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This is an account of Jacques Derrida's involvement in debates about the university. Derrida has long argued that philosophy simultaneously belongs and does not belong to the university. This book asks whether a broader tension between 'belonging' and 'not belonging' also forms the basis of Derrida's political thinking and activism.
Counter Institution is a history of three re-purposed buildings in the Lower East Side--Peace Pentagon, ABC No Rio, and El Bohio--that have been used by activists as their headquarters to launch various actions over the past forty years.
This book establishes deconstructive dialogues between texts which are generically, chronologically and stylistically very different. Each chapter aligns one of Dickens's later novels with a work of contemporary literature and a post structuralist theoretical text. Working from the premise of Derrida's contre, the relationship developed between these texts is not so much intertextual as countertextual: each text re-enacts the procedures of its counterparts, simultaneously rearticulating and interrogating their status. In this triangular mode of reading, the contact zone between countertexts becomes the site on which new readings are generated, readings that use the ambivalent relationship between writings to mark an analogous self-difference within writing itself. This productive self difference is described as a “negotiation” of the contradictory drives of signification, a strategic management of the masterly and the contingent. This book argues that Dickens's texts perform their negotiations in an acutely strenuous manner, amplifying instability and exposing the means of literary production. This lack of discipline proves contagious as the reader re enacts the text's spasmodic shifts between mastery and contingency. As surrogate Dickensian readers in the countertextual economy, the contemporary novel and post structuralist theory also display this instability an effect which allows this study to develop not only a theory of poetics but a poetics of theory. This dramatic self difference is not simply restricted to writing, however. In later chapters, this study examines how racial and gender identities are also marked by ambivalence, and how their instability is exacerbated after contact with a Dickensian contre. In conclusion, the work is itself submitted to a ‘Dickensian’ reading. The author examines how the study’s own manoeuvres have been exposed through contact with many of the texts analysed within it, and how this dialogue deconstructs the ideal of academic writing.
The Business of Emotions in Modern History shows how businesses, from individual entrepreneurs to family firms and massive corporations, have relied on, leveraged, generated and been shaped by emotions for centuries. With a broad temporal and global coverage, ranging from the early modern era to the present day in Africa, Asia, Europe and North America, the essays in this volume highlight the rich potential for studying emotions and business in tandem. In exploring how emotions and emotional situations affect business, and in turn how businesses affect the emotional lives of individuals and communities, this book allows us to recognise the emotional structures behind business decisions and relationships, and how to question them. From emotional labour in family firms, to affective corporate paternalism and the role of specific emotions such as trust, fear, anxiety love and nostalgia in creating economic connections, this book opens a rich new avenue of research for both the history of emotions and business history.
Pronouncements such as “the avant-garde is dead,” argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest “avant-garde pluralities” and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy.
First published in 1977. The New Left, as an organised political phenomenon, came - and went - largely in the 1960s. Was the Movement that went into precipitate decline after 1969 the same New Left that had developed a decade earlier? Nigel Young's thesis is that the core New Left, as it had evolved by the mid-1960s, had a unique identity that set
This book—the culmination of forty years of friendship between J. Hillis Miller and Jacques Derrida, during which Miller also closely followed all Derrida’s writings and seminars—is “for Derrida” in two senses. It is “for him,” dedicated to his memory. The chapters also speak, in acts of reading, as advocates for Derrida’s work. They focus especially on Derrida’s late work, including passages from the last, as yet unpublished, seminars. The chapters are “partial to Derrida,” on his side, taking his part, gratefully submitting themselves to the demand made by Derrida’s writings to be read—slowly, carefully, faithfully, with close attention to semantic detail. The chapters do not progress forward to tell a sequential story. They are, rather, a series of perspectives on the heterogeneity of Derrida’s work, or forays into that heterogeneity. The chief goal has been, to borrow a phrase from Wallace Stevens, “plainly to propound” what Derrida says. The book aims, above all, to render Derrida’s writings justice. It should be remembered, however, that, according to Derrida himself, every rendering of justice is also a transformative interpretation. A book like this one is not a substitute for reading Derrida for oneself. It is to be hoped that it will encourage readers to do just that.
Cities are many things. Among their least appealing aspects, cities are frequently characterized by concentrations of insecurity and exploitation. Cities have also long represented promises of opportunity and liberation. Public decision-making in contemporary cities is full of conflict, and principles of justice are rarely the explicit basis for the resolution of disputes. If today’s cities are full of injustices and unrealized promises, how would a Just City function? Is a Just City merely a utopia, or does it have practical relevance? This book engages with the growing debate around these questions. The notion of the Just City emerges from philosophical discussions about what justice is combined with the intellectual history of utopias and ideal cities. The contributors to this volume, including Susan Fainstein, David Harvey and Margit Mayer articulate a conception of the Just City and then examine it from differing angles, ranging from Marxist thought to communicative theory. The arguments both develop the concept of a Just City and question it, as well as suggesting alternatives for future expansion. Explorations of the concept in practice include case studies primarily from U.S. cities, but also from Europe, the Middle East and Latin America. The authors find that a forthright call for justice in all aspects of city life, putting the question of what a Just City should be on the agenda of urban reform, can be a practical approach to solving questions of urban policy. This synthesis is provocative in a globalised world and the contributing authors bridge the gap between theoretical conceptualizations of urban justice and the reality of planning and building cities. The notion of the Just City is an empowering framework for contemporary urban actors to improve the quality of urban life and Searching for the Just City is a seminal read for practitioners, professionals, students, researchers and anyone interested in what urban futures should aim to achieve.
In September 1969, Ted Clark, Dennis Jaffe, and Yvonne Durchfort (now Yvonne Jaffe) started "Number Nine", a crisis telephone line. Initially this was an attempt to discover from young people themselves exactly what the needs of young people were, in order that a program relevant to those needs might be developed. The crisis line program, in itself, proved useful and meaningful to young people as they began calling in increasing numbers. Since many community agencies – through their insistence that young people cooperate with a value system that does not engender trust – alienated themselves from these young people, it became increasingly imperative that the crisis line expand its resources to include counseling, a crash pad, a residential program, and a drop-in center. As an alternative to those agencies who insist on viewing drug use as a problem per se and who do not focus their attentions on family, school, and personal relationships in general, "Number Nine" offered realistic and reachable solutions. Originally published in 1973, Toward a Radical Therapy is a collection of essays concerning numerous issues which the authors encountered during the development of an alternative service – an organization which reflects the values and experiences of young people (the counter-culture), rather than the values of the established social order, as a necessary step toward helping people cope with their problems. The ideas expounded in these working papers are the outcome of experiences and experiments in attempting to effect personal and organizational changes basic to creating an alternative culture. Concurrent with the writing of this book, the authors discovered numerous conflicts occurring at all levels of program and institutional development, as well as within themselves. Personal changes become necessarily interrelated with social change and organizational structuring. Counseling had to be redefined as existing theories and methodologies were limited in their ability to comprehend the constant changes that youth were undergoing at the time.
Originally published in 1974 and the recipient of the Denis Carroll Book Prize at the World Congress of the International Criminology Society in 1978, Thomas Mathiesen’s The Politics of Abolition is a landmark text in critical criminology. In its examination of Scandinavian penal policy and call for the abolition of prisons, this book was enormously influential across Europe and beyond among criminologists, sociologists and legal scholars, as well as advocates of prisoners’ rights. Forty years on and in the context of mass incarceration in many parts of the world, this book remains relevant to a new generation of penal scholars. This new edition includes a new introduction from the author, as well as an afterword that collects contributions from leading criminologists and inmates from Germany, England, Norway and the United States to reflect on the development and current state of the academic literature on penal abolition. This book will be suitable for academics and students of criminology and sociology, as well as those studying political science. It will also be of great interest to those who read the original book and are looking for new insights into an issue that is still as important and topical today as it was forty years ago.