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In this dark fantasy comic omnibus, Death and the Court of the Dead prepare for battle against the warring celestial realms of Heaven and Hell. Heaven and Hell are at war! Fueled by human souls, this never-ending battle threatens to embroil all of existence in its pointless destruction. Death—arbiter of mortal souls and leader of the Underworld—is the unlikely hero who endeavors to restore balance to all the realms. Death and his Court of the Dead plan to rise up and defeat the celestial overlords. Get to know this grim, noble and improbably cast of heroes in the Court of the Dead: Grave Tales comics omnibus. Follow Malavestros, the impassioned, unhinged (and often fourth-wall-breaking) Jester of Death’s Court, on a guided tour through the Land of the Dead. Learn the origins of the unlikely band of heroes who must ultimately overcome their dark and destructive natures to fight the myopic armies of Heaven and Hell. Bear witness as Queen Gethsemoni struggles with her royal burdens. Watch as Kier, the Valkyrie of the Dead, hunts for angels...only to find a much more savage adversary. These and the other gripping epics enclosed within the Grave Tales Omnibus will prepare you for your journey into the afterlife. GraveTales’ 144 pages contain nine original stories, as well as exclusive behind-the-scenes content. This softbound collection of comics is an immersive introduction to the rich dark fantasy universe of the Court of the Dead.
In midst of the Underworld's war against Heaven and Hell, the factions of Flesh and Bone collide for the ultimate showdown! Three factions lead the Underworld in their secret rebellion against Heaven and Hell. Only through their unity will they defeat the Celestials, yet two of the faction leaders are constantly at odds. Gethsemoni, leader of the Faction of Flesh, and Xiall, leader of the Faction of Bone, pit their pride against each other in the training arena: Gethsemoni’s gargantuan golem Odium must fight Xiall’s stalwart soldier Mortighull. Odium is a raging juggernaut of sheer muscle and might. Mortighull is a swift and canny skeletal warrior. The fight between the two spans the length and breadth of the Underworld, in a battle that extends beyond a mere training exercise. Odium and Mortighull are treated as pawns in the War of Flesh and Bone, but where their leadership has lost sight, they struggle to find new purpose in the face of an even larger threat.
From the highly creative teams of Sideshow Collectibles and Insight Comics comes the next graphic novel installment of the Court of the Dead universe: Shadows of the Underworld! Before the Underworld can rise up and end the war between heaven and hell, they must first defeat the darkness within themselves: The Dreadsgrip. The power reaped from mortal souls comes at a significant cost. Any reapers that siphon too much ethereal power from the harvest may lose themselves to the Dreadsgrip, an irresistible thirst to destroy. Now, a rogue agent in Death’s Underworld is stoking a mutiny, fueled by the terrible Dreadsgrip plague that affects all denizens of the Underworld—a plague that could derail the leader of the Underworld, the Alltaker’s plans to rise up against the celestial powers of both heaven and hell. With this growing curse reverberating throughout the Alltaker's kingdom, Death’s impulsive daughter Kier must join forces with the Queen’s intractable right hand, Exraile, to root out and destroy this danger to the land between. These mighty warriors, caught in the midst of a celestial war, will need more than just their swords to slice through the Shadows of the Underworld.
Death comes for everyone. Make the most of your time and create something exquisite, horrifying, or beautiful within the Court of the Dead Deluxe Hardcover Sketchbook. Death comes for everyone, so make the most of your time and create something beautiful, horrifying, exquisite, and surreal. Draw out your demons via sketches, doodles and full-blown illustrations within the Court of the Dead Deluxe Hardcover Sketchbook, and they will last a lifetime . . . and possibly an afterlife time. Dare to discover the truth, and you shall find that the eternal struggle between Heaven and Hell is not a battle of good versus evil but a futile war between order and chaos. In such a universe, there are only those with power and those without it; mortals are most definitely without. In the dark fantasy universe of the Court of the Dead, the savage war between Heaven and Hell is fueled by mortal souls. Death and his Court are the unlikely heroes who struggle to overcome their dark natures in order to restore balance to all the realms. Join the fight for your afterlife. Begin by restoring balance to your own mind with this sketchbook. Featuring sturdy construction and sewn binding, it lies flat for ease of use. Includes 192 blank, acid-free pages of high-quality heavy stock paper that takes both pen and pencil well. Mark your place with a ribbon placeholder, and seal your illustrations safe with an elastic closure. The 6 x 9.75–inch back pocket is perfect for holding mementos—and momento mori.
"At once intimate and literally operatic, it's everything I love about Katherine Addison's writing, in ways I didn't know to expect. I loved it." —John Scalzi Katherine Addison returns to the glittering world she created for her beloved novel, The Goblin Emperor, with book one of the Cemeteries of Amalo trilogy Locus Award Finalist and Mythopoeic Award Finalist! When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin. Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honesty will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of the murdered. Celehar’s skills now lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness. Katherine Addison has created a fantastic world for these books – wide and deep and true. Within THE CHRONICLES OF OSRETH The Goblin Emperor The Cemeteries of Amalo trilogy The Witness for the Dead The Grief of Stones The Tomb of Dragons At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Sarah J. Maas hit the New York Times SERIES list at #1 with A Court of Wings and Ruin!
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Adapted from Joyce's literary masterpiece set in 1904, the last and best known of the short stories collected in The Dubliners, this intimate musical portrays a homespun Yuletide party with Irish music, dancing, food, drink and good fellowship. Sparkling songs, many of them traditional sounding Irish melodies that are performed as entertainment by the partygoers, are all original. Christopher Walken starred in a production that moved from Playwrights Horizon to Broadway.
The global doubling of human life expectancy between 1850 and 1950 is arguably one of the most consequential developments in human history, undergirding massive improvements in human life and lifestyles. In 1850, Americans died at an average age of 30. Today, the average is almost 80. This story is typically told as a series of medical breakthroughs—Jenner and vaccination, Lister and antisepsis, Snow and germ theory, Fleming and penicillin—but the lion's share of the credit belongs to the men and women who dedicated their lives to collecting good data. Examining the development of death registration systems in the United States—from the first mortality census in 1850 to the development of the death certificate at the turn of the century—Count the Dead argues that mortality data transformed life on Earth, proving critical to the systemization of public health, casualty reporting, and human rights. Stephen Berry shows how a network of coroners, court officials, and state and federal authorities developed methods to track and reveal patterns of dying. These officials harnessed these records to turn the collective dead into informants and in so doing allowed the dead to shape life and death as we know it today.