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Cousin Henry, first published in 1879, is perhaps the most unusual and intriguing of Trollope's shorter novels. Trollope's masterly handling of the novel's unlikely hero, a tiresome and timid coward, is notable for its insight and compassion. About the Series:For over 100 yearsOxford World's Classicshas made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images
A respected and efficient cavalry colonel (later brigadier general) under General Judson Kilpatrick, he wrote: "I never fired but four shots at the enemy during the war and feel thankful to believe I never killed anybody." But he came near being killed plenty of times himself while commanding in battle. He helped William Tecumseh Sherman cut a swath across Georgia and the Carolinas and saw the last shots fired in the American Civil War. He lived to write one of the most interesting and compelling memoirs of a Union cavalry commander. A compassionate man, he more than once stopped to give aid to dying Confederates and was deeply affected by seeing men die so young. He included some very interesting observations about meeting former Confederates in the South after the war. Every memoir of the American Civil War provides us with another view of the catastrophe that changed the country forever. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers, tablets, and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
This book presents a set of original letters exchanged between Rabindranath Tagore, the first Asian to win the Nobel Prize for Literature, and the eminent Irish poet and theosophist, James Henry Cousins. Through these letters, the volume explores their shared ideas of culture, art, aesthetics, and education in India; aspects of Irish Orientalism; Irish literary revival; theosophy, eastern knowledge, and spiritualism; cross-cultural dialogue and friendship; Renaissance in India; anti-imperialism; nationalism; internationalism; and cosmopolitanism. The book reveals a hitherto unexplored facet concerning two leading thinkers in the history of ideas in a transnational context. With its lucid style, extensive annotations and a comprehensive Introduction, this book will be an essential read for scholars and researchers of Indian literature, Bengali literature, comparative literature, South Asian studies, Tagore studies, modern Indian history, philosophy, cultural studies, education, political studies, postcolonial studies, India studies, Irish history, and Irish literature. It will also interest general readers and the Bengali diaspora.
With Union troops literally in their backyard, two southern women of privilege recorded in their diaries the fall of the south in the last months of the American Civil War. "How much some people have suffered." Unable to see the suffering their southern culture has wrought for more than two centuries, the women seem only aware of the loss of those whose privilege was built on the bondage of others. Essential to the owning of a human being is the inability to see them as a human being. As Union "colored" troops are among the soldiers marching through their land, the women are terrified of what they may do or what they will stir up in the slaves that remain on plantations. They write of the "impudence" of some of their remaining slaves, as if a lifetime of bondage should not have been expected to embitter them and leave them with little politeness for their masters. This edition is abridged and annotated. For the first time, this long-out-of-print book is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE or download a sample.
After a childhood divided between America and Europe, Henry James settled with his family in New England, first in what he regarded as an outpost of Europe, Newport, and later in Cambridge. The family letters (the initial inspiration for this autobiographical enterprise), many of which recount the early career of William James at Harvard and in Germany, also reveal Henry James Sr.’s views on the intellectual, philosophical, and social issues of the time. Henry Jr., aspiring to be "just literary," acknowledges his indebtedness to the widely cultured artist John La Farge, whose friendship he enjoyed during adolescence. The Civil War is recorded through the letters of his younger brother, Wilky, while Henry recalls a Whitmanesque longing for the Union soldiers he met and talked to. The death of a beloved cousin, Mary Temple, who would become the inspiration for some of his greatest fictional heroines, is documented through the passionate, questioning letters she wrote in her final year of life. In The Middle Years James, newly resident in London, gives his impressions of some of the literary "lions" of the time, most notably George Eliot and Tennyson. This first fully annotated critical edition of Notes of a Son and Brother and The Middle Years both offers the reader extensive support in appreciating the demands of James’s late prose and illuminates the context in which one of literature’s most influential figures developed a characteristic voice.
Florence Nightingale (1820-1910) is widely known as the heroine of the Crimean War and the founder of the modern profession of nursing. She was also a scholar and political activist who wrote and worked assiduously on many reform causes for more than forty years. This series will confirm Nightingale as an important and significant nineteenth-century scholar and illustrate how she integrated her scholarship with political activism. Indispensable to scholars, and accessible and revealing to the general reader, it will show there is much more to know about Florence Nightingale than the “lady with the lamp.” Although a life-long member of the Church of England, Nightingale has been described as both a Unitarian and a significan nineteenth-century mystic. Volume 2 begins with an introduction to the beliefs, influences and practices of this complex person. The second and largest part of this volume consists of Nightingale’s biblical annotations, made at various stages of her life (some dated, some not). The third part of volume 2 contains her journal notes, including her diary for 1877, which is published here for the first time. Much of this material is highly personal, even confessional in nature. Some of it is profoundly moving and will serve to show the complexity and power of Nightingale’s faith. Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.