Limbo sequence. This book pursues a theory of contemplation that draws from Coleridge's theories of imagination and the Ideas of Reason in his published texts and extensively from his thoughts as they developed throughout unpublished works, fragments, letters, and notebooks. He posited a hierarchy of cognition from basic sense intuition to the apprehension of scientific, ethical, and theological ideas. The structure of the book follows this thesis, beginning with sense data, moving upwards into aesthetic experience, imagination, and reason, with final chapters on formal logic and poetry that constellate the contemplation of ideas. Coleridge's Contemplative Philosophy is not just a work of history of philosophy, it addresses a figure whose thinking is of continuing interest, arguing that contemplation of ideas and values has consequences for everyday morality and aesthetics, as well as metaphysics. The volume will be of interest to philosophers, intellectual historians, scholars of religion, and of literature.
In this timely and telling book, Garrison argues that the preoccupation with military expansion is a fatal mistake, citing both FDR and Harry Truman as models for combining military power with institution building....
China is the most exciting rising power in the world today. The fact that China may be the next superpower attracts endless interest from all quarters-yet China is still utterly inscrutable to most outsiders. In The Dragon and the Foreign Devils, Harry Gelber illuminates China's present by looking at the broad sweep of foreign relations in its past. From the incursions by the steppe horsemen and the Mongol conquests to the first arrival of European travelers, foreign fascination with China has followed certain patterns: curiosity, admiration, and greed for trade or territory. But, as China gradually rises from the turbulence in the wake of Mao Zedong to the economic growth and political stability of the twenty-first century, the dynamic between East and West has slowly shifted. Essential reading for anyone interested in China and its evolving relations with foreigners, The Dragon and the Foreign Devils breaks down the walls between East and West and shines a light on the recurring cycles of Chinese history.