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“A smart, rich country noir” from the acclaimed author Kentucky Straight and The Good Brother (Stewart O’Nan, bestselling author of Henry, Himself). Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (The New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark is a taut, compelling novel set in rural Kentucky from the Korean War to 1970. Tucker, a young veteran, returns from war to work for a bootlegger. He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years. “[A] fine homage to a pocket of the country that’s as beautiful as it is prone to tragedy.”—The Wall Street Journal “A pleasure all around.”—Daniel Woodrell, author of Winter’s Bone
Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the William M B Berger Prize for British Art History 2022 Guardian Art Book of the Year 2021 A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings What is contained in a still life – and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women. But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make – and dismantle – our worlds. 'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Thérèse Oulton '[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
Explores the history of the colony, later the independent nation of Liberia, which was established on the west coast of Africa in 1822 as a haven for free African-Americans.
Now an HBO® Series from J.J. Abrams (Executive Producer of Westworld), Misha Green (Creator of Underground) and Jordan Peele (Director of Get Out) The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy. Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned one of Atticus’s ancestors—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours. At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction. A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.
Richard Weatherford is a successful small-town preacher in the Arkansas Ozarks. He’s a proud husband and father of five, and has worked hard to grow his loyal flock with strong sermons and smart community outreach. But while Weatherford is a man of influence and power—including a big force in local politics—he’s also a man with secrets.In the lead up to the 2016 presidential election, Weatherford’s world is threatened when he’s blackmailed by a former lover. Collecting the money the blackmailer demands will be a nearly impossible feat, especially over Easter weekend, when all eyes are on him. So Weatherford will have to turn to the darkest corners of their small town in a desperate attempt to keep his world from falling apart.Exploring a divided country and a cracked façade through the alternating perspectives of Weatherford, his wife, his lover, and other town residents, Dry County is a powerful story about how far some will go to keep hold of all they know—and all that others think them to be.
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • A novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
David Marr is the rarest of breeds: one of Australia’s most unflinching, forensic reporters of political controversy, and one of its most subtle and eloquent biographers. In Marr’s hands, those things we call reportage and commentary are elevated to artful and illuminating chronicles of our time. My Country collects his powerful reflections on religion, sex, censorship and the law; striking accounts of leaders, moralists and scandalmongers; elegant ruminations on the arts and the lives of artists. And some memorable new pieces. ‘My country is the subject that interests me most and I have spent my career trying to untangle it’s mysteries.’ –David Marr.
Winner of the 2017 Eduardo Bonilla-Silva Outstanding Book Award, sponsored by the Society for the Study of Social Problems. Finalist for the C. Wright Mills Book Award, sponsored by the Society for the Study of Social Problems. Winner of the 2017 Oliver Cromwell Cox Book Award, sponsored by the American Sociological Association's Section on Racial and Ethnic Minorities. Winner of the 2017 Mary Douglas Prize for Best Book, sponsored by the American Sociological Association's Sociology of Culture Section. Honorable Mention in the 2017 Book Award from the American Sociological Association's Section on Race, Class, and Gender. NAACP Image Award Nominee for an Outstanding Literary Work from a debut author. Winner of the 2017 Prose Award for Excellence in Social Sciences and the 2017 Prose Category Award for Law and Legal Studies, sponsored by the Professional and Scholarly Publishing Division, Association of American Publishers. Silver Medal from the Independent Publisher Book Awards (Current Events/Social Issues category). Americans are slowly waking up to the dire effects of racial profiling, police brutality, and mass incarceration, especially in disadvantaged neighborhoods and communities of color. The criminal courts are the crucial gateway between police action on the street and the processing of primarily black and Latino defendants into jails and prisons. And yet the courts, often portrayed as sacred, impartial institutions, have remained shrouded in secrecy, with the majority of Americans kept in the dark about how they function internally. Crook County bursts open the courthouse doors and enters the hallways, courtrooms, judges' chambers, and attorneys' offices to reveal a world of punishment determined by race, not offense. Nicole Gonzalez Van Cleve spent ten years working in and investigating the largest criminal courthouse in the country, Chicago–Cook County, and based on over 1,000 hours of observation, she takes readers inside our so-called halls of justice to witness the types of everyday racial abuses that fester within the courts, often in plain sight. We watch white courtroom professionals classify and deliberate on the fates of mostly black and Latino defendants while racial abuse and due process violations are encouraged and even seen as justified. Judges fall asleep on the bench. Prosecutors hang out like frat boys in the judges' chambers while the fates of defendants hang in the balance. Public defenders make choices about which defendants they will try to "save" and which they will sacrifice. Sheriff's officers cruelly mock and abuse defendants' family members. Delve deeper into Crook County with related media and instructor resources at www.sup.org/crookcountyresources. Crook County's powerful and at times devastating narratives reveal startling truths about a legal culture steeped in racial abuse. Defendants find themselves thrust into a pernicious legal world where courtroom actors live and breathe racism while simultaneously committing themselves to a colorblind ideal. Gonzalez Van Cleve urges all citizens to take a closer look at the way we do justice in America and to hold our arbiters of justice accountable to the highest standards of equality.
This international bestseller plumbs recently opened archives in the former Soviet bloc to reveal the accomplishments of communism around the world. The book is the first attempt to catalogue and analyse the crimes of communism over 70 years.
They've considered him a murderer for eighteen years, so no one in Dungirri is surprised when 'Gil' Gillespie returns and a woman's body is found in his car. Wearied by too many deaths and doubting her own skills, local police sergeant Kris Mathews isn't sure whether Gil is a decent man wronged by life, or a hardened criminal she should lock up. But she does know he's not guilty of this murder, because she is his alibi. Gil isn't used to feeling anything for anyone. But there's a teenager here who has his eyes - a daughter he never knew existed. And the sergeant's fiery tenacity stirs his blood. He can't acknowledge either. He's made too many enemies in the Sydney Mafia and amongst corrupt cops. Kris's alibi might have saved him from a murder charge but her dedication to finding the truth has made her a target. Gil is surrounded by wilderness, but there's no place to hide, because his enemies have most of the town on their side, and they know that the one thing most punishing would be harming the few people he cares about.