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This volume deals with the various types of the courtyard house, which utilizes the courtyard as an intimate outdoor living space. A presentation of the courtyard as a building block of the city is followed by coverage of the complete spectrum of types—cluster, network, carpet, terraces, etc.
Essays, drawings, plans, and over 200 black-and-white photographs document the courtyard housing in Los Angeles. The style, expressed in both grand and humble dwellings, was at its height in the 1920's and 1930's, but is still around to provide privacy and greenspace in the dense urban area. Annotation copyright by Book News, Inc., Portland, OR
The courtyard house is one of the most enduring architectural forms, transcending regional, historical and cultural boundaries. Its balance of simple appropriate construction, environmental control and social and familial structures continues to engage architects and architectural historians. That the courtyard house is still relevant today is indicated through its ability to accommodate continual transformation without losing any of its formal integrity and cultural roots. This book presents a series of viewpoints on courtyard houses from different periods and in different regions around the world; from the Harem courtyards of the Topkapi Palace and the low-cost housing settlements of Protectorate Casablanca, to contemporary design strategies for courtyard houses in the arid Gulf region. Together, the essays illuminate issues of particular relevance in architectural, art historical, and conservation discourses today.
This book demonstrates, through discussions on sustainability and regional identity, and via a series of case studies, that the courtyard housing form has a future as well as a past.
- Extensive documentation of courtyard houses, both traditional and contemporary - More than a thousand images, drawings, plans and maps - Overview according to climate, geography, philosophy and religion Indian architecture is not about an object in space; instead it integrates space within the object where the built and the unbuilt become counterpoints to vitalize each other. This engulfed void known as the courtyard lies at the genesis of urban dwellings in India. In this book the author traces the metaphysical, mythical, socio-cultural, environmental and spatial roles of the courtyard in the domestic architecture of India - from early civilization and Vedic times to Islamic and colonial influences. This book documents traditional courtyard dwelling types across India within diverse climatic, cultural as well as geographic zones such as West (Gujarat, Rajasthan, Maharashtra), South (Tamil Nadu, Kerala, Karnataka, Goa), East (Bihar, West Bengal), Central (Madhya Pradesh) and North (Uttar Pradesh, Delhi, Jammu and Kashmir). Courtyard Houses of India documents, analyzes and infers the attributes and manifestations of traditional courtyard houses and examines the diverse interpretations of those as applied in contemporary homes.
"Courtyards presents a survey of courtyards, contemporary design guidelines, and a diverse selection of examples. Readers will acquire a basic understanding of the balance that must exist between garden and building, including practical advice for planting."--BOOK JACKET.
Cultural sustainability is a very important aspect of the overall sustainability framework and is regarded as the ‘fourth pillar’ alongside the other three: environmental, economic, and social sustainability. However, the concept is neither fully explored, nor widely accepted or recognized. This book elicits the interplay of ‘nature-culture-architecture’ and theorizes the concept of ‘cultural sustainability’ and ‘culturally sustainable architecture.’ It identifies four key themes in Chinese philosophy: Harmony with Heaven, Harmony with Earth, Harmony with Humans, and Harmony with Self, along with Greek philosopher Aristotle’s physics: form, space, matter, and time, it sets them as criteria to evaluate the renewed and new courtyard housing projects constructed in China since the 1990s. Using an innovative architectural and social science approach, this book examines the political, economic, social, and spatial factors that affect cultural sustainability. Supported by a multiplicity of data including: field surveys, interviews with residents, architects, and planners, time diaries, drawings, photos, planning documents, observation notes, and real estate brochures, the book proposes new courtyard garden house design strategies that promote healthy communities and human care for one another, a concept that is universally applicable. The volume is a first opportunity to take a holistic view, to encompass eastern and western, tangible and intangible, cultures in the theorization of ‘cultural sustainability’ and ‘culturally sustainable architecture.’ It is a comprehensive contribution to architectural theory.
Cultural sustainability is a very important aspect of the overall sustainability framework and is regarded as the fourth pillar alongside the other three: environmental, economic, and social sustainability. However, the concept is neither fully explored, nor widely accepted or recognized. This book elicits the interplay of nature-culture-architecture and theorizes the concept of cultural sustainability and culturally sustainable architecture. It identifies four key themes in Chinese philosophy: Harmony with Heaven, Harmony with Earth, Harmony with Humans, and Harmony with Self, along with Greek philosopher Aristotle’s physics: form, space, matter, and time, it sets them as criteria to evaluate the renewed and new courtyard housing projects constructed in China since the 1990s. Using an innovative architectural and social science approach, this book examines the political, economic, social, and spatial factors that affect cultural sustainability. Supported by a multiplicity of data including: field surveys, interviews with residents, architects, and planners, time diaries, drawings, photos, planning documents, observation notes, and real estate brochures, the book proposes new courtyard garden house design strategies that promote healthy communities and human care for one another, a concept that is universally applicable. The volume is a first opportunity to take a holistic view, to encompass eastern and western, tangible and intangible, cultures in the theorization of cultural sustainability and culturally sustainable architecture. It is a comprehensive contribution to architectural theory.
Health and happiness are fundamental to human quality of life. The United Nations World Happiness Report 2012 reflects a new worldwide call for governments to include happiness as a criterion to their policies. The Healthy Cities or Happy Cities movement has been endorsed by the WHO since 1986, and a Healthy House or Happy Home is a critical constituent of a healthy city or a happy city. Nevertheless, the concept has not been fully explored. Existing literature on the healthy house has often focused on the technical, economic, environmental, or biochemical aspects, while current scholarship on the happy home commonly centers on interior decoration. Few studies have addressed the importance of social and cultural factors that affect the health and happiness of the occupants. Identifying four key themes in Chinese philosophy to promote health and happiness at home, this book links architecture with Chinese philosophy, social sciences, and the humanities, and in doing so, argues that Architectural Multiculturalism is a vital ideology to guide housing design in North America. Using both qualitative and quantitative evidence gathered from ethnic Chinese and non-Chinese living in the USA and Canada, the study proposes that the Courtyard is a central component to promote social and cultural health and happiness of residents. It further details courtyard garden house design strategies that combine a sense of privacy with a feeling of community as represented in courtyard housing. The schemes may have universal implications.