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In this pedagogical microhistory, Leah Shopkow demonstrates the skills used to present history through the biography of St. Vitalis of Savigny.
The Saint gets more than he bargained for when he tries to help a friendly pastor and he discovers murder when he aids Father Christmas.
He may not always be on the right side of the law, but with his charm and Robin Hood morality, he is clearly on the side of angels: he is the Saint.
While historians know that history is about interpreting primary sources, students tend to think of history as a set of facts. In The Saint and the Count, Leah Shopkow opens up the interpretive world of the historian using the biography of St. Vitalis of Savigny (d. 1122) as a case study. This biography was written around 1174 by Stephen of Fougères and provides a rich stage to demonstrate the kinds of questions historians ask about primary sources and the interpretive and conceptual frameworks they use. What is the nature of medieval sources and what are the interpretive problems they present? How does the positionality of Stephen of Fougères shape his biography of St. Vitalis? How did medieval people respond to stories of miracles? And finally, how does this biography illuminate the problem of violence in medieval society? A translation of the biography is included, so that readers can explore the text on their own.
Three thousand years ago, amidst the tombs and temples of ancient Egypt, they called him Demon. Today he is known as the Count Saint-Germain--a man of great power and greater mystery. For over 15 years, readers and critics have praised Yarbro's novels of Saint-Germain. Now, the secrets of his mysterious past--and distant nights along the shores of the Nile--are revealed.
Fifteen-year-old Janna Yusuf, a Flannery O'Connor-obsessed book nerd and the daughter of the only divorced mother at their mosque, tries to make sense of the events that follow when her best friend's cousin--a holy star in the Muslim community--attempts to assault her at the end of sophomore year.
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • ONE OF ESQUIRE’S BEST BIOGRAPHIES OF ALL TIME General Alex Dumas is a man almost unknown today, yet his story is strikingly familiar—because his son, the novelist Alexandre Dumas, used his larger-than-life feats as inspiration for such classics as The Count of Monte Cristo and The Three Musketeers. But, hidden behind General Dumas's swashbuckling adventures was an even more incredible secret: he was the son of a black slave—who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas made his way to Paris, where he rose to command armies at the height of the Revolution—until he met an implacable enemy he could not defeat. The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. TIME magazine called The Black Count "one of those quintessentially human stories of strength and courage that sheds light on the historical moment that made it possible." But it is also a heartbreaking story of the enduring bonds of love between a father and son.
"Voltaire called him the “man who never dies and knows everything.” The Count Saint Germain turned base metals into gold, removed the flaws from diamonds and discovered the elixir of youth. In the eighteenth century, this “Wonderman of Europe” was the confidant of kings and a friend to the poor. Today the master Saint Germain shows that miracles are nothing more than the natural outgrowth of the practice of spiritual alchemy. In this greatest of all self-help books, he describes the principles of alchemy and how you can use them in your own life to bring about spiritual, mental, emotional and physical transformation."